The rush and swoop of these wonderful night birds was all lost upon him; their heroic dash and self-sacrifice. The Vaterland was rammed, and for some moments she hung on the verge of destruction, and sinking swiftly, with the American aeroplane entangled with her smashed propeller, and the Americans trying to scramble aboard. It signified nothing to Bert. To him it conveyed itself simply as vehement swaying. Foolery! When the American airship dropped off at last, with most of its crew shot or fallen, Bert in his locker appreciated nothing but that the Vaterland had taken a hideous upward leap.

But then came infinite relief, incredibly blissful relief. The rolling, the pitching, the struggle ceased, ceased instantly and absolutely. The Vaterland was no longer fighting the gale; her smashed and exploded engines throbbed no more; she was disabled and driving before the wind as smoothly as a balloon, a huge, windspread, tattered cloud of aerial wreckage.

To Bert it was no more than the end of a series of disagreeable sensations. He was not curious to know what had happened to the airship, nor what had happened to the battle. For a long time he lay waiting apprehensively for the pitching and tossing and his qualms to return, and so, lying, boxed up in the locker, he presently fell asleep.

3

He awoke tranquil but very stuffy, and at the same time very cold, and quite unable to recollect where he could be. His head ached, and his breath was suffocated. He had been dreaming confusedly of Edna, and Desert Dervishes, and of riding bicycles in an extremely perilous manner through the upper air amidst a pyrotechnic display of crackers and Bengal lights—to the great annoyance of a sort of composite person made up of the Prince and Mr. Butteridge. Then for some reason Edna and he had begun to cry pitifully for each other, and he woke up with wet eye-lashes into this ill-ventilated darkness of the locker. He would never see Edna any more, never see Edna any more.

He thought he must be back in the bedroom behind the cycle shop at the bottom of Bun Hill, and he was sure the vision he had had of the destruction of a magnificent city, a city quite incredibly great and splendid, by means of bombs, was no more than a particularly vivid dream.

“Grubb!” he called, anxious to tell him.

The answering silence, and the dull resonance of the locker to his voice, supplementing the stifling quality of the air, set going a new train of ideas. He lifted up his hands and feet, and met an inflexible resistance. He was in a coffin, he thought! He had been buried alive! He gave way at once to wild panic. “'Elp!” he screamed. “'Elp!” and drummed with his feet, and kicked and struggled. “Let me out! Let me out!”

For some seconds he struggled with this intolerable horror, and then the side of his imagined coffin gave way, and he was flying out into daylight. Then he was rolling about on what seemed to be a padded floor with Kurt, and being punched and sworn at lustily.

He sat up. His head bandage had become loose and got over one eye, and he whipped the whole thing off. Kurt was also sitting up, a yard away from him, pink as ever, wrapped in blankets, and with an aluminium diver's helmet over his knee, staring at him with a severe expression, and rubbing his downy unshaven chin. They were both on a slanting floor of crimson padding, and above them was an opening like a long, low cellar flap that Bert by an effort perceived to be the cabin door in a half-inverted condition. The whole cabin had in fact turned on its side.