War and the Future: Italy, France and Britain at War

by H. G. Wells

The British establishment I visited was a very refreshing and reassuring piece of practical organisation. The air force of Great Britain has had the good fortune to develop with considerable freedom from old army tradition; many of its officers are ex-civil engineers and so forth; Headquarters is a little shy of technical direction; and all this in a service that is still necessarily experimental and plastic is to the good. There is little doubt that, given a release from prejudice, bad associations and the equestrian tradition, British technical intelligence and energy can do just as well as the French. Our problem with our army is not to create intelligence, there is an abundance of it, but to release it from a dreary social and official pressure. The air service ransacks the army for men with technical training and sees that it gets them, there is a real keenness upon the work, and the men in these great mobile hangars talk shop readily and clearly.

I have already mentioned and the newspapers have told abundantly of the pluck, daring, and admirable work of our aviators; what is still untellable in any detail is the energy and ability of the constructive and repairing branch upon whose efficiency their feats depend. Perhaps the most interesting thing I saw in connection with the air work was the hospital for damaged machines and the dump to which those hopelessly injured are taken, in order that they may be disarticulated and all that is sound in them used for reconstruction. How excellently this work is being done may be judged from the fact that our offensive in July started with a certain number of aeroplanes, a number that would have seemed fantastic in a story a year before the war began. These aeroplanes were in constant action; they fought, they were shot down, they had their share of accidents. Not only did the repair department make good every loss, but after three weeks of the offensive the army was fighting with fifty more machines than at the outset. One goes through a vast Rembrandtesque shed opening upon a great sunny field, in whose cool shadows rest a number of interesting patients; captured and slightly damaged German machines, machines of our own with scars of battle upon them, one or two cases of bad landing. The star case came over from Peronne. It had come in two days ago.

I examined this machine and I will tell the state it was in, but I perceive that what I have to tell will read not like a sober statement of truth but like strained and silly lying. The machine had had a direct hit from an Archibald shell. The propeller had been clean blown away; so had the machine gun and all its fittings. The engines had been stripped naked and a good deal bent about. The timber stay over the aviator had been broken, so that it is marvellous the wings of the machine did not just up at once like the wings of a butterfly. The solitary aviator had been wounded in the face. He had then come down in a long glide into the British lines, and made a tolerable landing....

2

One consequence of the growing importance of the aeroplane in warfare is the development of a new military art, the art of camouflage. Camouflage is humbugging disguise, it is making things—and especially in this connection, military things—seem not what they are, but something peaceful and rural, something harmless and quite uninteresting to aeroplane observers. It is the art of making big guns look like haystacks and tents like level patches of field.

Also it includes the art of making attractive models of guns, camps, trenches and the like that are not bona-fide guns, camps, or trenches at all, so that the aeroplane bomb-dropper and the aeroplane observer may waste his time and energies and the enemy gunfire be misdirected. In Italy I saw dummy guns so made as to deceive the very elect at a distance of a few thousand feet. The camouflage of concealment aims either at invisibility or imitation; I have seen a supply train look like a row of cottages, its smoke-stack a chimney, with the tops of sham palings running along the back of the engine and creepers painted up its sides. But that was a flight of the imagination; the commonest camouflage is merely to conceal. Trees are brought up and planted near the object to be hidden, it is painted in the same tones as its background, it is covered with an awning painted to look like grass or earth. I suppose it is only a matter of development before a dummy cow or so is put up to chew the cud on the awning.

But camouflage or no camouflage, the bulk of both the French and British forces in the new won ground of the great offensive lay necessarily in the open. Only the big guns and the advanced Red Cross stations had got into pits and subterranean hiding places. The advance has been too rapid and continuous for the armies to make much of a toilette as they halted, and the destruction and the desolation of the country won afforded few facilities for easy concealment. Tents, transport, munitions, these all indicated an army on the march—at the rate of half a mile in a week or so, to Germany. If the wet and mud of November and December have for a time delayed that advance, the force behind has but accumulated for the resumption of the thrust.

3

A journey up from the base to the front trenches shows an interesting series of phases. One leaves Amiens, in which the normal life threads its way through crowds of resting men in khaki and horizon blue, in which staff officers in automobiles whisk hither and thither, in which there are nurses and even a few inexplicable ladies in worldly costume, in which restaurants and cafes are congested and busy, through which there is a perpetual coming and going of processions of heavy vans to the railway sidings. One dodges past a monstrous blue-black gun going up to the British front behind two resolute traction engines—the three sun-blistered young men in the cart that trails behind lounge in attitudes of haughty pride that would shame the ceiling gods of Hampton Court. One passes through arcades of waiting motor vans, through arcades of waiting motor vans, through suburbs still more intensely khaki or horizon blue, and so out upon the great straight poplar-edged road—to the front. Sometimes one laces through spates of heavy traffic, sometimes the dusty road is clear ahead, now we pass a vast aviation camp, now a park of waiting field guns, now an encampment of cavalry. One turns aside, and abruptly one is in France—France as one knew it before the war, on a shady secondary road, past a delightful chateau behind its iron gates, past a beautiful church, and then suddenly we are in a village street full of stately Indian soldiers.

It betrays no military secret to say that commonly the rare tourist to the British offensive passes through Albert, with its great modern red cathedral smashed to pieces and the great gilt Madonna and Child that once surmounted the tower now, as everyone knows, hanging out horizontally in an attitude that irresistibly suggests an imminent dive upon the passing traveller. One looks right up under it.