“It seems only yesterday,” said Isbister. “I remember it all as though it happened yesterday—clearer perhaps, than if it had happened yesterday.”
It was the Isbister of the last chapter, but he was no longer a young man. The hair that had been brown and a trifle in excess of the fashionable length, was iron grey and clipped close, and the face that had been pink and white was buff and ruddy. He had a pointed beard shot with grey. He talked to an elderly man who wore a summer suit of drill (the summer of that year was unusually hot). This was Warming, a London solicitor and next of kin to Graham, the man who had fallen into the trance. And the two men stood side by side in a room in a house in London regarding his recumbent figure.
It was a yellow figure lying lax upon a water-bed and clad in a flowing shirt, a figure with a shrunken face and a stubby beard, lean limbs and lank nails, and about it was a case of thin glass. This glass seemed to mark off the sleeper from the reality of life about him, he was a thing apart, a strange, isolated abnormality. The two men stood close to the glass, peering in.
“The thing gave me a shock,” said Isbister “I feel a queer sort of surprise even now when I think of his white eyes. They were white, you know, rolled up. Coming here again brings it all back to me.
“Have you never seen him since that time?” asked Warming.
“Often wanted to come,” said Isbister; “but business nowadays is too serious a thing for much holiday keeping. I’ve been in America most of the time.”
“If I remember rightly,” said Warming, “you were an artist?”
“Was. And then I became a married man. I saw it was all up with black and white, very soon—at least for a mediocre man, and I jumped on to process. Those posters on the Cliffs at Dover are by my people.”
“Good posters,” admitted the solicitor, “though I was sorry to see them there.”
“Last as long as the cliffs, if necessary,” exclaimed Isbister with satisfaction. “The world changes. When he fell asleep, twenty years ago, I was down at Boscastle with a box of water-colours and a noble, old-fashioned ambition. I didn’t expect that some day my pigments would glorify the whole blessed coast of England, from Land’s End round again to the Lizard. Luck comes to a man very often when he’s not looking.”