When the Sleeper Wakes

by H. G. Wells

Beyond the blazing lakes of Eadhamite he came to the warren of the jewellers, and, with some difficulty and by using his signature, obtained admission to these galleries. They were high and dark, and rather cold. In the first a few men were making ornaments of gold filigree, each man at a little bench by himself, and with a little shaded light. The long vista of light patches, with the nimble fingers brightly lit and moving among the gleaming yellow coils, and the intent face like the face of a ghost, in each shadow had the oddest effect.

The work was beautifully executed, but without any strength of modelling or drawing, for the most part intricate grotesques or the ringing of the changes on a geometrical motif. These workers wore a peculiar white uniform without pockets or sleeves. They assumed this on coming to work, but at night they were stripped and examined before they left the premises of the Company. In spite of every precaution, the Labour policeman told them in a depressed tone, the Company was not infrequently robbed.

Beyond was a gallery of women busied in cutting and setting slabs of artificial ruby, and next these were men and women busied together upon the slabs of copper net that formed the basis of cloisonne tiles. Many of these workers had lips and nostrils a livid white, due to a disease caused by a peculiar purple enamel that chanced to be much in fashion. Asano apologised to Graham for the offence of their faces, but excused himself on the score of the convenience of this route. “This is what I wanted to see,” said Graham; “this is what I wanted to see,” trying to avoid a start at a particularly striking disfigurement that suddenly stared him in the face.

“She might have done better with herself than that,” said Asano.

Graham made some indignant comments.

“But, Sire, we simply could not stand that stuff without the purple,” said Asano. “In your days people could stand such crudities, they were nearer the barbaric by two hundred years.”

They continued along one of the lower galleries of this cloisonne factory, and came to a little bridge that spanned a vault. Looking over the parapet, Graham saw that beneath was a wharf under yet more tremendous archings than any he had seen. Three barges, smothered in floury dust, were being unloaded of their cargoes of powdered felspar by a multitude of coughing men, each guiding a little truck; the dust filled the place with a choking mist, and turned the electric glare yellow. The vague shadows of these workers gesticulated about their feet, and rushed to and fro against a long stretch of white-washed wall. Every now and then one would stop to cough.

A shadowy, huge mass of masonry rising out of the inky water, brought to Graham’s mind the thought of the multitude of ways and galleries and lifts, that rose floor above floor overhead between him and the sky. The men worked in silence under the supervision of two of the Labour Police; their feet made a hollow thunder on the planks along which they went to and fro. And as he looked at this scene, some hidden voice in the darkness began to sing.

“Stop that!” shouted one of the policemen, but the order was disobeyed, and first one and then all the white-stained men who were working there had taken up the beating refrain, singing it defiantly, the Song of the Revolt. The feet upon the planks thundered now to the rhythm of the song, tramp, tramp, tramp. The policeman who had shouted glanced at his fellow, and Graham saw him shrug his shoulders. He made no further effort to stop the singing.

And so they went through these factories and places of toil, seeing many painful and grim things. But why should the gentle reader be depressed? Surely to a refined nature our present world is distressing enough without bothering ourselves about these miseries to come. We shall not suffer anyhow. Our children may, but what is that to us? That walk left on Graham’s mind a maze of memories, fluctuating pictures of swathed halls, and crowded vaults seen through clouds of dust, of intricate machines, the racing threads of looms, the heavy beat of stamping machinery, the roar and rattle of belt and armature, of ill-lit subterranean aisles of sleeping places, illimitable vistas of pin-point lights. And here the smell of tanning, and here the reek of a brewery and here, unprecedented reeks. And everywhere were pillars and cross archings of such a massiveness as Graham had never before seen, thick Titans of greasy, shining brickwork crushed beneath the vast weight of that complex city world, even as these anemic millions were crushed by its complexity. And everywhere were pale features, lean limbs, disfigurement and degradation.