On the face of the pillars here some traces of fresco-painting are in some lights still to be seen.

A screen of most uninteresting work separated the choir from the nave up to the time of the restoration work that was begun in 1875, and upon this stood the organ. In front of the organ was hung a huge and unsightly gas corona, portions of which are still lying in the north transept.

Two bays of either aisle were also disfigured with low galleries, as were also the transepts. These erections, with the screen and the screens across the aisles, have fortunately disappeared. As Bennett wrote, "These additions, however much they may add to the convenience and comfort of those who attend divine service, little harmonise with the general character of the building."

The Screen.—This dates from the restoration of 1892, and was erected in memory of Mrs. Glynn, by Archdeacon Robeson and Mr. E.F. Glynn. The screen is of carved oak, and consists of a central door, with wrought-iron gates, and on either side four openings. At the top, which is seventeen feet above the floor level, is an overhanging cornice with elaborate cresting of carved work on both sides. The cross in the centre is richly ornamented on the stem and the arms. These latter are terminated with pateræ, with pierced and carved work. The centre of the cross is composed of a quatrefoil in which is carved the Agnus Dei. Flanking the cross are two figures, one representing St. John, and the other the Virgin Mary. These figures are well carved (by Boulton, of Cheltenham), but, like the cross, look too small on the top of the screen.

The side sections of the screen terminate in ogee arches, elaborately cusped and crocketed, with perpendicular tracery in the spandrils. The separating shafts terminate with pinnacles.

In the central section there are two arches, one being semi-circular with very delicate foliated tracery; the other is an ogee trefoil supported from brackets which take the form of angels.

The lowest stage of the screen is solid panel work and calls for no special mention.

The gates were made by Clarke, of Brackley, and were designed by Mr. J.O. Scott for the donor, Rev. W.R.F. Hepworth. Intricate in their design, and cleverly wrought as they are, they seem slightly incongruous in this wooden screen. The shields bear the correct arms of the Abbey, and round the shields are intertwining iron rods. Scrolls with leaves and other devices are also introduced. Across the top of the gates is a band of square panels with varied design in pierced work, and on the top is an elaborate cresting.

On the inside of the gates, on the shields are the texts, "Serve the Lord with fear."; and "Rejoice unto Him with reverence."

The whole screen looks too low for its position, whether it be viewed from the west end or from the triforium of the choir at the east end. The workmanship will not bear any minute comparison with the loving hand-craftsmanship of mediæval times; much of it is more skilful as church furniture of a very mechanical kind than beautiful as real carver's work.