South Transept.—(Dimensions 40 feet 8 inches by 32 feet 10 inches.) This transept has vaulting of the same character as the other, and a large west window, rebuilt in 1820, filled with glass in memory of Thomas Collins, of Tewkesbury. Beneath this window is a deeply recessed doorway (now blocked up) which once gave access to the cloisters. In this recess are to be found some of the old tiles which formerly were in the choir. In the south wall too, like the north wall of the other transept, there are recessed Norman arches with two windows—enlarged later—under the roof. The doorway in this wall formerly communicated with the Chapter House. One of Tewkesbury's glories, the old organ, forms the north boundary of the transept. On the east side there are four large Norman arches. Of these the first is the archway which gives access to the south ambulatory, with a triangular window (of fourteenth century work) over it, occupying the position once taken by the arch of the triforium of the Norman choir. In 1893 this window was glazed with stained glass by Rev. W.H.F. Hepworth in memory of his mother, the subject of the window being Faith, Hope, and Charity.
To the south of this is the large arch which gives access to the Norman chapel with its early Norman groined roof. This chapel will give the student an idea of the original plan of the north transept before the alterations in 1237 and in 1246.
The east window was perforce blocked up when the ambulatory chapels were built, and to give light to the chapel the south-east window was inserted in the apse, no other position for a window being possible, as will easily be seen by reference to the plan.
An anonymous donor presented the Salviati mosaic now in the filling of the east window, but the effect is not good, as too strong a light falls upon the gold background. Probably the work will look better when the south transept is entirely glazed with coloured glass. The subject is our Lord enthroned, bearing a book in one hand, and having the other raised as in blessing. The glass in this window was formerly in the east window of the ambulatory of the choir, and was removed to its present position in 1887. It is a memorial to Mr. A. Sprowle, a former resident of Tewkesbury. The glass is by Clayton and Bell, but the window is very poor and uninteresting.
This Norman chapel[19] was at one time used as the Baptistery, and the font, now in one of the two north-east chapels, was in use here up to the time of the restoration in 1875. After this restoration the altar from the choir was transferred to this chapel, and the various guilds connected with the church subscribed towards the cost of fitting the chapel for special devotional use. It is used for the daily morning services in the week.
There are remains of a piscina in this chapel, but very much battered. It is to be hoped that money will not be frittered away on any attempt at polychrome decoration of the ordinary kind in the chapel as has been done at Gloucester in the chapel of St. Andrew. Mr. Blunt has thrown out the suggestion as a possible ideal, but the simplicity of the present chapel is far preferable.
Immediately above it is a large vaulted room, similar in shape, but less lofty, open to the transept. Its roof shows traces of having been at one time elaborately painted with frescoes, and the room formerly communicated with the original Norman triforium of the choir. This room has at various times had absurd names given to it, perhaps the most absurd being that of the Nun's Prison. As Mr. Blunt in "Tewkesbury and its Associations" says, there are many people who cannot hear about monks without immediately thinking of nuns. It would seem that the room communicated with the dorter or dormitory, and was designed for invalid monks, who from it might hear mass sung in the church without going downstairs. In the south-east corner of the transept a staircase gives access to this chamber, and communicates with the triforium of the transept, the clerestory of the choir, the vaulting of the ambulatory as well as that of the tower.
Before 1875 a gallery filled up the south transept and two bays of the south aisle, and communicated by means of the organ screen with the similar gallery in the north transept.
In the west wall is a recess, formerly a doorway of Early English work. On the south wall is a brass tablet from the choir pavement, to the memory of Prince Edward.
At the corner of the south transept and the south aisle is a curious recess in the masonry hidden by a curtain.