The fourth window, to the memory of Sir W. Guise, Bart., is rather kaleidoscopic in effect, owing to its being mainly an armorial window, and, secondarily, historical. The historical portion represents the Coronation of Henry III. in Gloucester Cathedral in 1216, by Gualo (the Papal legate) and Peter de Rupibus, or des Roches, Bishop of Winchester. In the left centre light is Hubert de Burgh, Earl of Kent, and in the right is Joceline, Bishop of Bath.
The glass is by Clayton & Bell.
The fifth window is a memorial window to Mrs. Evans. In colour it resembles the third window, and is by the same artist.
The sixth window is a memorial to Mrs Ellis. It is historical, but bristles with anachronisms.
The seventh window is a memorial (executed by Warrington) to Jeremiah Nettleton Balme.
The eighth window is in memory of Lieut.-Col. Sir Harry Francis Colville Darell, who died in 1853.
North Aisle.—This aisle retains its original Norman vaulting. The Norman piers, which correspond to the piers in the nave, are divided into several members, and their capitals are in some cases richly carved. In each bay the jambs and heads are of old work, filled in with Perpendicular tracing. A stone bench along the wall is also Perpendicular.
The door into the cloister at the west end of the aisle contains some very fine work. The wall is panelled on either side, and the panels are said to have formerly had paintings of the twelve apostles. The side niches and the canopy work over the door should be examined.
The door at the eastern end of the aisle by which access is gained to the cloisters and the chapter-house is also of Perpendicular work. Both of these doors have fan-vaulted recesses, like the great west door of the nave. They are so contrived that the doors may open into them and occupy the minimum of space.
Over the east door in the cloisters there were blazoned some years back the arms of the See, the Bishop, the Dean, the Canons, the Darell and Nightingall families.