Several of the machines could be figured: the pink maze, one or two others; and Watkins had at least a theory on the organ. The sleek modernistic machinery which directed the airship was plain enough. There were certain designs and arrangements to follow that flew it up and down the room. They were hard to memorize but Mrs. Full and the somber ranger, Summersby, became adept at them.
Then there were the others....
There was a remote control device that played "music," weird haunting all-but-harmonies that sounded worst when the creatures appeared most pleased, and earned the punishment stool or a brutal cuffing for the operator when he did manage to produce something resembling a tune. Evidently bearing a relation to this was the sharp slap Adam got when he started to sing "The Whiffenpoof Song" while idling around a pile of outsize blocks like a child's building bricks. What the human ear relished, the giant ear flinched from.
There was a sort of vertical maze that verged on the four-dimensional, for when they thought they were finding a way out the top they would come abruptly to the side, or even the bottom, and have to begin anew. This one was obviously impossible to figure out, thought Watkins. It must be one of the ways in which the scientists induced neuroses in their experimental subjects. He had a quick mind for puzzles and intricacies of any kind, but this one stumped him cold.
"You think it's calculated to drive you crazy?" he asked Cal.
The New Englander considered for a minute. Then he nodded. "Possibly," he said.
"You think it might work?"
This time Cal pondered longer. At last he said, "Not if we don't let it."
"I could develop a first-class neurosis," said Watkins to Mrs. Full, "if I let myself really go."
"We must all keep our heads, Mr. Watkins," she told him. "Those of us who have not given up—" She glanced at Summersby with a frown—"must hold a tight rein on ourselves."