"Zelda was my best flesh act," interrupted Arnold Wilson Wyle, a ten-percenter whom video had saved from alimony jail. "A solid boffola in the bop basements. Nobody regrets her sad condition more than me, Clocker, but it's a sure flop, what you got in mind. Think of your public. For instance, what's good at Hialeah? My bar bill is about to be foreclosed and I can use a long shot."
Clocker bounced his fist on the moist table. "Those couch artists don't know what's wrong with Zelda. I do."
"You do?" Doc asked, startled.
"Well, almost. I'm so close, I can hear the finish-line camera clicking."
Buttonhole grasped Doc's lapel and hung on with characteristic avidity; he was perhaps Clocker's most pious subscriber. "Doping races is a science. Clocker maybe never doped the human race, but I got nine to five he can do it. Go on, tell him, Clocker."
Doc Hawkins ran together the rings he had been making with the wet bottom of his tumbler. "I shall be most interested," he said with tabloid irony, clearly feeling that immediate disillusionment was the most humane thing for Clocker. "Perhaps we can collaborate on an article for the psychiatric journals."
"All right, look." Clocker pulled out charts resembling those he worked with when making turf selections. "Zelda's got catatonia, which is the last heat in the schizophrenia parlay. She used to be a hoofer before she started undressing for dough, and now she does time-steps all day."
Doc nodded into a fresh glass that the waiter had put before him. "Stereotyped movements are typical of catatonia. They derive from thwarted or repressed instinctual drive; in most instances, the residue of childhood frustrations."
"She dance all day, huh, Clocker?" asked Oil Pocket, the Oklahoma Cherokee who, with the income of several wells, was famed for angeling bareback shows. He had a glass of tequila in one hand, the salted half of a lemon in the other. "She dance good?"