I
The world as known to Homer is a mere fragment of territory, including a good part of the mainland of Greece, with the islands and coast districts of the Ægæan. Outside of these limits his knowledge of geography is narrow indeed. He has heard of Sicily, which he speaks of under the name of Thrinacia; and he speaks once of Libya, or the north coast of Africa, as a district famous for its breed of sheep. There is one vague reference to the vast Scythian or Tartar race (called by Homer Thracians), who live on the milk of mares; and he mentions a copper-coloured people, the "Red-faces," who dwell far remote in the east and west. The Nile is mentioned, under the name of Ægyptus; and the Egyptians are celebrated by the poet as a people skilled in medicine, a statement which is repeated by Herodotus. The Phœnicians appear several times in the Odyssey, and we hear once or twice of the Sidonians, as skilled workers in metal. As soon as we pass these boundaries, we enter at once into the region of fairyland.
II
In speaking of the religion of the Homeric Greeks we have to draw a distinction between the Iliad and the Odyssey. In the Iliad the gods play a much livelier and more human part than in the latter poem, and it is highly remarkable that the only comic scenes in the first and greatest of epics are those in which the gods are the chief actors—as when the lame Hephæstus takes upon him the office of cupbearer at the Olympian banquet, or when Artemis gets her ears boxed by the angry Hera. It would almost seem as if there were a vein of deliberate satire running through these descriptions, so daring is the treatment of the divine personages.
In the Odyssey, on the other hand, religion has become more spiritual. Olympus is no longer the mountain of that name, but a vague term, like our "heaven," denoting a place remote from all earthly cares and passions, a far-off abode in the stainless ether, where the gods dwell in everlasting peace, and from which they occasionally descend, to give an eye to the righteous and unrighteous deeds of men.
In his conception of the state of the soul after death Homer is very interesting. His Hades, or place of departed spirits, is a dim, shadowy region beyond the setting of the sun, where, after life's trials are over, the souls of men keep up a faint and feeble being. It is highly significant that the word which in Homer means "self" has also the meaning of "body"—showing how intimately the sense of personal identity was associated with the condition of bodily existence. The disembodied spirit is compared to a shadow, a dream, or a waft of smoke. "Alas!" cries Achilles, after a visit from the ghost of Patroclus, "I perceive that even in the halls of Hades there is a spirit and a phantom, but understanding none at all"; for the mental condition of these cold, uncomfortable ghosts is as feeble as their bodily form is shadowy and unsubstantial. They hover about with a fitful motion, uttering thin, gibbering cries, like the voice of a bat, and before they can obtain strength to converse with a visitor from the other world, they have to be fortified by a draught of fresh blood. The subject is summed up by Achilles, when Odysseus felicitates him on the honour which he enjoys, even in Hades: "Tell me not of comfort in death," he says: "I had rather be the thrall of the poorest wight that ever tilled a thankless soil for bread, than rule as king over all the shades of the departed."
III
Homeric society is essentially aristocratic. At its head stands the king, who may be a great potentate, like Agamemnon, ruling over a wide extent of territory, or a petty prince, like Odysseus, who exercises a sort of patriarchal authority within the limits of a small island. The person of the king is sacred, and his office is hereditary. He bears the title of Diogenes, "Jove-born," and is under the especial protection of the supreme ruler of Olympus. He is leader in war, chief judge, president of the council of elders, and representative of the state at the public sacrifices. The symbol of his office is the sceptre, which in some cases is handed down as an heirloom from father to son.
Next to the king stand the elders, a title which has no reference to age, but merely denotes those of noble birth and breeding. The elders form a senate, or deliberative body, before which all questions of public importance are laid by the king. Their decisions are afterwards communicated to the general assembly of the people, who signify their approval or dissent by tumultuous cries, but have no power of altering or reversing the measures proposed by the nobles. Thus we have already the three main elements of political life: king, lords, and commons—though the position of the last is at present almost entirely passive.