The marriage of a first-rate man, when it takes place at all, commonly takes place relatively late. He may succumb in the end, but he is almost always able to postpone the disaster a good deal longer than the average poor clodpate, or normal man. If he actually marries early, it is nearly always proof that some intolerable external pressure has been applied to him, as in Shakespeare’s case, or that his mental sensitiveness approaches downright insanity, as in Shelley’s. This fact, curiously enough, has escaped the observation of an otherwise extremely astute observer, namely Havelock Ellis. In his study of British genius he notes the fact that most men of unusual capacities are the sons of relatively old fathers, but instead of exhibiting the true cause thereof, he ascribes it to a mysterious quality whereby a man already in decline is capable of begetting better offspring than one in full vigour. This is a palpable absurdity, not only because it goes counter to facts long established by animal breeders, but also because it tacitly assumes that talent, and hence the capacity for transmitting it, is an acquired character, and that this character may be transmitted. Nothing could be more unsound. Talent is not an acquired character, but a congenital character, and the man who is born with it has it in early life quite as well as in later life, though Its manifestation may have to wait. James Mill was yet a young man when his son, John Stuart Mill, was born, and not one of his principle books had been written. But though the “Elements of Political Economy” and the “Analysis of the Human Mind” were thus but vaguely formulated in his mind, if they were actually so much as formulated at all, and it was fifteen years before he wrote them, he was still quite able to transmit the capacity to write them to his son, and that capacity showed itself, years afterward, in the latter’s “Principles of Political Economy” and “Essay on Liberty.”

But Ellis’ faulty inference is still based upon a sound observation, to wit, that the sort of man capable of transmitting high talents to a son is ordinarily a man who does not have a son at all, at least in wedlock, until he has advanced into middle life. The reasons which impel him to yield even then are somewhat obscure, but two or three of them, perhaps, may be vaguely discerned. One lies in the fact that every man, whether of the first-class or of any other class, tends to decline in mental agility as he grows older, though in the actual range and profundity of his intelligence he may keep on improving until he collapses into senility. Obviously, it is mere agility of mind, and not profundity, that is of most value and effect in so tricky and deceptive a combat as the duel of sex. The aging man, with his agility gradually withering, is thus confronted by women in whom it still luxuriates as a function of their relative youth. Not only do women of his own age aspire to ensnare him, but also women of all ages back to adolescence. Hence his average or typical opponent tends to be progressively younger and younger than he is, and in the end the mere advantage of her youth may be sufficient to tip over his tottering defences. This, I take it, is why oldish men are so often intrigued by girls in their teens. It is not that age calls maudlinly to youth, as the poets would have it; it is that age is no match for youth, especially when age is male and youth is female. The case of the late Henrik Ibsen was typical. At forty Ibsen was a sedate family man, and it is doubtful that he ever so much as glanced at a woman; all his thoughts were upon the composition of “The League of Youth,” his first social drama. At fifty he was almost as preoccupied; “A Doll’s House” was then hatching. But at sixty, with his best work all done and his decline begun, he succumbed preposterously to a flirtatious damsel of eighteen, and thereafter, until actual insanity released him, he mooned like a provincial actor in a sentimental melodrama. Had it not been, indeed, for the fact that he was already married, and to a very sensible wife, he would have run off with this flapper, and so made himself publicly ridiculous.

Another reason for the relatively late marriages of superior men is found, perhaps, in the fact that, as a man grows older, the disabilities he suffers by marriage tend to diminish and the advantages to increase. At thirty a man is terrified by the inhibitions of monogamy and has little taste for the so-called comforts of a home; at sixty he is beyond amorous adventure and is in need of creature ease and security. What he is oftenest conscious of, in these later years, is his physical decay; he sees himself as in imminent danger of falling into neglect and helplessness. He is thus confronted by a choice between getting a wife or hiring a nurse, and he commonly chooses the wife as the less expensive and exacting. The nurse, indeed, would probably try to marry him anyhow; if he employs her in place of a wife he commonly ends by finding himself married and minus a nurse, to his confusion and discomfiture, and to the far greater discomfiture of his heirs and assigns. This process is so obvious and so commonplace that I apologize formally for rehearsing it. What it indicates is simply this: that a man’s instinctive aversion to marriage is grounded upon a sense of social and economic self-sufficiency, and that it descends into a mere theory when this self-sufficiency disappears. After all, nature is on the side of mating, and hence on the side of marriage, and vanity is a powerful ally of nature. If men, at the normal mating age, had half as much to gain by marriage as women gain, then, all men would be as ardently in favour of it as women are.

26. Disparate Unions

This brings us to a fact frequently noted by students of the subject: that first-rate men, when they marry at all, tend to marry noticeably inferior wives. The causes of the phenomenon, so often discussed and so seldom illuminated, should be plain by now. The first-rate man, by postponing marriage as long as possible, often approaches it in the end with his faculties crippled by senility, and is thus open to the advances of women whose attractions are wholly meretricious, e.g., empty flappers, scheming widows, and trained nurses with a highly developed professional technic of sympathy. If he marries at all, indeed, he must commonly marry badly, for women of genuine merit are no longer interested in him; what was once a lodestar is now no more than a smoking smudge. It is this circumstance that account for the low calibre of a good many first-rate men’s sons, and gives a certain support to the common notion that they are always third-raters. Those sons inherit from their mothers as well as from their fathers, and the bad strain is often sufficient to obscure and nullify the good strain. Mediocrity, as every Mendelian knows, is a dominant character, and extraordinary ability is recessive character. In a marriage between an able man and a commonplace woman, the chances that any given child will resemble the mother are, roughly speaking, three to one.

The fact suggests the thought that nature is secretly against the superman, and seeks to prevent his birth. We have, indeed, no ground for assuming that the continued progress visualized by man is in actual accord with the great flow of the elemental forces. Devolution is quite as natural as evolution, and may be just as pleasing, or even a good deal more pleasing, to God. If the average man is made in God’s image, then a man such as Beethoven or Aristotle is plainly superior to God, and so God may be jealous of him, and eager to see his superiority perish with his bodily frame. All animal breeders know how difficult it is to maintain a fine strain. The universe seems to be in a conspiracy to encourage the endless reproduction of peasants and Socialists, but a subtle and mysterious opposition stands eternally against the reproduction of philosophers.

Per corollary, it is notorious that women of merit frequently marry second-rate men, and bear them children, thus aiding in the war upon progress. One is often astonished to discover that the wife of some sordid and prosaic manufacturer or banker or professional man is a woman of quick intelligence and genuine charm, with intellectual interests so far above his comprehension that he is scarcely so much as aware of them. Again, there are the leading feminists, women artists and other such captains of the sex; their husbands are almost always inferior men, and sometimes downright fools. But not paupers! Not incompetents in a man’s world! Not bad husbands! What we here encounter, of course, is no more than a fresh proof of the sagacity of women. The first-rate woman is a realist. She sees clearly that, in a world dominated by second-rate men, the special capacities of the second-rate man are esteemed above all other capacities and given the highest rewards, and she endeavours to get her share of those rewards by marrying a second-rate man at the top of his class. The first-rate man is an admirable creature; his qualities are appreciated by every intelligent woman; as I have just said, it may be reasonably argued that he is actually superior to God. But his attractions, after a certain point, do not run in proportion to his deserts; beyond that he ceases to be a good husband. Hence the pursuit of him is chiefly maintained, not by women who are his peers, but by women who are his inferiors.

Here we unearth another factor: the fascination of what is strange, the charm of the unlike, heliogabalisme. As Shakespeare has put it, there must be some mystery in love—and there can be no mystery between intellectual equals. I dare say that many a woman marries an inferior man, not primarily because he is a good provider (though it is impossible to imagine her overlooking this), but because his very inferiority interests her, and makes her want to remedy it and mother him. Egoism is in the impulse: it is pleasant to have a feeling of superiority, and to be assured that it can be maintained. If now, that feeling be mingled with sexual curiosity and economic self-interest, it obviously supplies sufficient motivation to account for so natural and banal a thing as a marriage. Perhaps the greatest of all these factors is the mere disparity, the naked strangeness. A woman could not love a man, as the phrase is, who wore skirts and pencilled his eye-brows, and by the same token she would probably find it difficult to love a man who matched perfectly her own sharpness of mind. What she most esteems in marriage, on the psychic plane, is the chance it offers for the exercise of that caressing irony which I have already described. She likes to observe that her man is a fool—dear, perhaps, but none the less damned. Her so-called love for him, even at its highest, is always somewhat pitying and patronizing.

27. The Charm of Mystery

Monogamous marriage, by its very conditions, tends to break down this strangeness. It forces the two contracting parties into an intimacy that is too persistent and unmitigated; they are in contact at too many points, and too steadily. By and by all the mystery of the relation is gone, and they stand in the unsexed position of brother and sister. Thus that “maximum of temptation” of which Shaw speaks has within itself the seeds of its own decay. A husband begins by kissing a pretty girl, his wife; it is pleasant to have her so handy and so willing. He ends by making machiavellian efforts to avoid kissing the every day sharer of his meals, books, bath towels, pocketbook, relatives, ambitions, secrets, malaises and business: a proceeding about as romantic as having his boots blacked. The thing is too horribly dismal for words. Not all the native sentimentalism of man can overcome the distaste and boredom that get into it. Not all the histrionic capacity of woman can attach any appearance of gusto and spontaneity to it.