"Barge ahoy!" came a voice. "Look out for a line."
III. A Shipping Parish
What face this shipping parish shows to a stranger I do not know. I was never a stranger to it. I should suppose it to be a face almost vacant, perhaps a little conventionally picturesque, for it is grey and seamed. It might be even an altogether expressionless mask, staring at nothing. Anyhow, there must be very little to be learned from it, for those bright young cultured strangers, admirable in their eagerness for social service, who come and live with us for a time, so that they may understand the life of the poor, never seem to have made anything of us. They say they have; they speak even with some amount of assurance, at places where the problem which is us is examined aloud by confident politicians and churchfolk. But I think they know well enough that they always failed to get anywhere near what mind we have. There is a reason for it, of course. Think of honest and sociable Mary Ann, of Pottles Rents, E., having been alarmed by the behaviour of good society, as it is betrayed in the popular picture Press, making odd calls in Belgravia (the bells for visitors, too), to bring souls to God.
My parish, to strangers, must be opaque with its indifference. It stares beyond the interested visitor, in the way the sad and disillusioned have, to things it supposes a stranger would not understand if he were told. He has reason, therefore, to say we are dull. And Dockland, with its life so uniform that it could be an amorphous mass overflowing a reef of brick cells, I think would be distressing to a sensitive stranger, and even a little terrifying, as all that is alive but inexplicable must be. No more conscious purpose shows in our existence than is seen in the coral polyp. We just go on increasing and forming more cells. Overlooking our wilderness of tiles in the rain—we get more than a fair share of rain, or else the sad quality of wet weather is more noticeable in such a place as ours—it seems a dismal affair to present for the intelligent labours of mankind for generations. Could nothing better have been done than that? What have we been busy about?
Well, what are people busy about anywhere? Human purpose here has been as blind and sporadic as it is at Westminster, unrelated to any fixed star, lucky to fill the need of the day, building without any distant design, flowing in bulk through the lowest channels that offered. As elsewhere, it is obstructed by the unrecognized mistakes of its past. Our part of London, like Kensington or Islington, is but the formless accretion of countless swarms of life which had no common endeavour; and so here we are, Time's latest deposit, the vascular stratum of this area of the earth's rind, a sensitive surface flourishing during its day on the piled strata of the dead. Yet this is the reef to which I am connected by tissue and bone. Cut the kind of life you find in Poplar and I must bleed. I cannot detach myself, and write of it. Like any other atom, I would show the local dirt, if examined. My hand moves, not loyally so much as instinctively, to impulses which come from beneath and so out of a stranger's knowledge; out of my own, too, largely.
Is that all? Not quite. Where you, if you came to us, would see but an unremarkable level of East-Enders, much like other Londoners, with no past worth recording, and no future likely to be worth a book of gold, I see, looking to the past, a spectral show of fine ships and brave affairs, and good men forgotten, or almost forgotten, and moving among the plainer shades of its foreground some ghosts well known to me. I think they were what are called failures in life. And turning from those shades, and their work which went the way of all forgotten stuff before the inexorable tide of affairs, I look forward from Poplar, unreasonably hopeful (for so we are made), though this time into the utter dark, for the morning that shall show us the more enduring towers of the city of our dreams, the heart of the commune, the radiant spires of the city that shall be lovelier than that dear city of Cecrops.
But for those whose place it is not, memories and dreams can do nothing to transform it. Dockland would seem to others as any alien town would seem to me. There is something, though, you must grant us, a heritage peculiarly ours. Amid our packed tenements, into the dark mass where poorer London huddles as my shipping parish, are set our docks. Embayed in the obscurity are those areas of captured day, reservoirs of light brimmed daily by the tides of the sun, silver mirrors through which one may leave the dark floor of Poplar for radiant other worlds. We have our ships and docks, and the River at Blackwall when night and the flood come together, and walls and roofs which topmasts and funnels surmount, suggestions of a vagabondage hidden in what seemed so arid a commonplace desert. These are of first importance. They are our ways of escape. We are not kept within a division of the map. And Orion, he strides over our roofs on bright winter nights. We have the immortals. At the most, your official map sets us only lateral bounds. The heavens here are as high as elsewhere. Our horizon is beyond our own limits. In this faithful chronicle of our parish I must tell of our boundaries as I know them. They are not so narrow as you might think. Maps cannot be so carefully planned, nor walls built high enough nor streets confined and strict enough, to hold within limits our lusty and growing population of thoughts. There is no census you can take which will give you forewarning of what is growing here, of the way we increase and expand. Take care. Some day, when we discover the time has come for it, we shall tell our numbers, and be sure you will then learn the result. Travelling through our part of the country, you see but our appearance. You go, and report us casually to your friends, and forget us. But when you feel the ground moving under your feet, that will be us.
From my high window in central Dockland, as from a watch tower, I look out over a tumbled waste of roofs and chimneys, a volcanic desert, inhabited only by sparrows and pigeons. Humanity burrows in swarms below that surface of crags, but only faint cries tell me that the rocks are caverned and inhabited, that life flows there unseen through subterranean galleries. Often, when the sunrise over the roofs is certainly the coming of Aurora, as though then the first illumination of the sky heralded the veritable dayspring for which we look, and the gods were nearly here, I have watched for that crust beneath, which seals the sleepers under, to heave and roll, to burst, and for released humanity to pour through fractures, from the lower dark, to be renewed in the fires of the morning. Nothing has happened yet. But I am confident it would repay society to appoint another watcher when I am gone, to keep an eye on the place.
Right below my window there are two ridges running in parallel jags of chimneys, with a crevasse between them to which I can see no bottom. But a roadway is there. From an acute angle of the window a cornice overhangs a sheer fall of cliff. That is as near the ground as can be got from my outlook. Several superior peaks rise out of the wilderness, where the churches are; and beyond the puzzling middle distance, where smoke dissolves all form, loom the dock warehouses, a continuous range of far dark heights. I have thoughts of a venturesome and lonely journey by moonlight, in and out of the chimney stacks, and all the way to the distant mountains. It looks inviting, and possible, by moonlight. And, indeed, any bright day in summer, from my window, Dockland with its goblin-like chimneys might be the enchanted country of a child's dream, where shapes, though inanimate, are watchful and protean. From that silent world legions of grotesques move out of the shadows at a touch of sunlight, and then, when you turn on them in surprise, become thin and vague, either phantoms or smoke, and dissolve. The freakish light shows in little what happens in the long run to man's handiwork, for it accelerates the speed of change till change is fast enough for you to watch a town grow and die. You see that Dockland is unstable, is in flux, alters in colours and form. I doubt whether the people below are sensitive to this ironic display on their roofs.
My eyes more frequently go to one place in that high country. In that distant line of warehouses is a break, and there occasionally I see the masts and spars of a tall ship, and I remember that beyond my dark horizon of warehouses is the path down which she has come from the Indies to Blackwall. I said we were not inland. Cassiopeia is in that direction, and China over there.