Fig. 18—Modified-Basketmaker figurine and nipple-shaped object.
There are two other classes of articles made of clay, sometimes lightly fired but more often unbaked. These are human figurines and nipple-shaped objects believed to be cult objects with no utilitarian purpose. The figurines almost invariably represent human females. Faces are indistinct except for the nose, which, like the breasts, is clearly marked. Arms, if shown at all, are sketchily indicated. Legs are scarcely ever shown. Necklaces and pendants are indicated by punctures and [incised] lines. The nipple or funnel-shaped objects are hollow cornucopias, about two inches long, decorated with punctations. They are perforated at the base, which suggests that they were once tied to something, possibly masks or clothing. There are many theories as to the significance of these traits. It has been suggested that they may have come with the introduction of maize and may be connected with fertility rites.
Pottery did not entirely supplant basketry and many fine baskets continued to be made. There was greater use of red and black designs than in the previous period. Sometimes these were woven in and sometimes they were painted. Sandals reached their highest level of development at this time. They were finely woven of [apocynum] string over a yucca cord warp. Fringing was abandoned, and the toe was marked by a crescent-shaped scallop. The heel was puckered. Soles were double with designs worked in colored cord in zones on the upper surface and raised designs on the underside produced by variations in weave or by knotting. Carrying bands continued to be very finely woven but twined bags degenerated.
Fur blankets were still manufactured but the use of feather cord became progressively more common. Some blankets were made partially of fur cord and partially of feather cord. Strips of bird skin were no longer used exclusively in the manufacture of the latter type. Small downy feathers were employed, as well as heavier feathers from which the stiffer part of the quill had been removed. Much turkey plumage was utilized, and it is believed by some archaeologists that turkeys were domesticated at this time,[87] although others do not think that domestication took place until later. There is no agreement as to whether turkeys were kept to provide food. It is most generally believed that they were not eaten.
At this time new varieties of corn were cultivated, which tended to be somewhat larger than the earlier forms, and the people’s diet was changed to some extent by the introduction of beans as a food crop. The addition of beans to the daily fare may have been quite important for it would increase the protein content of the diet. Such a crop also indicates a more settled life, for, while corn may be planted and then left for long periods of time, beans require almost constant attention.
Atlatls were still the principal weapons, but late in the period the bow and arrow came into use. This new and superior weapon may have been brought by small groups of newcomers to the Southwest or, perhaps, simply the idea spread to the Anasazi from neighboring people. In any case, the bow is believed to have been introduced from some other area. Two new implements which also appeared at this time were grooved mauls or hammers and axes notched for hafting. Before the introduction of axes it is believed that timbers for house construction were felled by fire.
Much of our information about these people still comes from burials. These were more often single interments than was the case in the preceding period. There were no definite cemeteries in the villages, and bodies were placed wherever it was most convenient, often in refuse heaps where digging was easiest. In caves the dead were commonly laid in abandoned cists or in crevices. Baskets were still the chief mortuary offerings, but some pottery was placed with the dead, as well as a variety of other objects including ornaments, pipes, food, gaming sets, and flutes. The latter are of particular interest, for they indicate some knowledge of music. In the grave of one old man, believed to have been a priest or chief, were four finely made flutes. They could still be played when they were excavated and had a clear, rich tone. A characteristic offering, found in almost all graves, is a pair of new unworn sandals. Ornaments interred with the dead show that turquoise was now being used for beads and pendants. It was sometimes employed with shell pieces for mosaic work set in wood. In other cases it was combined with whole shells, as in one magnificent cuff, found on the wrist of an old woman, which was five inches wide and consisted of hundreds of perfectly matched olivella shells with a fine turquoise in the center.[2]
One of the most interesting of all interments was the famous “burial of the hands” in Canyon del Muerto in Arizona.[92] This find consisted of a pair of hands and forearms lying side by side, palms upward, on a bed of grass. Wrapped around the wrists were three necklaces with abalone shell pendants, one of which was as large as the hand itself. An ironical, yet strangely pathetic offering, consisted of two pairs of some of the finest sandals which have ever been found. Over the entire burial lay a basket nearly two feet in diameter. Doubtless a fascinating story lies behind this strange grave, but what it was we shall never know. Of all the theories which have been advanced the one which best explains this remarkable occurrence is that the individual may have been caught under a rockfall and that only the hands and forearms could be released and given suitable burial; but of course all this is pure conjecture.
SUMMARY
In summarizing the Basketmaker [horizon] as a whole, we may say that the [culture] was fully established in the San Juan drainage in the early centuries of the Christian era, and it may have been developing for quite some time. Later it spread to include a larger area. This part of the Anasazi sequence ended, in most places, at the beginning of the eighth century.