Pottery and figurines served as offerings for the dead. Small sherds were still common, but whole vessels also began to be used. There were three types of cremations. Sometimes bones, ashes, and offerings are found in pits dug into the [caliche] and it appears probable that the actual burning took place there. In other cases they are found in trenches. Sometimes burning took place elsewhere and later the burned remains were placed in small holes close together. In addition to objects made of clay, stone projectile points and palettes are usually found in the cremations.
Palettes, which were the most consistent offering, were made of thin schistose rock. There is a clear differentiation between the center portion and the border which is ornamented with grooves. Some have sculptured edges in the form of birds, snakes, and other animals. There are also [effigy] types in which the outline of the palette is in a life-form. Palettes were most numerous early in the Colonial period and later declined in importance. One extremely interesting feature of many of these objects is that on the mixing surface of heavily burned palettes from cremations is found a vitreous substance which, on analysis, proved to be a lead mixture. It is not certain whether the use of lead ore was intentional or accidental, but in any case the Hohokam never learned to exploit this as metal. It has been suggested that the change in the lead mixture from a dull color to a brilliant red with metallic globules may have been observed as the palettes burned on the funeral pyres and that it came to have a ceremonial significance. It is entirely possible, however, that the palettes had simply been used for grinding a [compound] containing lead, which was used to provide pigment, prior to the burning. They may have been used to mix facial or body paint.
Some of the most remarkable stone work found in Hohokam sites consisted of mosaic plaques or mirrors inlaid with angular pieces of iron pyrites which had a reflecting quality. These were common funerary offerings, and as a result most of the specimens obtained are badly damaged. None the less, one can still appreciate the amazing work which went into their construction. These plaques or mirrors range between three and eight inches in diameter. On one surface are thin sheets of iron pyrites crystals carefully fitted together. How these thin plates were obtained is a complete mystery, for pyrites crystals are usually cubic and so hard that they cannot be scratched with a knife. In some cases the crystal encrustation covered the entire face, in others edges were beveled. Edges and backs were sometimes decorated with something which resembles [cloisonné] work, although the technique differed. First a base coat of a gray material was applied, and then this was covered with a thicker layer of some black substance. A design was cut into this with a sharp implement, and then the sunken portion was half filled with thick white paint. Next, paint in a variety of colors was added to fill the depression, or, in some cases, was even built up slightly above the level of the black background portion.
These mirrors are almost exactly like those found in sites in Central America. It is thought that the best examples found in Hohokam sites were imported from the south,[59] although it is possible that some crude imitations may have been made by the Hohokam themselves. The material necessary would have been available to them, for sizeable pyrites crystals are found near Tucson.
Many stone vessels were made. They were usually carved in bas relief and both realistic and life-forms were used. Desert reptiles were the most common figures. Other objects made of stone included abraders for use in shell work, metates which were not very precisely shaped, a few stone finger-rings, and projectile points. These were long slender points which were barbed and serrated.
Fig. 45—Hohokam carved stone vessel of the Colonial period. (Courtesy Arizona State Museum.)
Fig. 46—Hohokam ornaments of carved shell. (Courtesy National Park Service.)
Shell was very widely used. A few needles made of shell have been found, but this was apparently not considered a utilitarian material and it was most often used in the manufacture of ornaments. Shell beads and pendants continued to be used, and many bracelets were made. These were made of Glycymeris shells which are nearly circular and, when cut in cross-section, provide a suitable arm band. Carving did not reach its peak until the following period, but fine bracelets were produced. Birds, snakes, frogs, and geometric forms furnished the designs. The most frequent motif is a bird-and-snake combination. The snake’s head is in the bird’s mouth and the body of the snake forms the band. This quite probably had some special ceremonial significance. Carved rings, which first appeared at this time, are usually in the form of snakes. They were never as abundant as bracelets. There was some mosaic work with shell, but this art did not fully develop until later. Birds and snakes, often in combination, were the usual subjects for carving on bone.