The first was he who made Coimbra own
Pallas-Minerva’s gen’rous exercise;
he called the Muses’ choir from Helicon
to tread the lea that by Mondego lies:
Whate’er of good whilere hath Athens done,
here proud Apollo keepeth ev’ery prize:
Here gives he garlands wove with golden ray,
with perfumed Nard and ever-verdant Bay.”[6]

Personally dissolute, as the nature of much of his poetry and his encouragement of the troubadours and their Courts of Love show, the stories told of the Court of Dom Diniz are far from edifying. Yet some of them are full of romantic interest, and exhibit the more constant love of the south instead of the airy fancies of Provence. Of these stories, the most romantic of all is perhaps that of Donna Branca or Blanche, the sister of Diniz and the abbess of Lorvão and Huelgas, who loved a humble carpenter Pedro Esteves, and was the mother of a son, João Nunes do Prado, who became Master of the Order of Calatrava, and was beheaded by Pedro the Cruel of Castile. It is this story which has furnished the plot of one of the most striking of modern Portuguese dramas, Almeida-Garrett’s “Donna Branca.” The king’s favours to his bastards, João Affonso and Affonso Sanches, whom he successively made Mordomo Mor, and Pedro Affonso, whom he made Alferes Mor and Count of Barcellos, involved him towards the end of his reign in bitter disputes with his only legitimate son, Affonso. Open war at last broke out between Dom Diniz and his heir-apparent, and a pitched battle was only prevented by S. Isabel riding between the armies in 1323, and making a peace between her husband and her son, which lasted until the death of the great peace monarch, the “Ré Lavrador” in 1325.

Immediately on his accession to the throne, Affonso IV., the successor of Dom Diniz, gave full vent to his rage against his half brothers, and with the consent and assistance of the nobility of Portugal, he beheaded João Affonso and confiscated all his lands, as well as those of Affonso Sanches, who had escaped to Castile. This act of revenge, or of justice, as he called it, consummated, he settled down as a worthy successor of his father, and fostered all the schemes of Diniz for the development of Portugal. He also continued his father’s policy of peace with Castile, and made a formal alliance with that country in 1327 when he married his daughter Donna Maria to Alfonso XI. of Castile. This marriage did not prove a happy one; the king neglected his young wife for Leonora de Guzman, and treated her so badly that in 1336 Affonso IV. invaded Castile. A terrible war was impending, when S. Isabel once more played the part of peacemaker. Leaving the convent of Poor Clares at Coimbra, whither she had retired after her husband’s death, she hurried to Estremoz, where the two armies were facing each other, and made peace between the opposing monarchs. Alfonso XI. promised to treat his wife better, and the Infant Dom Pedro, the only surviving son of the King of Portugal, was granted the hand of Constance Manuel, daughter of the Duke of Penafiel. The strength of the new alliance was soon tried; for in 1340 Abu-l-Hasan, king of Morocco, crossed the straits to come to the help of the king of Granada, with a great army. Alfonso XI. sent his wife to beg for the assistance of the Portuguese chivalry, and Affonso willingly complied. In the great battle of the Salado on 29th of October the Moors were utterly defeated, and the two generals who were most conspicuous on the Christian side, were Affonso IV. of Portugal, who won the sobriquet of Affonso “the Brave,” and Don Pedro Fernandez de Castro, Mordomo Mor of Castile. This victory also marks an advance in Portuguese poetry, for on it was written the first Portuguese epic by Affonso Giraldes, the forerunner of Camoens.

It is interesting during this reign to notice the close intimacy growing up between Portugal and England, which was to have many important results. Directly on his accession, Affonso IV. determined to maintain the friendly relations which Diniz had commenced, and in 1325 he sent an ambassador to propose a matrimonial alliance with the English royal family, probably with a view of contracting a marriage between his elder daughter, Donna Maria, and the young Prince of Wales, afterwards Edward III. The English Court, then under the influence of Queen Isabella, replied that the ambassador was not of sufficiently high rank for his application to be received. Accordingly, in the following year, Affonso sent his Lord High Admiral, Dom Manoel Pessanha, and Dom Rodrigo Domingues on the same mission, but their embassy led to no result, probably owing to the disturbed state of affairs in England, and Donna Maria married, as has been said, the King of Castile. Friendly communications continued, nevertheless, between Portugal and England, and in 1344 Edward III. sent two ambassadors, Henry, Earl of Lancaster, and Richard, Earl of Arundel, to draw up a treaty of alliance with Affonso IV. This was followed by the mission of Andrew of Oxford, Richard of Saham, and Philip Borton to ask for the hand of Donna Leonora, the King of Portugal’s younger daughter, for Edward, Prince of Wales, better known as the Black Prince. The marriage was agreed upon, and in 1347 Robert Stratton and Richard of Saham arrived to fix the day for the passage of the infanta to England. But at this moment matrimonial alliances of more political importance occurred to each of the high contracting parties, and in this very year Donna Leonora was married to King Pedro IV. of Aragon, and the Black Prince to the Fair Maid of Kent. The rupture of this marriage scheme did not break the friendship of the two kings, both of whom perceived the wealth to be obtained for their countries and themselves by encouraging commerce. The business relations between the two nations soon became very close, and the wine of Portugal was freely exchanged for the long-cloth of England. On July 25, 1352, Edward III. issued a royal proclamation, ordering his subjects never to do any harm to the Portuguese, and on October 20, 1353, a curious sequel to the commercial treaty of 1294 was signed in London by Affonso Martins Alho. This young wine merchant had been sent to England as representative of the merchants of the maritime cities of Portugal, and the treaty he negotiated with the citizens of London was one guaranteeing mutual good faith in all matters of trade and commerce, with many other technical clauses referring to special lines of business. The very fact of this treaty or agreement being signed is a proof, not only of the close connection between Portugal and England, but of the high degree of wealth, intelligence, and business capacity possessed by the merchants of both countries.


The later years of the reign of Affonso IV. were marked by a fearful pestilence and a sad tragedy. In 1348 the plague, or, as it was more commonly called, the Black Death, reached Portugal, after traversing Europe, and more than decimated the inhabitants of Lisbon. On January 7, 1355, Donna Ines de Castro was murdered in the streets of Coimbra. The history of the various dynasties of Portugal is full of romantic stories, some with ludicrous, and others with tragical, endings, which illustrate, not only the characters of the respective monarchs, but the tendencies of their different epochs. The story of Donna Branca, the princess who loved a carpenter, has been told, with the comment that her son became Grand Master of the wealthy Order of Calatrava; the romance of Dom Pedro’s life ended more tragically. Dom Pedro was the only son of Affonso IV. and Beatrice of Castile who had survived his first year. He was born in 1320, and had married in 1336, in order to cement his father’s alliance with Castile, the Donna Constance Manuel, daughter of the Duke of Penafiel. In her suite as lady-in-waiting came the Donna Ines de Castro, daughter of Pedro Fernandez de Castro, Mordomo Mor of Castile, and hero of the battle of the Salado, and sister of Alvaro Peres de Castro, first Constable of Portugal. Dom Pedro fell in love with the beautiful Castilian lady, and though, during his wife’s lifetime, he always treated his wife with the utmost consideration, and was the father by her of Dom Ferdinand, afterwards King of Portugal, and of Donna Maria, afterwards Queen of Aragon, it was well known at the Portuguese Court that the love of Dom Pedro’s heart was centred on Donna Ines. In that dissolute Court little attention was paid to the conduct of the prince; princes were in those days privileged persons, and he was known besides to have another lady-love, the Donna Theresa Lourenço, who was the mother of João, afterwards King of Portugal. It was not until after the death of his wife that it was perceived that Dom Pedro’s love for the Donna Ines was more than the ordinary fancy of a prince, and was an absorbing passion. For love of her, he refused to marry any of the foreign princesses proposed to him by his father, and it is probable that he went through a form of marriage with her after his first wife’s death. However that may be, King Affonso determined to put an end to his son’s infatuation by murdering the object of it, and by his directions Donna Ines was murdered in the streets of Coimbra by three courtiers, Alvaro Gonçalves, the “Meirinho Mor” or Lord Chamberlain, Pedro Coelho, and Diogo Lopes Pacheco. This is the tragedy which Camoens has celebrated in an immortal passage,[7] and which has since become a common theme for the playwrights of the world, good, bad, and indifferent; and it may be said, that it is not so much in the murder itself, as in the events which followed it, that the most romantic part of the story is to be found. Dom Pedro was absent on his estates in the south when he heard of the murder of Ines. He at once collected his vassals, and prepared to attack his father, but, as had happened in the days of S. Isabel, the Queen, Beatrice of Castile, interposed, and a compromise was made, by which father and son agreed to see each other no more, and to abandon active hostilities, and this compact lasted until the death of Affonso “the Brave” in 1357.

The first act of Dom Pedro on ascending the throne was to punish the murderers of Ines de Castro, and he induced the King of Castile to surrender Alvaro Gonçalves and Pedro Coelho to him. Pacheco had escaped to England, and could not be found, and thus escaped the fate of his accomplices, who were slowly tortured to death in front of the royal palace at Coimbra before the eyes of Dom Pedro. The king four years later had the strange ceremony performed, which is far better known than the circumstances of his love affair with Donna Ines. On April 24, 1361, either to show his undying affection for her, or to confirm the story of his marriage and legitimate his children by her, he had her body disinterred at Coimbra, and conveyed to the Convent of Alçobaça, where it was solemnly crowned, and then buried. It is usual to speak of the Convent of Alçobaça as if it had been the burial-place of all the kings and queens of Portugal up to this time. Such was not the case; only Affonso II. and Affonso III. and their queens were buried there. Count Henry and Donna Theresa had their last resting-place in the Cathedral of Braga, Affonso Henriques and Sancho I. and their queens in the Convent of Santa Cruz at Coimbra, Diniz in the Convent of Odivelas, near Lisbon, S. Isabel in that of the Poor Clares at Coimbra, Affonso IV. and his queen in Lisbon Cathedral, and Dom Pedro’s wife, Constance Manuel, in the Convent of S. Francis at Santarem.

The spirit of stern, revengeful justice which had marked the commencement of the short reign of Dom Pedro continued to show itself in all matters of administration; the king loved to dispense justice in person, and the rigour with which he treated all culprits, noble and priest as well as merchant and vagabond, won for him the title of “Pedro the Severe.” This severity was not unpleasing to the people, and many tales are extant of the king’s visits incognito to the law courts, and of his rigorous punishment of unjust judges. Many of the famous stories told in the “Arabian Nights” of the Caliph Harun-ar-Rashid are also told of Dom Pedro, and in them his Chancellor, Vasco Martins de Sousa, played the part of the Vizīr, as companion and butt. In matters of policy Dom Pedro followed in his father’s and grandfather’s steps, avoiding interference with the other kingdoms of the peninsula, and maintaining a close political and commercial connection with England. His reign was too short to leave much trace on the history of Portugal, for he died in 1367 at Estremoz, and was buried at Alçobaça by the side of Ines de Castro.