Later Queens of the French Stage

by H. Noel Williams

Towards the end of the following year, the Comtesse d’Antraigues became enceinte. The marriage having been kept secret, the count was anxious that the birth of the child should not be known in the neighbourhood; and it was at a little village on the outskirts of Milan that, on June 26, 1792, the ex-singer presented him with a son, baptized two days later, under the names of Pierre Antoine Emmanuel Jules, born of the illustrious Emmanuel Louis Alexandre Henri de Launai, Comte d’Antraigues and of the dame Antoinette Clavel. So soon as the countess was sufficiently recovered to travel, she, with her husband and infant son, returned to Mindrisio.

From this quiet corner of Italian Switzerland, where he lived with the former queen of the Opera, the Comte d’Antraigues combated the men and things of the new France, in a series of very able brochures, wherein he constituted himself the speaking-trumpet of the counter-Revolution. But he was very far from being content with this warfare of the pen. He became the devoted servant of the Bourbons, the intermediary between them and the Courts of St. James’s, Madrid, Berlin, and Vienna, and rendered material assistance in weaving that network of secret intrigue, which, in spite of the successes of the French armies, for long rendered doubtful the establishment of the new order of things.[211]

In discharge of these diplomatic missions, he travelled incessantly, accompanied everywhere by his wife, who shared his fatigues and dangers, and received, in return, his full confidence. The count and countess were at Venice, in May 1795, when the city was occupied by the French troops. The count, who was at the time specially attached to the Russian legation, left with the Minister and his suite, accompanied by his wife and child; but at Trieste the party was stopped by orders of Bernadotte, who commanded the French there, and d’Antraigues arrested.

On being told that he was to be sent to Milan, the count begged the Russian Minister to take charge of Madame Saint-Huberty—for by that name she was still known—but the ex-singer insisted on sharing his captivity.

Touched by so much devotion, d’Antraigues explained to his captors that the lady was his lawful wife, and obtained permission for her to accompany him to Milan. “I declared at once to my tyrants,” he says, “that I was married, that I had a son, and that I desired to see him. They acceded to my request. She came, with that dear child of five years old, who threw himself upon me. That moment, which made her mine for ever, caused me to forget my foes, my persecutors, the future and the present. I owe that to my persecutors. To say how much I was indebted to my wife in these frightful circumstances is beyond my power. Never did there exist a courage more firm, a soul more mistress of itself, a character stronger in adversity; never did one behold more self-confidence in misfortune.”

At Milan, the count was at first imprisoned in a convent, where prisoners of war were confined, but, soon afterwards, taken to the citadel, and there placed in a dungeon, twelve feet long by six broad. Thanks, however, to the urgent representations of his wife, he was, some weeks later, liberated on parole, the understanding being that he was not to leave the city or even change his residence. But, in the early hours of the morning of August 25, he broke his parole and escaped, his flight, thanks to the ingenuity of his wife, who gave out that he was ill in bed, and went about the house preparing broth and other remedies, not being discovered till some days later.

It has been suggested that, for reasons of their own, the French authorities at Milan connived at the count’s escape; but it seems more probable that he fled through fear of being sent to Paris, where he would certainly have been brought to trial and very possibly executed. Such was undoubtedly the opinion in Royalist circles, and, to recognise the countess’s courage and devotion and her services to the “cause,” the Comte de Provence, in his theoretical character of King of France, sent her the order of Saint-Michel.[212]

Successively we find the adventurous couple at Vienna, Berlin, and Dresden, in which last-named city they seemed to have passed the greater part of the year 1804, the whole of the year 1805, and the first months of the year 1806, the count, who had been nominated a Counsellor of State by the Emperor Alexander of Russia, corresponding with Sweden, through Alopeus, the Swedish Minister in London, and working generally to bring about a European coalition against Napoleon. In September 1806, driven from Dresden by Napoleon’s victories, and unable to find an asylum on the Continent, they quitted Germany and established themselves in England. Here they resided in a pretty cottage at Barnes, and lived in good style on the various pensions which they had received. The count lost no time in entering into negotiations with the English Government, to whom he is said to have communicated the articles, real or imaginary, of the Treaty of Tilsit, though how he contrived to obtain particulars of a treaty drawn up with so much privacy is somewhat difficult to understand.

However, that may be, it is certain that d’Antraigues was employed by the Foreign Office in certain delicate negotiations and that he received a pension in return for his services; and it was this which, according to a legend which still finds acceptance with some French writers, brought about the tragic end of both himself and his wife, on the morning of July 22, 1812.

The story went that Fouché, desirous of discovering what was going on between d’Antraigues and the English Government, despatched two trusted agents to London, with orders at all costs to intercept the correspondence. The agents succeeded in bribing the count’s Piedmontese servant Lorenzo, to tamper with the letters which passed between his master and the Foreign Office; and that this man, finding that his treachery was certain to be discovered, through a visit which the count was on the point of making to Canning, in a moment of frenzied despair, assassinated both his master and mistress, and then took his own life. From the evidence given at the inquest, however, it would appear that Lorenzo committed the crime, in a fit of frenzy, due simply to his having received notice to leave the count’s service.