"On Thursday, March 22, 1742, the Demoiselle Le Duc, formerly mistress of the Président de Rieux, drove to the Tenebrae at Longchamps[114] in a calèche of cane painted blue, with all the chains of silver, drawn by six ponies no bigger than dogs, ridden by a little postilion and a little hussar, the first in a red waistcoat all galooned with silver, and with a blue plume in his hat; the other in a blue tunic, with his sabre and cap decorated with plaques of silver. The Le Duc held the horses' reins, and was escorted by two footmen.

"This luxurious equipage was a gallantry of the Comte de Clermont, Abbé of Saint-Germain, to flatter the vanity of the Le Duc, who occupies the post of his favourite sultana, which the Camargo enjoyed up to the end of the year 1741.

"The goddess of the fête responded to this magnificent gallantry by attire still richer and more elegant, of blue and silver; she had for companions in her calèche her sister and the Cartou.[115] A number of other actresses filled three coaches in the suite of Madame l'Abbesse, and wore her colours of blue and silver.

"All the people at Longchamps, on horseback, in coaches, or in calèches, formed a procession in the rear of this troupe of vestals, through curiosity or for the sake of amusement....

"Jests and songs at the expense of the Comte de Clermont have not been wanting, and the King has intimated to him that he is displeased and scandalised.

"Here is a placard which has been composed on the matter:—

'"THE
TRIUMPH OF VICE
At the Theatre of Longchamps,
By MLLE. LE DUC.
'"The first representation given on Holy Wednesday, March 21.
On Friday the Theatre will be closed."'[116]

The duel between the abbé and the judge and their respective sultanas continued until both gentlemen were nearly ruined; but victory ultimately rested with the Church, as Mlle. de Camargo and the Président de Rieux soon grew tired of one another and agreed to separate, the latter making the ballerina a present of 40,000 crowns out of what was left of his fortune. After this adventure, according to the report drawn up by Meusnier, of which we have already spoken, Mlle. de Camargo's old inclination for the Marquis de Sourdis revived and they resumed their interrupted liaison. Their respective positions were now, however, reversed, as the Marquis had fallen on evil days, and become so poor that his mistress had to pledge her earrings and necklace to enable him to live in a manner befitting his rank.

In the meanwhile, the danseuse had returned to the Opera, where she, of course, met with an enthusiastic reception.

"Légère et forte en sa souplesse,
La vive Camargo sautait,"