From the Caves and Jungles of Hindostan

by H. P. Blavatsky

Higher and higher we ascended by the steep winding path, and the forest grew perceptibly thicker, darker, and more impenetrable. Some of the thickets were as dark as graves. Passing under hundred-year-old banyans it was impossible to distinguish one's own finger at the distance of two inches. It seemed to me that in certain places it would not be possible to advance without feeling our way, but our coolies never made a false step, but hastened onwards. Not one of us uttered a word. It was as if we had agreed to be silent at these moments. We felt as though wrapped in the heavy veil of dark-ness, and no sound was heard but the short, irregular breathing of the porters, and the cadence of their quick, nervous footsteps upon the stony soil of the path. One felt sick at heart and ashamed of belonging to that human race, one part of which makes of the other mere beasts of burden. These poor wretches are paid for their work four annas a day all the year round. Four annas for going eight miles upwards and eight miles downwards not less than twice a day; altogether thirty-two miles up and down a mountain 1,500 feet high, carrying a burden of two hundredweight! However, India is a country where everything is adjusted to never changing customs, and four annas a day is the pay for unskilled labor of any kind.

Gradually open spaces and glades became more frequent and the light grew as intense as by day. Millions of grasshoppers were shrilling in the forest, filling the air with a metallic throbbing, and flocks of frightened parrots rushed from tree to tree. Sometimes the thundering, prolonged roars of tigers rose from the bottom of the precipices thickly covered with all kinds of vegetation. Shikaris assure us that, on a quiet night, the roaring of these beasts can be heard for many miles around. The panorama, lit up, as if by Bengal fires, changed at every turn. Rivers, fields, forests, and rocks, spread out at our feet over an enormous distance, moved and trembled, iridescent, in the silvery moonlight, like the tides of a mirage. The fantastic character of the pictures made us hold our breath. Our heads grew giddy if, by chance, we glanced down into the depths by the flickering moonlight. We felt that the precipice, 2,000 feet deep, was fascinating us. One of our American fellow travelers, who had begun the voyage on horseback, had to dismount, afraid of being unable to resist the temptation to dive head foremost into the abyss.

Several times we met with lonely pedestrians, men and young women, coming down Mataran on their way home after a day's work. It often happens that some of them never reach home. The police unconcernedly report that the missing man has been carried off by a tiger, or killed by a snake. All is said, and he is soon entirely forgotten. One person, more or less, out of the two hundred and forty millions who inhabit India does not matter much! But there exists a very strange superstition in the Deccan about this mysterious, and only partially explored, mountain. The natives assert that, in spite of the considerable number of victims, there has never been found a single skeleton. The corpse, whether intact or mangled by tigers, is immediately carried away by the monkeys, who, in the latter case, gather the scattered bones, and bury them skillfully in deep holes, that no traces ever remain. Englishmen laugh at this superstition, but the police do not deny the fact of the entire disappearance of the bodies. When the sides of the mountain were excavated, in the course of the construction of the railway, separate bones, with the marks of tigers' teeth upon them, broken bracelets, and other adornments, were found at an incredible depth from the surface. The fact of these things being broken showed clearly that they were not buried by men, because, neither the religion of the Hindus, nor their greed, would allow them to break and bury silver and gold. Is it possible, then, that, as amongst men one hand washes the other, so in the animal kingdom one species conceals the crimes of another?

Having spent the night in a Portuguese inn, woven like an eagle's nest out of bamboos, and clinging to the almost vertical side of a rock, we rose at daybreak, and, having visited all the points de vue famed for their beauty, made our preparations to return to Narel. By daylight the panorama was still more splendid than by night; volumes would not suffice to describe it. Had it not been that on three sides the horizon was shut out by rugged ridges of mountain, the whole of the Deccan plateau would have appeared before our eyes. Bombay was so distinct that it seemed quite near to us, and the channel that separates the town from Salsetta shone like a tiny silvery streak. It winds like a snake on its way to the port, surrounding Kanari and other islets, which look the very image of green peas scattered on the white cloth of its bright waters, and, finally, joins the blinding line of the Indian Ocean in the extreme distance. On the outer side is the northern Konkan, terminated by the Tal-Ghats, the needle-like summits of the Jano-Maoli rocks, and, lastly, the battlemented ridge of Funell, whose bold silhouette stands out in strong relief against the distant blue of the dim sky, like a giant's castle in some fairy tale. Further on looms Parbul, whose flat summit, in the days of old, was the seat of the gods, whence, according to the legends, Vishnu spoke to mortals. And there below, where the defile widens into a valley, all covered with huge separate rocks, each of which is crowded with historical and mythological legends, you may perceive the dim blue ridge of mountains, still loftier and still more strangely shaped. That is Khandala, which is overhung by a huge stone block, known by the name of the Duke's Nose. On the opposite side, under the very summit of the mountain, is situated Karli, which, according to the unanimous opinion or archeologists, is the most ancient and best preserved of Indian cave temples.

One who has traversed the passes of the Caucasus again and again; one who, from the top of the Cross Mountain, has beheld beneath her feet thunderstorms and lightnings; who has visited the Alps and the Rigi; who is well acquainted with the Andes and Cordilleras, and knows every corner of the Catskills in America, may be allowed, I hope, the expression of a humble opinion. The Caucasian Mountains, I do not deny, are more majestic than Ghats of India, and their splendour cannot be dimmed by comparison with these; but their beauty is of a type, if I may use this expression. At their sight one experiences true delight, but at the same time a sensation of awe. One feels like a pigmy before these Titans of nature. But in India, the Himalayas excepted, mountains produce quite a different impression. The highest summits of the Deccan, as well as of the triangular ridge that fringes Northern Hindostan, and of the Eastern Ghats, do not exceed 3,000 feet. Only in the Ghats of the Malabar coast, from Cape Comorin to the river Surat, are there heights of 7,000 feet above the surface of the sea. So that no comparison can be dawn between these and the hoary headed patriarch Elbruz, or Kasbek, which exceeds 18,000 feet. The chief and original charm of Indian mountains wonderfully consists in their capricious shapes. Sometimes these mountains, or, rather, separate volcanic peaks standing in a row, form chains; but it is more common to find them scattered, to the great perplexity of geologists, without visible cause, in places where the formation seems quite unsuitable. Spacious valleys, surrounded by high walls of rock, over the very ridge of which passes the railway, are common. Look below, and it will seem to you that you are gazing upon the studio of some whimsical Titanic sculptor, filled with half finished groups, statues, and monuments. Here is a dream-land bird, seated upon the head of a monster six hundred feet high, spreading its wings and widely gaping its dragon's mouth; by its side the bust of a man, surmounted by a helmet, battlemented like the walls of a feudal castle; there, again, new monsters devouring each other, statues with broken limbs, disorderly heaps of huge balls, lonely fortresses with loopholes, ruined towers and bridges. All this scattered and intermixed with shapes changing incessantly like the dreams of delirium. And the chief attraction is that nothing here is the result of art, everything is the pure sport of Nature, which, however, has occasionally been turned to account by ancient builders. The art of man in India is to be sought in the interior of the earth, not on its surface. Ancient Hindus seldom built their temples otherwise than in the bosom of the earth, as though they were ashamed of their efforts, or did not dare to rival the sculpture of nature. Having chosen, for instance, a pyramidal rock, or a cupola shaped hillock like Elephanta, Or Karli, they scraped away inside, according to the Puranas, for centuries, planning on so grand a style that no modern architecture has been able to conceive anything to equal it. Fables (?) about the Cyclops seem truer in India than in Egypt.

The marvellous railroad from Narel to Khandala reminds one of a similar line from Genoa up the Apenines. One may be said to travel in the air, not on land. The railway traverses a region 1,400 feet above Konkan, and, in some places, while one rail is laid on the sharp edge of the rock, the other is supported on vaults and arches. The Mali Khindi viaduct is 163 feet high. For two hours we hastened on between sky and earth, with abysses on both sides thickly covered with mango trees and bananas. Truly English engineers are wonderful builders.

The pass of Bhor-Ghat is safely accomplished and we are in Khandala. Our bungalow here is built on the very edge of a ravine, which nature herself has carefully concealed under a cover of the most luxuriant vegetation. Everything is in blossom, and, in this unfathomed recess, a botanist might find sufficient material to occupy him for a lifetime. Palms have disappeared; for the most part they grow only near the sea. Here they are replaced by bananas, mango trees, pipals (ficus religiosa), fig trees, and thousands of other trees and shrubs, unknown to such outsiders as ourselves. The Indian flora is too often slandered and misrepresented as being full of beautiful, but scentless, flowers. At some seasons this may be true enough, but, as long as jasmines, the various balsams, white tuberoses, and golden champa (champaka or frangipani) are in blossom, this statement is far from being true. The aroma of champa alone is so powerful as to make one almost giddy. For size, it is the king of flowering trees, and hundreds of them were in full bloom, just at this time of year, on Mataran and Khandala.

We sat on the verandah, talking and enjoying the surrounding views, until well-nigh midnight. Everything slept around us.

Khandala is nothing but a big village, situated on the flat top of one of the mountains of the Sahiadra range, about 2,200 feet above the sea level. It is surrounded by isolated peaks, as strange in shape as any we have seen.

One of them, straight before us, on the opposite side of the abyss, looked exactly like a long, one-storied building, with a flat roof and a battlemented parapet. The Hindus assert that, somewhere about this hillock, there exists a secret entrance, leading into vast interior halls, in fact to a whole subterranean palace, and that there still exist people who possess the secret of this abode. A holy hermit, Yogi, and Magus, who had inhabited these caves for "many centuries," imparted this secret to Sivaji, the celebrated leader of the Mahratta armies. Like Tanhauser, in Wagner's opera, the unconquerable Sivaji spent seven years of his youth in this mysterious abode, and therein acquired his extraordinary strength and valour.