The symbolism of the Lunar and Solar Deities is so inextricably mixed up, that it is next to impossible to separate from each other such glyphs as the Egg, the Lotus, and the “Sacred” Animals. The Ibis, for instance, was held in the greatest veneration in Egypt. It was sacred to Isis, who is often represented with the head of that bird, and also sacred to Mercury or Thoth, who is said to have assumed its form while escaping from Typhon. There were two kinds of Ibises in Egypt, Herodotus[569] tells us; one quite black, the other black and white. The former is credited with fighting and exterminating the winged serpents which came every spring from Arabia, and infested the country. [pg 388] The other was sacred to the Moon, because the latter planet is white and brilliant on her external side, dark and black on that side which she never turns to the Earth. Moreover, the Ibis kills land serpents, and makes the most terrible havoc amongst the eggs of the crocodile, and thus saves Egypt from having the Nile over-infested by those horrible saurians. The bird is credited with doing this in the moonlight, and thus being helped by Isis, whose sidereal symbol is the Moon. But the more correct esoteric truth underlying these popular myths is, that Hermes, as shown by Abenephius,[570] watched over the Egyptians under the form of that bird, and taught them the Occult arts and sciences. This simply means that the ibis religiosa had, and has, “magical” properties in common with many other birds, the albatross preëminently, and the mythical white swan, the Swan of Eternity or Time, the Kâlahansa.
Were it otherwise, indeed, why should all the ancient peoples, who were no more fools than we are, have had such a superstitious dread of killing certain birds? In Egypt, he who killed an Ibis, or the Golden Hawk, the symbol of the Sun and Osiris, risked death, and could hardly escape it. The veneration of some nations for birds was such that Zoroaster, in his precepts, forbids their slaughter as a heinous crime. In our age, we laugh at every kind of divination. Yet why should so many generations have believed in divination by birds, and even in Oömancy, which is said by Suidas to have been imparted by Orpheus, who taught how, under certain conditions, to perceive in the yolk and white of an egg, that which the bird born from it would have seen around it during its short life. This Occult art, which, 3,000 years ago, demanded the greatest learning and the most abstruse mathematical calculations, has now fallen into the depths of degradation; and to-day it is the old cooks and fortune-tellers who read the future for servant-girls in search of husbands, from the white of an egg in a glass.
Nevertheless, even Christians have to this day their sacred birds; for instance, the Dove, the symbol of the Holy Ghost. Nor have they neglected the sacred animals; and the evangelical zoölatry, with its Bull, Eagle, Dion, and Angel—in reality the Cherub, or Seraph, the fiery-winged Serpent—is as much Pagan as that of the Egyptians or the Chaldeans. These four animals are, in reality, the symbols of the four Elements, and of the four lower Principles in man. Nevertheless, they correspond physically and materially to the four constellations [pg 389] that form, so to speak, the suite or cortège of the Solar God, and which, during the winter solstice, occupy the four cardinal points of the zodiacal circle. These four “animals” may be seen in many of the Roman Catholic New Testaments in which the “portraits” of the Evangelists are given. They are the animals of Ezekiel's Mercabah.
As truly stated by Ragon:
The ancient Hierophants have combined so cleverly the dogmas and symbols of their religious philosophies, that these symbols can be fully explained only by the combination and knowledge of all the keys.
They can be only approximately interpreted, even if one discovers three out of these seven systems, viz., the anthropological, the psychic and the astronomical. The two chief interpretations, the highest and the lowest, the spiritual and the physiological, were preserved in the greatest secrecy, until the latter fell into the dominion of the profane. Thus far, with regard only to the pre-historic Hierophants, with whom that which has now become purely—or impurely—phallic, was a science as profound and as mysterious as Biology and Physiology are now. This was their exclusive property, the fruit of their studies and discoveries. The other two were those which dealt with the Creative Gods, or Theogony, and with creative man; that is to say, with the ideal and the practical Mysteries. These interpretations were so cleverly veiled and combined, that many were those who, while arriving at the discovery of one meaning, were baffled in understanding the significance of the others, and could never unriddle them sufficiently to commit dangerous indiscretions. The highest, the first and the fourth—Theogony in relation to Anthropogony—were almost impossible to fathom. We find the proofs of this in the Jewish “Holy Writ.”
It is owing to the serpent being oviparous, that it became a symbol of Wisdom and an emblem of the Logoi, or the Self-Born. In the temple of Philæ, in Upper Egypt, an egg was artificially prepared of clay mixed with various incenses. This was hatched by a peculiar process, and a cerastes or horned viper was produced. The same was done in the Indian temples, in antiquity, in the case of the cobra. The Creative God emerges from the Egg that issues from the mouth of Kneph, as a winged Serpent, for the Serpent is the symbol of the All-Wisdom. With the Hebrews the same Deity is glyphed by the Flying or “Fiery Serpents” of Moses in the Wilderness; and with the Alexandrian Mystic she becomes the Orphio-Christos, the Logos of the Gnostics. [pg 390] The Protestants try to show that the allegory of the Brazen Serpent and of the Fiery Serpents has a direct reference to the mystery of the Christ and the Crucifixion, whereas, in truth, it has a far nearer relation to the mystery of generation, when dissociated from the Egg with the Central Germ, or the Circle with its Central Point. Protestant Theologians would have us believe their interpretation only because the Brazen Serpent was lifted on a pole! Whereas it had rather a reference to the Egyptian Egg standing upright supported by the sacred Tau; since the Egg and the Serpent are in-separable in the old worship and symbology of Egypt, and since both the Brazen and Fiery Serpents were Seraphs, the burning “Fiery” Messengers, or the Serpent Gods, the Nâgas of India. Without the Egg it was a purely phallic symbol, but when associated therewith, it related to cosmic creation. The Brazen Serpent had no such holy meaning as the Protestants would ascribe to it; nor was it, in fact, glorified above the Fiery Serpents, for the bite of which it was only a natural remedy; the symbological meaning of the word “Brazen” being the feminine principle, and that of “Fiery,” or “Gold,” the masculine principle.
Brass was a metal symbolizing the nether world ... that of the womb where life should be given.... The word for serpent in Hebrew was Nachash, but this is also the term for brass.
It is said in Numbers that the Jews complained of the Wilderness where there was no water,[571] after which “the Lord sent fiery serpents” to bite them, and then, to oblige Moses, he gave him as a remedy the Brazen Serpent on a pole for them to look at; after which “any man when he beheld the serpent of brass ... lived” (?). After that the “Lord,” gathering the people together at the well of Beer, gave them water, and grateful Israel sang this song, “Spring up, O well.” When, after studying symbology, the Christian reader comes to understand the innermost meaning of these three symbols, Water, Brazen, and Serpent, and a few more, in the sense given to them in the Holy Bible, he will hardly like to connect the sacred name of his Saviour with the Brazen Serpent incident. The Seraphim (שרפים) or Fiery Winged Serpents, are no doubt connected with, and inseparable from, the idea of the “Serpent of Eternity—God,” as explained in Kenealy's Apocalypse; but the word Cherub also meant Serpent, in one sense, though its direct meaning is different, for the Cherubim and the Persian [pg 391] Winged Griffins (Γρύπες), the guardians of the Golden Mountain, are the same, and the compound name of the former shows their character, as it is formed of kr (כר), a circle, and aub or ob (אוב), a serpent, and therefore means a “serpent in a circle.” And this settles the phallic character of the Brazen Serpent, and justifies Hezekiah for breaking it.[572] Verbum satis sapienti!
In the Book of the Dead, as just shown,[573] reference is often made to the Egg. Ra, the Mighty One, remains in his Egg, during the struggle between the “Children of the Rebellion” and Shoo, the Solar Energy and the Dragon of Darkness. The Deceased is resplendent in his Egg when he crosses to the Land of Mystery. He is the Egg of Seb. The Egg was the symbol of Life in Immortality and Eternity; and also the glyph of the generative matrix; whereas the Tau, which was associated with it, was only the symbol of life and birth in generation. The Mundane Egg was placed in Khoom, the Water of Space, or the feminine abstract Principle; Khoom becoming, with the “fall” of mankind into generation and phallicism, Ammon the Creative God. When Ptah, the “Fiery God,” carries the Mundane Egg in his hand, then the symbolism becomes quite terrestrial and concrete in its significance. In conjunction with the Hawk, the symbol of Osiris-Sun, the symbol is dual, and relates to both Lives—the mortal and the immortal. The engraving of a papyrus in Kircher's Œdipus Egyptiacus,[574] shows an egg floating above the mummy. This is the symbol of hope and the promise of a Second Birth for the Osirified Dead; his Soul, after due purification in the Amenti, will gestate in this Egg of Immortality, to be reborn therefrom into a new life on earth. For this Egg, in the Esoteric Doctrine, is Devachan, the Abode of Bliss; the Winged Scarabæus also being another symbol of it. The Winged Globe is but another form of the Egg, and has the same significance as the Scarabæus, the Khopiroo—from the Root khoproo, to become, to be reborn—which relates to the rebirth of man, as well as to his spiritual regeneration.