The Secret Doctrine, Vol. 1 of 4 / The Synthesis of Science, Religion, and Philosophy

by H. P. Blavatsky

It is through this Light that everything is created. This Root of mental Self is also the root of physical Self, for this Light is the permutation, [pg 464] in our manifested world, of Mûlaprakriti, called Aditi in the Vedas. In its third aspect it becomes Vâch,[698] the Daughter and the Mother of the Logos, as Isis is the Daughter and the Mother of Osiris, who is Horns, and Moot, the Daughter, Wife, and Mother, of Ammon, in the Egyptian Moon-glyph. In the Kabalah, Sephira is the same as Shekinah, and is, in another synthesis, the Wife, Daughter, and Mother of the Heavenly Man, Adam Kadmon, and is even identical with him, just as Vâch is identical with Brahmâ, and is called the female Logos. In the Rig Veda, Vâch is “Mystic Speech,” by whom Occult Knowledge and Wisdom are communicated to man, and thus Vâch is said to have “entered the Rishis.” She is “generated by the Gods”; she is the Divine Vâch, the “Queen of Gods”; and she is associated, like Sephira with the Sephiroth, with the Prajâpatis in their work of creation. Moreover, she is called the “Mother of the Vedas,” “since it is through her powers, [as Mystic Speech] that Brahmâ revealed them, and also owing to her power that he produced the Universe”; that is to say, through Speech, and words, synthesized by the “Word” and numbers.[699]

But when Vâch is also spoken of as the daughter of Daksha, “the God who lives in all the Kalpas,” her mâyâvic character is shown; during the Pralaya she disappears, absorbed in the One, all-devouring Ray.

But there are two distinct aspects in universal Esotericism, Eastern and Western, in all these personations of the female Power in Nature, or Nature the noumenal and the phenomenal. One is its purely metaphysical aspect, as described by the learned lecturer in his “Notes on the Bhagavad Gîtâ”; the other terrestrial and physical, and at the same time divine from the stand-point of practical human conception and Occultism. They are all the symbols and personifications of Chaos, the Great Deep, or the Primordial Waters of Space, the impenetrable Veil between the Incognizable and the Logos of Creation. “Connecting himself through his mind with Vâch, Brahmâ [the Logos] created the Primordial Waters.” In the Katha Upanishad it is stated still more clearly:

Prajâpati was this Universe. Vâch was a second to him. He associated with her ... she produced these creatures and again reëntered Prajâpati.

This connects Vâch and Sephira with the Goddess Kwan-Yin, the “Merciful Mother,” the Divine Voice of the Soul, even in exoteric Buddhism, and with the female aspect of Kwan-Shai-Yin, the Logos, the Verbum of Creation, and at the same time with the Voice that speaks audibly to the Initiate, according to Esoteric Budhism. Bath Kol, the Filia Vocis, the Daughter of the Divine Voice of the Hebrews, responding from the Mercy Seat within the Veil of the Temple is—a result.

And here we may incidentally point out one of the many unjust slurs thrown by the “good and pious” missionaries in India on the religion of the land. The allegory, in the Shatapatha Brâhmana, that Brahmâ, as the Father of men, performed the work of procreation by incestuous intercourse with his own daughter Vâch, also called Sandhyâ, Twilight, and Shatarûpâ, of a hundred forms, is incessantly thrown in the teeth of the Brâhmans, as condemning their “detestable, false religion.” Besides the fact, conveniently forgotten by the Europeans, that the Patriarch Lot is shown guilty of the same crime under the human form, whereas it was under the form of a buck that Brahmâ, or rather Prajâpati, accomplished the incest with his daughter, who had that of a hind (rohit), the esoteric reading of the third chapter of Genesis shows the same. Moreover, there is certainly a cosmic, and not a physiological, meaning attached to the Indian allegory, since Vâch is a permutation of Aditi and Mûlaprakriti, or Chaos, and Brahmâ a permutation of Nârâyana, the Spirit of God entering into, and fructifying Nature; and, therefore, there is nothing phallic in the conception at all.

As already stated, Aditi-Vâch is the female Logos, or Verbum, the Word; and Sephira in the Kabalah is the same. These feminine Logoi are all correlations, in their noumenal aspect, of Light, and Sound, and Æther, showing how well-informed were the Ancients both in Physical Science, as now known to the moderns, and also as to the birth of that Science in the Spiritual and Astral spheres.

Our old writers said that Vâch is of four kinds. These are called Parâ, Pashyantî, Madhyamâ, Vaikharî. This statement you will find in the Rig Veda itself and in several of the Upanishads. Vaikharî Vâch is what we utter.

It is Sound, Speech, that again which becomes comprehensive and objective to one of our physical senses and may be brought under the laws of perception. Hence:

Every kind of Vaikharî Vâch exists in its Madhyamâ ... Pashyantî and [pg 466]ultimately in its Parâ form.... The reason why this Pranava[700] is called Vâch is this, that these four principles of the great Kosmos correspond to these four forms of Vâch.... The whole Kosmos in its objective form is Vaikharî Vâch; the Light of the Logos is the Madhyamâ form; and the Logos itself the Pasyantî form; while Parabrahman is the Parâ [beyond the Noumenon of all Noumena] aspect of that Vâch.[701]