(2.) Monism, or the Single Substance doctrine, is the more subtle form of negative psychology, which one of its advocates, Professor Bain, ably terms “guarded materialism.” This doctrine, which commands a [pg 150] very wide assent, counting among its upholders such men as Lewes, Spencer, Ferrier, and others, while positing thought and mental phenomena generally as radically contrasted with matter, regards them as the two sides, or aspects, of one and the same substance in some of its conditions. Thought as thought, they say, is utterly contrasted with material phenomena, but it must be also regarded as only “the subjective side of nervous motion”—whatever our learned men may mean by this.
To return to the commentary on the Four Mahârâjahs, however, in the Egyptian temples, according to Clemens Alexandrinus, an immense curtain separated the tabernacle from the place for the congregation. The Jews had the same. In both, the curtain was drawn over five pillars (the Pentacle), symbolizing our five senses and five Root Races esoterically, while the four colours of the curtain represented the four cardinal points and the four terrestrial elements. The whole was an allegorical symbol. It is through the four high Rulers over the four points and elements that our five senses may become cognizant of the hidden truths of Nature; and not at all, as Clemens would have it, that it is the elements per se that furnished the Pagans with Divine Knowledge or the Knowledge of God.[226] While the Egyptian emblem was spiritual, that of the Jews was purely materialistic, and, indeed, honoured only the blind elements and the imaginary “points.” For what was the meaning of the square Tabernacle raised by Moses in the wilderness, if it had not the same cosmical significance? “Thou shalt make an hanging ... of blue, purple, and scarlet ... five pillars of shittim wood for the hanging ... four brazen rings in the four corners thereof ... boards of fine wood for the four sides, North, South, West, and East ... of the Tabernacle ... with Cherubims of cunning work.”[227] The Tabernacle and the square courtyard, Cherubim and all, were precisely the same as those in the Egyptian temples. The square form of the Tabernacle meant just the same thing as it still means, to this day, in the exoteric worship of the Chinese and Tibetans—the four cardinal points signifying that which the four sides of the pyramids, obelisks, and other such square erections mean. Josephus takes care to explain the whole thing. He declares that the Tabernacle pillars were the same as those raised at Tyre to the four elements, which were placed on pedestals whose four [pg 151] angles faced the four cardinal points; adding that “the angles of the pedestals had the four figures of the Zodiac” on them, which represented the same orientation.[228]
The idea may be traced in the Zoroastrian caves, in the rock-cut temples of India, and in all the sacred square buildings of antiquity that have survived to this day. This is shown definitely by Layard, who finds the four cardinal points, and the four primitive elements, in the religion of every country, under the shape of square obelisks, the four sides of the pyramids, etc., etc. Of these elements and their points the Four Mahârâjahs were the regents and directors.
If the student would know more of them, he has but to compare the Vision of Ezekiel (ch. i.) with what is known of Chinese Buddhism, even in its exoteric teachings, and examine the outward shape of these “Great Kings of the Devas.” In the opinion of the Rev. Joseph Edkins, “they preside each over one of the four continents into which the Hindûs divide the world.... Each leads an army of spiritual beings to protect mankind and Buddhism.”[229] With the exception of favouritism towards Buddhism, the four Celestial Beings are precisely this. The Hindûs, however, happen to divide the world into seven continents, exoterically as well as esoterically; and their four Cosmic Devas are eight, presiding over the eight points of the compass and not over the continents.
The “Four” are the protectors of mankind and also the agents of Karma on Earth, whereas the Lipika are concerned with Humanity's hereafter. At the same time they are the four living creatures, “who have the likeness of a man,” of Ezekiel's vision, called by the translators of the Bible, “Cherubim,” “Seraphim,” etc.; by the Occultists, “Winged Globes,” “Fiery Wheels”; and in the Hindû Pantheon, by a number of different names. All these Gandharvas, the “Sweet Songsters,” the Asuras, Kinnaras, and Nâgas, are the allegorical descriptions of the Four Mahârâjahs. The Seraphim are the fiery Serpents of Heaven which we find in a passage, describing Mount Meru as “the exalted mass of glory, the venerable haunt of gods and heavenly choristers ... not to be reached by sinful men ... because guarded by Serpents.” They are called the Avengers, and the “Winged Wheels.”
Their mission and character being explained, let us see what the Christian bible-interpreters say of the Cherubim. “The word signifies [pg 152] in Hebrew, fulness of knowledge; these angels are so called from their exquisite Knowledge, and were therefore used for the punishment of men who affected divine Knowledge.” (Interpreted by Cruden in his Concordance, from Genesis iii. 24.) Very well; and vague as the information is, it shows that the Cherub placed at the gate of the Garden of Eden, after the “Fall,” suggested to the venerable interpreters the idea of punishment connected with forbidden Science or divine Knowledge—one that generally leads to another “Fall,” that of the gods or “God,” in man's estimation. But as the good old Cruden knew nought of Karma, he may be forgiven. Yet the allegory is suggestive. From Meru, the abode of gods, to Eden, the distance is very small, and from the Hindû Serpents to the Ophite Cherubim, the third out of the seven of which was the Dragon, the separation is still smaller, for both watched the entrance to the realm of Secret Knowledge. Ezekiel, moreover, plainly describes the four Cosmic Angels:
I looked, and, behold, a whirlwind, ... a ... cloud and a fire infolding it ... also out of the midst thereof came the likeness of four living creatures ... they had the likeness of a man. And every one had four faces and ... four wings ... the face of a man,[230] and the face of a lion ... the face of an ox, and ... the face of an eagle.... Now as I beheld the living creatures, behold one wheel upon the Earth ... with his four faces ... as it were a wheel in the middle of a wheel ... for the spirit of the living creature was in the wheel.[231]
There are three chief Groups of Builders, and as many of the Planetary Spirits and the Lipika, each Group being again divided into seven sub-groups. It is impossible, even in such a large work as this, to enter into a minute examination of even the three principal Groups, as it would demand an extra volume. The Builders are the representatives of the first “Mind-Born” Entities, therefore of the primeval Rishi-Prajâpati; also of the Seven great Gods of Egypt, of which Osiris is the chief; of the Seven Amshaspends of the Zoroastrians, with Ormazd at their head; of the “Seven Spirits of the Face”; of the Seven Sephiroth separated from the first Triad, etc., etc.[232] They build, [pg 153] or rather rebuild, every “System” after the “Night.” The Second Group of the Builders is the Architect of our Planetary Chain exclusively; and the Third, the Progenitor of our Humanity—the macrocosmic prototype of the microcosm.
The Planetary Spirits are the informing spirits of the Stars in general, and of the Planets especially. They rule the destinies of men who are all born under one or other of their constellations; the Second and Third Groups pertaining to other systems have the same functions, and all rule various departments in Nature. In the Hindû exoteric Pantheon they are the guardian deities who preside over the eight points of the compass—the four cardinal and the four intermediate points—and are called Lokapâlas, “Supporters or Guardians of the World” (in our visible Cosmos), of which Indra (East), Yama (South), Varuna (West), and Kuvera (North) are the chief; their elephants and spouses pertaining of course to fancy and afterthought, though all of them have an Occult significance.
The Lipika, a description of whom is given in Commentary 6 of Stanza IV, are the Spirits of the Universe, whereas the Builders are only our own planetary deities. The former belong to the most Occult portion of cosmogenesis, which cannot be given here. Whether the Adepts—even the highest—know this angelic order in the completeness of its triple degrees, or only the lower one connected with the records of our world, is something which the writer is unprepared to say, and she would rather incline to the latter supposition. Of its highest grade one thing only is taught: the Lipika are connected with Karma—being its direct Recorders. The Symbol for Sacred and Secret Knowledge in antiquity was universally a Tree, by which a Scripture or a Record was also meant. Hence the word Lipika, the Writers or Scribes; the Dragons, symbols of Wisdom, who guard the Trees of Knowledge; the “golden” Apple-Tree of the Hesperides; the “Luxuriant Trees” and vegetation of Mount Meru, guarded by Serpents. Juno's giving Jupiter, on her marriage, a Tree with golden fruit, is another form of Eve offering Adam the apple from the Tree of Knowledge.