This is the metaphysics of Theogony. Now every “Power” among the Seven, once he is individualized, has in his charge one of the elements of creation, and rules over it;[799] hence the many meanings in every symbol. These, unless interpreted according to the Esoteric methods, generally lead to inextricable confusion.
Does the Western Kabalist, who is generally an opponent of the Eastern Occultist, require a proof? Let him open Éliphas Lévi's Histoire de la Magie,[800] and carefully examine his “Grand Symbole Kabbalistique” from the Zohar. He will find there, in the engraving, a development of the “interlaced triangles,” a white man above and a black woman below reversed, the legs passing under the extended arms [pg 376] of the male figure, and protruding behind the shoulders, while their hands join at an angle on each side. Éliphas Lévi makes of this symbol, God and Nature; or God, “Light,” mirrored inversely in Nature and Matter, “Darkness.” Kabalistically and symbolically he is right; but only so far as emblematical cosmogony goes. Neither has he invented the symbol, nor have the Kabalists. The two figures in white and black stone have existed in the temples of Egypt from time immemorial, agreeably to tradition, and historically-ever since the day of King Cambyses, who personally saw them. Therefore the symbol must have been in existence for nearly 2,500 years. This, at the very least, for Cambyses, who was a son of Cyrus the Great, succeeded his father in the year 529 b.c. These figures were the two Kabiri personifying the opposite poles. Herodotus[801] tells posterity that when Cambyses entered the temple of the Kabirim, he burst into an inextinguishable fit of laughter, on perceiving what he thought to be a man erect and a woman standing on the top of her head before him. These were the poles, however, whose symbol was intended to commemorate “the passing of the original north pole of the earth to the south pole of the heaven,” as perceived by Mackey.[802] But they also represented the poles inverted, in consequence of the great inclination of the axis, which each time resulted in the displacement of the oceans, the submersion of the polar lands, and the consequent upheaval of new continents in the equatorial regions, and vice versâ. These Kabirim were the “Deluge” Gods.
This may help us to get at the key of the seemingly hopeless confusion among the numbers of names and titles given to one and the same Gods, and classes of Gods. Faber, at the beginning of this century, showed the identity of the Corybantes, Curetes, Dioscuri, Anactes, Dii Magni, Idei, Dactyli, Lares, Penates, Manes,[803] Titans, and [pg 377] Aletæ with the Kabiri. And we have shown that the latter were the same as the Manus, the Rishis, and our Dhyân Chohans who incarnated in the Elect of the Third and Fourth Races. Thus, while in Theogony the Kabiri-Titans were seven Great Gods, cosmically and astronomically the Titans were called Atlantes, because, perhaps, as Faber says, they were connected with at-al-as, the “divine sun,” and with tit, the “deluge.” But this, if true, is only the exoteric version. Esoterically, the meaning of their symbols depends on the appellation, or title, used. The seven mysterious, awe-inspiring Great Gods—the Dioscuri,[804] the deities surrounded with the darkness of Occult Nature—become the Idei Dactyli, or Ideic “Fingers,” with the Adept-healers by metals. The true etymology of the name Lares, now signifying “Ghosts,” must be sought in the Etruscan word lars, “conductor,” “leader.” Sanchuniathon translates the word Aletæ as “fire worshippers,” and Faber believes it to be derived from al-orit, the “God of fire.” Both are right, for in both cases it is a reference to the Sun, the “highest” God, toward whom the Planetary Gods “gravitate” (astronomically and allegorically), and whom they worship. As Lares, they are truly the Solar Deities, though Faber's etymology, that “Lar is a contraction of El-Ar, the solar deity,”[805] is not very correct. They are the Lares, the Conductors and Leaders of men. As Aletæ, they were the seven Planets—astronomically; and as Lares, the Regents of these Planets, our Protectors and Rulers—mystically. For purposes of exoteric or phallic worship, and also cosmically, they were the Kabiri, whose attributes and dual capacities were denoted by the names of the temples to which they respectively belonged, and also by those of their priests. They all belonged, however, to the septenary creative and informing groups of Dhyân Chohans. The Sabæans, who worshipped the “Regents of the Seven Planets” just as the Hindûs worship their Rishis, held Seth and his son Hermes (Enoch or Enos) as the highest among the Planetary Gods. Seth and Enos were borrowed from the Sabæans and then disfigured by the Jews (exoterically); but the truth about them can still be discovered even in Genesis.[806] Seth is the “Progenitor” [pg 378] of those early men of the Third Race in whom the Planetary Angels had incarnated; he was himself a Dhyân Chohan and belonged to the informing Gods, and Enos (Hanoch or Enoch), or Hermes, was said to be his son—Enos being a generic name for all the early “Seers” (Enoïchion). Thence the worship. The Arabic writer Soyuti says that the earliest records mention Seth, or Set, as the founder of Sabaism, and that the pyramids which embody the planetary system were regarded as the place of sepulchre of both Seth and Idrus (Hermes or Enoch);[807] that thither Sabæans proceeded on pilgrimage, and chanted prayers seven times a day, turning to the North (Mount Meru, Kaph, Olympus, etc.).[808] Abd Allatif also tells us some curious things about the Sabæans and their books. So also does Eddin Ahmed Ben Yahya, who wrote 200 years later. While the latter maintains “that each pyramid was consecrated to a star” (a Star Regent rather), Abd Allatif assures us that he had read in ancient Sabæan books that “one pyramid was the tomb of Agathodæmon and the other of Hermes”:[809]
Agathodæmon was none other than Seth, and, according to some writers, Hermes was his son,
adds Mr. Staniland Wake in The Great Pyramid.[810]
Thus, while in Samothrace and the oldest Egyptian temples the Kabiri were the Great Cosmic Gods—the Seven and the Forty-nine Sacred Fires—in the Grecian fanes their rites became mostly phallic, and therefore, to the profane, obscene. In the latter case they were three and four, or seven—the male and female principles—the crux ansata. This division shows why some classical writers held that they were only three, while others named four. And these were Axieros (in his female aspect Demeter); Axiokersa (Persephone);[811] Axiokersos (Pluto or Hades); and Kadmos or Kasmilos (Hermes—not the ithyphallic Hermes mentioned by Herodotus,[812] but “he of the sacred [pg 379] legend,” which was explained only during the Samothracian Mysteries). This identification, which is due, according to the Scholiast on Apollonius Rhodius,[813] to an indiscretion of Mnaseas, is really no identification at all, as names alone do not reveal much.[814] Others again have maintained, being equally right in their way, that there were only two Kabiri. These were, esoterically, the two Dioscuri, Castor and Pollux, and exoterically, Jupiter and Bacchus. These two personified the terrestrial poles, geodesically; the terrestrial pole, and the pole of the heavens, astronomically; and also the physical and the spiritual man. The story of Semele and Jupiter and the birth of Bacchus, Bimater, with all the circumstances attending it, needs only to be read esoterically for the understanding of the allegory. The parts played in the event by the Fire, Water, Earth, etc., in the many versions, will show how the “Father of the Gods” and the “merry God of Wine” were also made to personify the two terrestrial poles. The telluric, metalline, magnetic, electric and the fiery elements are all so many allusions and references to the cosmic and astronomic character of the diluvian tragedy. In Astronomy, the poles are indeed the “heavenly measure”; and so are the Kabiri-Dioscuri, as will be shown, and the Kabiri-Titans, to whom Diodorus ascribes the “invention of Fire”[815] and the art of manufacturing iron. Moreover, Pausanias[816] shows that the original Kabiric deity was Prometheus.
But the fact that, astronomically, the Titan-Kabirim were also the Generators and Regulators of the Seasons, and, cosmically, the great Volcanic Energies—the Gods presiding over all the metals and terrestrial works—does not prevent them from being, in their original divine characters, the beneficent Entities who, symbolized in Prometheus, brought light to the world, and endowed Humanity with intellect and reason. They are preëminently in every Theogony—especially in the Hindû—the Sacred Divine Fires, Three, Seven, or Forty-nine, according as the allegory demands it. Their very names prove it, for they are the Agni-putra, or Sons of the Fire, in India, and the Genii of the Fire under numerous names in Greece and elsewhere. Welcker, Maury, and now Decharme, show the name kabeiros meaning “the powerful through fire,” from the Greek καίω “to burn.” The Semitic [pg 380] word kabirim contains the idea of “the powerful, the mighty, and the great,” answering to the Greek μεγάλοι, δυνατοί, but these are later epithets. These Gods were universally worshipped, and their origin is lost in the night of time. Yet whether propitiated in Phrygia, Phœnicia, the Troad, Thrace, Egypt, Lemnos or Sicily, their cult was always connected with Fire, their temples ever built in the most volcanic localities, and in exoteric worship they belonged to the Chthonian Divinities, and therefore has Christianity made of them Infernal Gods.
They are truly “the great, beneficent and powerful Gods,” as Cassius Hermone calls them.[817] At Thebes, Core and Demeter, the Kabirim, had a sanctuary,[818] and at Memphis, the Kabiri had a temple so sacred, that none, excepting the priests, were suffered to enter its holy precincts.[819] But we must not, at the same time, lose sight of the fact that the title of Kabiri was generic; that the Kabiri, the mighty Gods as well as mortals, were of both sexes, and also terrestrial, celestial and cosmic; that while, in their later capacity of rulers of sidereal and terrestrial powers, a purely geological phenomenon—as it is now regarded—was symbolized in the persons of those rulers, they were also, in the beginning of times, the Rulers of Mankind, when, incarnated as Kings of the “Divine Dynasties,” they gave the first impulse to civilization, and directed the mind with which they had endued men, to the invention and perfection of all the arts and sciences. Thus the Kabiri are said to have appeared as the benefactors of men, and as such they lived for ages in the memory of nations. To these Kabiri or Titans is ascribed the invention of letters (the Deva-nâgari, or alphabet and language of the Gods), of laws and legislature, of architecture, as also of the various modes of magic, so-called, and of the medical use of plants. Hermes, Orpheus, Cadmus, Asclepius, all those Demi-gods and Heroes, to whom is ascribed the revelation of sciences to men, and in whom Bryant, Faber, Bishop Cumberland, and so many other Christian writers—too zealous for plain truth—would force posterity to see only Pagan copies of one sole prototype, named Noah—all are generic names.
It is the Kabiri who are credited with having revealed the great boon of agriculture, by producing corn or wheat. What Isis-Osiris, the once living Kabiria, did in Egypt, that Ceres is said to have done in Sicily; they all belong to one class.
That serpents were ever emblems of wisdom and prudence is again [pg 381] shown by the Caduceus of Mercury, one with Thot, the God of Wisdom, with Hermes, and so on. The two serpents, entwined round the rod, are phallic symbols of Jupiter and other Gods who transformed themselves into snakes for purposes of seducing Goddesses—only in the unclean fancies of profane Symbologists. The serpent has ever been the symbol of the Adept, and of his powers of immortality and divine knowledge. Mercury, in his psychopompic character, conducting and guiding the souls of the dead to Hades with his Caduceus and even raising them to life with it, is a simple and very transparent allegory. It shows the dual power of the Secret Wisdom: black and white Magic. It shows this personified Wisdom guiding the Soul after death, and displaying the power of calling to life that which is dead—a very deep metaphor if one but thinks over its meaning. All the peoples of antiquity, with one exception, reverenced this symbol; the exception being the Christians, who chose to forget the “brazen serpent” of Moses, and even the implied acknowledgment of the great wisdom and prudence of the “serpent” by Jesus himself, “Be ye wise as serpents and harmless as doves.” The Chinese, one of the oldest nations of our Fifth Race, made of it the emblem of their Emperors, who are thus the degenerate successors of the “Serpents” or Initiates, who ruled the early races of the Fifth Humanity. The Emperor's throne is the “Dragon's Seat,” and his dresses of State are embroidered with the likeness of the Dragon. The aphorisms in the oldest books of China, moreover, say plainly that the Dragon is a human, albeit divine, Being. Speaking of the “Yellow Dragon,” the chief of the others, the Twan-ying-t'u says: