So the Spirit of God “sleeps,” or is “breathing” over the Chaos of Undifferentiated Matter, before each new “Creation,” says the Siphra Dtzenioutha. Now one Day of Brahmâ is composed, as already explained, of one thousand Mahâ Yugas; and as each Night, or period of rest, is equal in duration to this Day, it is easy to see what this sentence in the Siphra Dtzenioutha refers to—viz., that the Serpent manifests [pg 531] “once in a thousand days.” Nor is it more difficult to see whither the initiated writer of the Siphra is leading us, when he says:
Its head is broken in the waters of the Great Sea, as it is written: Thou dividest the sea by thy strength, thou brakest the heads of the dragons in the waters.[1166]
It refers to the trials of the Initiates in this physical life, the “Sea of Sorrow,” if read with one key; it hints at the successive destruction of the seven Spheres of a Chain of Worlds in the Great Sea of Space, when read with another key; for every sidereal globe or sphere, every world, star, or group of stars, is called in symbolism a “Dragon's Head.” But however it may read, the Dragon was never regarded as Evil, nor was the Serpent either—in antiquity. In the metaphors, whether astronomical, cosmical, theogonical or simply physiological (or phallic), the Serpent was always regarded as a divine symbol. When mention is made of “the [Cosmic] Serpent which runs with 370 leaps,”[1167] it means the cyclic periods of the great Tropical Year of 25,868 years, divided in the Esoteric calculation into 370 periods or cycles, as one solar year is divided into 365 days. And if Michael was regarded by the Christians as the Conqueror of Satan, the Dragon, it is because in the Talmud this fighting personage is represented as the Prince of Waters, who had seven subordinate Spirits under him—a good reason why the Latin Church made him the patron saint of every promontory in Europe. In the Siphra Dtzenioutha the Creative Force “makes sketches and spiral lines of his creation in the shape of a Serpent.” It “holds its tail in its mouth,” because it is the symbol of endless eternity and of cyclic periods. Its meanings, however, would require a volume, and we must end.
Thus the reader may now see for himself what are the several meanings of the “War in Heaven,” and of the “Great Dragon.” Thus the most solemn and dreaded of Church dogmas, the alpha and omega of the Christian faith, and the pillar of its Fall and Atonement, dwindles down to a Pagan symbol, in the many allegories of these pre-historic struggles.
Section V. Is Plerôma Satan's Lair?
The subject is not yet exhausted, and has to be examined from still other aspects.
Whether Milton's grandiose description of the three days' Battle of the Angels of Light against those of Darkness justifies the suspicion that he must have heard of the corresponding Eastern tradition—it is impossible to say. Nevertheless, if not himself in connection with some Mystic, then it must have been through some one who had obtained access to the secret works of the Vatican. Among these there is a tradition concerning the “Beni Shamash”—the “Children of the Sun”—relating to the Eastern allegory, with far more minute details in its triple version, than one can get either from the Book of Enoch, or the far more recent Revelation of St. John concerning the “Old Dragon” and his various Slayers, as has been just shown.