There has been, and there still exists, a seemingly endless controversy about the chronology of the Hindûs. Here is, however, a point that could help to determine—approximately at least—the age when the symbolism of the seven Rishis and their connection with the Pleiades began. When Kârttikeya was delivered to the Krittikâ by the Gods to be nursed, they were only six, whence Kârttikeya is represented with six heads; but when the poetical fancy of the early Âryan Symbologists made of them the consorts of the seven Rishis, they were seven. Their names are given, and these are Amba, Dulâ, Nitatui, Abrayanti, Maghâyanti, Varshayanti, and Chupunika. There are other sets of names which differ, however. Anyhow, the seven Rishis were made to marry the seven Krittikâ before the disappearance of the seventh Pleiad. Otherwise, how could the Hindû astronomers speak of a star which no one can see without the help of the strongest telescopes? This is why, perhaps, in every such case the majority of the events described in the Hindû allegories is fixed upon as “a very recent invention, certainly within the Christian era.”
The oldest Sanskrit MSS. on Astronomy begin their series of Nakshatras, the twenty-seven lunar asterisms, with the sign of Krittikâ, and this can hardly make them earlier than 2,780 b.c. This is according to the “Vedic Calendar,” which is accepted even by the Orientalists, though they get out of the difficulty by saying that the said Calendar does not prove that the Hindûs knew anything of Astronomy at that date, and assure their readers that, Calendars notwithstanding, the Indian Pandits may have acquired their knowledge of the lunar mansions headed by Krittikâ from the Phœnicians, etc. However that may be, the Pleiades are the central group of the system of sidereal symbology. They are situated in the neck of the constellation Taurus, regarded by Mädler and others, in Astronomy, as the central group of the system of the Milky Way, and in the Kabalah and Eastern Esotericism, as the sidereal septenate born from the first manifested side of the upper triangle, the concealed [triangle]. This manifested side is Taurus, the symbol of One [pg 582] (the figure 1), or of the first letter of the Hebrew alphabet, Aleph (א) “bull” or “ox,” whose synthesis is Ten (10), or Yod (י), the perfect letter and number. The Pleiades (Alcyone, especially), are thus considered, even in Astronomy, as the central point around which our universe of fixed stars revolves, the focus from which, and into which, the Divine Breath, Motion, works incessantly during the Manvantara. Hence, in the sidereal symbols of the Occult Philosophy, it is this circle with the starry cross on its face which plays the most prominent part.
The Secret Doctrine teaches us that everything in the Universe, as well as the Universe itself, is formed (“created”) during its periodical manifestations—by accelerated Motion set into activity by the Breath of the Ever-to-be-unknown Power—unknown to present mankind, at any rate—within the phenomenal world. The Spirit of Life and Immortality was everywhere symbolized by a circle; hence the serpent biting its tail, represents the Circle of Wisdom in Infinity; as does the astronomical cross—the cross within a circle—and the globe, with two wings added to it, which then became the sacred Scarabæus of the Egyptians, its very name being suggestive of the secret idea attached to it. For the Scarabæus is called in the Egyptian papyri, Khopirron and Khopri from the verb khopron, “to become,” and has thus been made a symbol and an emblem of human life and of the successive “becomings” of man, through the various peregrinations and metempsychoses, or reïncarnations, of the liberated soul. This mystical symbol shows plainly that the Egyptians believed in reïncarnation and the successive lives and existences of the Immortal Entity. As this, however, was an Esoteric Doctrine, revealed only during the Mysteries, by the Priest-hierophants and the King-initiates to the Candidates, it was kept secret. The Incorporeal Intelligences (the Planetary Spirits, or Creative Powers) were always represented under the form of circles. In the primitive Philosophy of the Hierophants these invisible circles were the prototypic causes and builders of all the heavenly orbs, which were their visible bodies or coverings, and of which they were the souls. It was certainly a universal teaching in antiquity.[1299] As Proclus says:
Before the mathematical numbers, there are the self-moving numbers; before the figures apparent—the vital figures, and before producing the material worlds which move in a circle, the Creative Power produced the invisible circles.[1300]
“Deus enim et circulus est,” says Pherecydes, in his Hymn to Jupiter. This was a Hermetic axiom, and Pythagoras prescribed such a circular prostration and posture during the hours of contemplation. “The devotee must approach as much as possible the form of a perfect circle,” prescribes the Secret Book. Numa tried to spread the same custom among the people, Pierius tells his readers; and Pliny says:
During our worship, we roll up, so to say, our body in a ring—totum corpus circumagimur.[1301]
The Vision of the prophet Ezekiel reminds one forcibly of this mysticism of the circle, when he beheld a “whirlwind” from which came out “one wheel upon the earth” whose work “was as it were a wheel in the middle of a wheel”—“for the spirit of the living creature was in the wheels.”[1302]
“[Spirit] whirleth about continually, and ... returneth again according to his circuits”—says Solomon,[1303] who is made in the English translation to speak of the “wind,” and in the original text to refer both to the spirit and the sun. But the Zohar, the only true gloss of the Kabalistic Preacher—in explanation of this verse, which is, perhaps, rather hazy and difficult to comprehend—says:
It seems to say that the sun moves in circuits, whereas it refers to the Spirit under the sun, called the Holy Spirit, that moves circularly, toward both sides, that they [It and the sun] should be united in the same Essence.[1304]
The Brâhmanical “Golden Egg,” from within which emerges Brahmâ, the Creative Deity, is the “Circle with the Central Point” of Pythagoras, and its fitting symbol. In the Secret Doctrine the concealed Unity—whether representing Parabrahman, or the “Great Extreme” of Confucius, or the Deity concealed by Phtah, the Eternal Light, or again the Jewish Ain Suph, is always found to be symbolized by a circle or the “nought” (absolute No-Thing and Nothing, because [pg 584] it is Infinite and the All); while the God-manifested (by its works) is referred to as the Diameter of that Circle. The symbolism of the underlying idea is thus made evident: the right line passing through the centre of a circle has, in the geometrical sense, length, but neither breadth nor thickness; it is an imaginary and feminine symbol, crossing eternity, and made to rest on the plane of existence of the phenomenal world. It is dimensional, whereas its circle is dimensionless, or, to use an algebraical term, it is the dimension of an equation. Another way of symbolizing the idea is found in the Pythagorean sacred Decad which synthesizes, in the dual numeral Ten (the one and a circle or cipher), the Absolute All manifesting itself in the Word or Generative Power of Creation.