Let the reader who doubts the statement consult the Hebrew originals before he denies. Let him turn to some most suggestive Egyptian bas reliefs. One especially from the temple of Philæ, represents a scene of initiation. Two God-Hierophants, one with the head of a hawk (the Sun), the other ibis-headed (Mercury, Thoth, the God of Wisdom and Secret Learning, the assessor of Osiris-Sun), are standing over the body of a Candidate just initiated. They are in the act of pouring on his head a double stream of “water” (the Water of Life and of New-birth), the streams being interlaced in the shape of a cross and full of small ansated crosses. This is allegorical of the awakening of the Candidate who is now an Initiate, when the beams of the morning Sun, Osiris, strike the crown of his head; his entranced body being placed on its wooden Tau so as to receive the rays. Then appeared the Hierophant-Initiators, and the sacramental words were pronounced, ostensibly to the Sun-Osiris, in reality to the Spirit-Sun within, enlightening the newly-born man.
Let the reader meditate on the connection of the Sun with the cross from the highest antiquity, in both its generative and spiritually regenerative capacities. Let him examine the tomb of Bait-Oxly, in the reign of Ramses II, where he will find the crosses in every shape and position; as also on the throne of that sovereign, and finally on a fragment [pg 590] representing the adoration of Bakhan-Alearé, from the Hall of the ancestors of Totmes III, now preserved in the National Library of Paris. In this extraordinary sculpture and painting one sees the disk of the Sun beaming upon an ansated cross placed upon a cross of which those of the Calvary are perfect copies. The ancient MSS. mention these as the “hard couches of those who were in [spiritual] travail, the act of giving birth to themselves.” A quantity of such cruciform “couches,” on which the Candidate, thrown into a dead trance at the end of his supreme Initiation, was placed and secured, were found in the underground halls of the Egyptian Temples after their destruction. The worthy and holy Fathers of the Cyril and Theophilus types used them freely, believing they had been brought and concealed there by some new converts. Alone Origen, and after him Clemens Alexandrinus and other ex-initiates, knew better. But they preferred to keep silent.
Again, let the reader read the Hindû “fables,” as the Orientalists call them, and remember the allegory of Vishvakarmâ, the Creative Power, the Great Architect of the World, called in the Rig Veda the “All-seeing God,” who “sacrifices himself to himself.” The Spiritual Egos of mortals are his own essence, one with him, therefore. Remember that he is called Deva-vardhika, the “Builder of the Gods,” and that it is he who ties the Sun, Sûrya, his son-in-law, on his lathe—in the exoteric allegory, but on the Svastika, in Esoteric tradition, for on Earth he is the Hierophant-Initiator—and cuts away a portion of his brightness. Vishvakarmâ, remember again, is the son of Yoga-siddhâ, i.e., the holy power of Yoga, and the fabricator of the “fiery weapon,” the magic Agneyastra.[1319] The narrative is given more fully elsewhere.
The author of the kabalistic work so often quoted from, asks:
The theoretical use of crucifixion then, must have been somehow connected with the personification of this symbol [the structure of the Garden of Paradise symbolized by a crucified man]. But how? And as showing what? The symbol was of the origin of measures, shadowing forth creative law or design. What, practically, as regards humanity, could actual crucifixion betoken? Yet, that it was held as the effigy of some mysterious working of the same system, is shown from the very fact of the use. There seems to be deep below deep as to the mysterious workings of these number values—[the symbolization of the connection of 113: 355, with 20612: 6561, by a crucified man]. Not only are they shown to work in the cosmos but, ... by sympathy, they seem to work out conditions relating to an unseen and spiritual world, and the prophets seem to have held knowledge of the [pg 591]connecting links. Reflection becomes more involved when it is considered that, the power of expression of the law, exactly, by numbers clearly defining a system, was not the accident of the language, but was its very essence, and of its primary organic construction; therefore, neither the language, nor the mathematical system attaching to it, could be of man's invention, unless both were founded upon a prior language which afterwards became obsolete.[1320]
The author proves these points by further elucidation, and reveals the secret meaning of more than one dead-letter narrative, by showing that probably, איש, man, was the primordial word:
The very first word possessed by the Hebrews, whoever they were, to carry the idea, by sound, of a man. The essential of this word was 113 [the numerical value of that word] from the beginning, and carried with it the elements of the cosmical system displayed.[1321]
This is demonstrated by the Hindû Vittoba, a form of Vishnu, as has already been stated. The figure of Vittoba, even to the nail-marks on the feet,[1322] is that of Jesus crucified, in all its details save the cross. That man was meant is proved to us further by the fact of the Initiate being reborn after his crucifixion on the Tree of Life. This “Tree” has now become exoterically—through its use by the Romans as an instrument of torture and the ignorance of the early Christian schemers—the tree of death!
Thus, one of the seven Esoteric meanings intended by this mystery of crucifixion by the mystic inventors of the system—the original elaboration and adoption of which dates back to the very establishment of the Mysteries—is discovered in the geometrical symbols containing the history of the evolution of man. The Hebrews—whose prophet Moses was so learned in the Esoteric Wisdom of Egypt, and who adopted their numerical system from the Phœnicians, and later from the Gentiles, from whom also they borrowed most of their Kabalistic Mysticism—most ingeniously adapted the cosmic and anthropological symbols of the “Heathen” nations to their peculiar secret records. If Christian sacerdotalism has lost the key of this to-day, the early compilers of the Christian Mysteries were well versed in Esoteric Philosophy and the Hebrew Occult Metrology, and used it dexterously. Thus they took the word Aish, one of the Hebrew word-forms for man, and used it in conjunction with that of Shânâh or lunar year, so mystically connected with the name of Jehovah, the supposed “Father” of [pg 592] Jesus, and embosomed the mystic idea in an astronomical value and formula.
The original idea of the “man crucified” in space certainly belongs to the ancient Hindûs. Moor shows this in his Hindû Pantheon in the engraving that represents Vittoba. Plato adopted it in his decussated cross in space, the [Symbol: cross like the letter “X”], the “second God who impressed himself on the universe in the form of the cross”; Krishna is likewise shown “crucified.”[1323] Again it is repeated in the Old Testament in the queer injunction to crucify men before the Lord, the Sun—which is no prophecy at all, but has a direct phallic significance. In that same most suggestive work on the kabalistic meanings, we read again: