In India this is Vishnu, one of whose Avatâras was Buddha, as claimed in days of old. The Prachetasas, the worshippers of Nârâyana—who, like Poseidon, moved or dwelt over not under the Waters—plunged into the depths of the Ocean for their devotions and remained therein 10,000 years; and the Prachetasas are ten exoterically, but five, Esoterically. Prachetâs is, in Sanskrit, the name of Varuna, the Water God, Nereus, an aspect of Neptune, the Prachetasas being thus identical with the “five ministers” of the male-female Chozzar (Χωζζάρ or Χορζάρ), or Poseidon, of the Peratæ Gnostics. These are respectively called Ou, Aoai, Ouô, Ouôab and ... (Οὔ, Ἀοαὶ, Οὐώ, Οὐωάβ ...),[1375] the fifth, a triple name (making seven in all) being lost[1376]—i.e., kept secret. Thus much for the “aquatic” symbol; the “fiery” connecting them with the fiery symbol—spiritually. For purposes of identity, let us remember that as the mother of the Prachetasas was Savarnâ, the daughter of the Ocean, so was Amphitrite the mother of Neptune's mystic “ministers.”
Now the reader is reminded that these “five ministers” are symbolized both in the Dolphin, who had overcome the chaste Amphitrite's unwillingness to wed Poseidon, and in Triton their son. The latter, whose body above the waist is that of a man and below a dolphin, a fish, is, again, most mysteriously connected with Oannes, the Babylonian Dag, and further also with the Matsya (Fish) Avatâra of Vishnu, both teaching mortals Wisdom. The Dolphin, as every Mythologist knows, was placed, for his service, by Poseidon, among the constellations, and became with the Greeks, Capricornus, the Goat, whose hind part is that of a dolphin, and is thus identical with Makara, whose head is also that of an antelope and the body and tail those of a fish. This is why the sign of the Makara was borne on the banner of Kâmadeva, the Hindû God of Love, identified, in the Atharva Veda, with Agni, the Fire-god, the son of Lakshmî, as correctly given by the Harivamsha. For Lakshmî and Venus are one, and Amphitrite is the early form of Venus. Now Kâma, the Makara-ketu, is Aja, the “unborn,” [pg 612] and Âtmâ-bhû, the “self-existent,” and Aja is the Logos in the Rig Veda, as he is shown therein to be the first manifestation of the One; for “Desire first arose in It, which was the primal germ of mind,” that “which connects entity with non-entity”—or Manas, the fifth, with Âtmâ, the seventh, Esoterically—say the Sages. This is the first stage. The second, on the following plane of manifestation, shows Brahmâ—whom we select as a representative for all the other First Gods of the nations—causing to issue from his body his Mind-born Sons, “Sanandana and others,” who, in the fifth “creation,” and again in the ninth (for purposes of a “blind”) become the Kumâra. Let us close by reminding the reader that goats were sacrificed to Amphitrite and the Nereids on the sea-shore—as goats are sacrificed to this day to Durgâ Kâlî, who is only the black side of Lakshmî (Venus), the white side of Shakti—and by suggesting what connection these animals may have with Capricornus, in which appear twenty-eight stars in the form of a goat, which goat was transformed by the Greeks into Amalthæa, Jupiter's foster-mother. Pan, the God of Nature, had goat's feet, and changed himself into a goat at the approach of Typhon. But this is a mystery which the writer dares not dwell upon at length, not being sure of being understood. Thus the mystical side of the interpretation must be left to the intuition of the student. Let us note one more thing in relation to the mysterious number Five. It symbolizes at one and the same time the Spirit of Life Eternal and the spirit of life and love terrestrial—in the human compound; and, it includes divine and infernal magic, and the universal and the individual quintessence of being. Thus, the five mystic words or vowels uttered by Brahmâ at “creation,” which forthwith became the Panchadasha (certain Vedic Hymns, attributed to that God), are in their creative and magical potentiality, the white side of the black Tântric five Ma-kâras, or the five m's. Makara, the constellation, is a seemingly meaningless and absurd name; yet, even besides its anagrammatical significance in conjunction with the term Kumâra, the numerical value of its first syllable and its Esoteric resolution into five has a very great and Occult meaning in the mysteries of Nature.
Suffice it to say that, as the sign of Makara is connected with the birth of the spiritual Microcosm, and the death or dissolution of the physical Universe—its passage into the realm of the Spiritual,[1377] so the [pg 613] Dhyân Chohans, called in India Kumâras, are connected with both. Moreover, in the exoteric religions, they have become the synonyms of the Angels of Darkness. Mâra is the God of Darkness, the Fallen One, and Death;[1378] and yet it is one of the names of Kâma, the First God in the Vedas, the Logos, from whom have sprung the Kumâras, and this connects them still more with our “fabulous” Indian Makara, and the crocodile-headed God in Egypt.[1379] The Crocodiles in the Celestial Nile are five, and the God Toom, the Primordial Deity, creating the heavenly bodies and living beings, calls forth these Crocodiles in his fifth “creation.” When Osiris, the “Defunct Sun,” is buried and enters into Amenti, the sacred Crocodiles plunge into the abyss of primordial Waters—the “Great Green One.” When the Sun of Life rises, they reëmerge out of the sacred river. All this is highly symbolical, and shows how primeval Esoteric truths found their expression in identical symbols. But, as Mr. T. Subba Row truly declares:
The veil that was dexterously thrown over certain portions of the mystery connected with these [Zodiacal] signs by the ancient philosophers, will never be lifted up for the amusement or edification of the uninitiated public.[1380]
Nor was number Five less sacred with the Greeks. The “Five Words” of Brahmâ have become with the Gnostics the “Five Words” written upon the Âkâshic (Shining) Garment of Jesus at his glorification—the words “Zama Zama Ôzza Rachama Ôzai” (ΖΑΜΑ ΖΑΜΑ ΩΖΖΑ ΡΑΧΑΜΑ ΩΖΑΙ), translated by the Orientalists “the robe, the glorious robe of my strength.” These words were, in their turn, the anagrammatic “blind” of the five mystic Powers represented on the robe of the “resurrected” Initiate after his last trial of three days' trance; the five becoming seven only after his “death,” when the Adept became the full Christos, the full Krishna-Vishnu, i.e., merged in Nirvâna. The E Delphicum, a sacred symbol, was the numeral five, again; and how sacred it was is shown by the fact that the Corinthians, according to Plutarch, replaced the wooden numeral in the Delphic Temple by a bronze one, and this one was transmuted by Livia Augusta into a facsimile in gold.[1381]
It is easy to recognize in the two “Spiritus”—the Greek signs (!) [pg 614] spoken of by Ragon—Âtmâ and Buddhi, or Divine Spirit and its Vehicle, the Spiritual Soul.
The Six or the Senary is dealt with later in this Section, while the Septenary will be fully treated in the course of this Volume in the Section on “The Mysteries of the Hebdomad.”
The Ogdoad or Eight symbolizes the eternal and spiral motion of cycles, the 8, ∞, and is symbolized in its turn by the Caduceus. It shows the regular breathing of the Kosmos presided over by the Eight Great Gods—the Seven from the primeval Mother, the One and the Triad.
Then comes the number Nine, or the triple Ternary. It is the number which reproduces itself incessantly under all shapes and figures in every multiplication. It is the sign of every circumference, since its value in degrees is equal to 9, i.e., to 3 + 6 + 0. It is a bad number under certain conditions, and very unlucky. If number 6 was the symbol of our Globe ready to be animated by a divine Spirit, 9 symbolized our Earth informed by a bad or evil Spirit.
Ten, or the Decad, brings all these digits back to unity, and ends the Pythagorean table. Hence this figure, [Symbol: Circle with line through the middle]—unity within zero—was the symbol of Deity, of the Universe, and of Man. Such is the secret meaning of “the strong grip of the lion's paw, of the tribe of Judah” (the “master mason's grip”) between two hands, the joint number of whose fingers is ten.