In that forest are seven large trees [the senses, mind and understanding, or Manas and Buddhi, included], seven fruits, and seven guests; seven hermitages, seven (forms of) concentration, and seven (forms of) initiation. This is the description of the forest. That forest is filled with trees producing splendid flowers and fruits of five colours.
The senses, says the commentator:
Are called trees, as being producers of the fruits ... pleasures and pains ...; the guests are the powers of each sense personified—they receive the fruits above described; the hermitages are the trees ... in which the guests take shelter; the seven forms of concentration are the exclusion from the self of the [pg 675]seven functions of the seven senses, etc., already referred to; the seven forms of initiation refer to the initiation into the higher life, by repudiating as not one's own the actions of each member out of the group of seven.[1546]
The explanation is harmless, if unsatisfactory. Says the Brâhmana, continuing his description:
That forest is filled with trees producing flowers and fruits of four colours. That forest is filled with trees producing flowers and fruits of three colours, and mixed. That forest is filled with trees producing flowers and fruits of two colours, and of beautiful colours. That forest is filled with trees producing flowers and fruits of one colour, and fragrant. That forest is filled [instead of with seven] with two large trees producing numerous flowers and fruits of undistinguished colours [mind and understanding—the two higher senses, or theosophically, Manas and Buddhi]. There is one fire [the Self] here, connected with the Brahman,[1547] and having a good mind [or true knowledge, according to Arjuna Mishra]. And there is fuel here, (namely) the five senses [or human passions]. The seven (forms of) emancipation from them are the seven (forms of) initiation. The qualities are the fruits.... There ... the great sages receive hospitality. And when they have been worshipped and have disappeared, another forest shines forth, in which intelligence is the tree, and emancipation the fruit, and which possesses shade (in the form of) tranquillity, which depends on knowledge, which has contentment for its water, and which has the Kshetrajña[1548] within for the sun.
Now, all the above is very plain, and no Theosophist, even among the least learned, can fail to understand the allegory. And yet, we see great Orientalists making a perfect mess of it in their explanations. The “great sages” who “receive hospitality” are explained as meaning the senses, “which, having worked as unconnected with the self are finally absorbed into it.” But one fails to understand, if the senses are “unconnected” with the “Higher Self,” in what manner they can be “absorbed into it.” One would think, on the contrary, that it is just because the personal senses gravitate and strive to be connected with the impersonal Self, that the latter, which is Fire, burns the lower five and purifies thereby the higher two, “mind and understanding,” or the higher aspects of Manas[1549] and Buddhi. This is quite apparent from the [pg 676] text. The “great sages” disappear after having “been worshipped.” Worshipped by whom if they (the presumed senses) are “unconnected with the self”? By Mind, of course; by Manas (in this case merged in the sixth sense) which is not, and cannot be, the Brahman, the Self, or Kshetrajña—the Soul's Spiritual Sun. Into the latter, in time, Manas itself must be absorbed. It has worshipped “great sages” and given hospitality to terrestrial wisdom; but once that “another forest shone forth” upon it, it is Intelligence (Buddhi, the seventh sense, but sixth principle) which is transformed into the Tree—that Tree whose fruit is emancipation—which finally destroys the very roots of the Ashvattha tree, the symbol of life and of its illusive joys and pleasures. And therefore, those who attain to that state of emancipation have, in the words of the above-cited Sage, “no fear afterwards.” In this state “the end cannot be perceived because it extends on all sides.”
“There always dwell seven females there,” he goes on to say, carrying out the imagery. These females—who, according to Arjuna Mishra, are the Mahat, Ahamkâra and five Tanmâtras—have always their faces turned downwards, as they are obstacles in the way of spiritual ascension.
In that same [Brahman, the Self] the seven perfect sages, together with their chiefs, ... abide, and again emerge from the same. Glory, brilliance and greatness, enlightenment, victory, perfection and power—these seven rays follow after this same sun [Kshetrajña, the Higher Self].... Those whose wishes are reduced [the unselfish]; ... whose sins [passions] are burnt up by penance, merging the self in the self,[1550] devote themselves to Brahman. Those people who understand the forest of knowledge [Brahman, or the Self], praise tranquillity. And aspiring to that forest, they are [re-] born so as not to lose courage. Such, indeed, is this holy forest.... And understanding it, they [the sages] act (accordingly), being directed by the Kshetrajña.
No translator among the Western Orientalists has yet perceived in the foregoing allegory anything higher than mysteries connected with sacrificial ritualism, penance, or ascetic ceremonies, and Hatha Yoga. But he who understands symbolical imagery, and hears the voice of Self within Self, will see in this something far higher than mere ritualism, however often he may err in minor details of the Philosophy.
And here we must be allowed a last remark. No true Theosophist, from the most ignorant up to the most learned, ought to claim infallibility for anything he may say or write upon Occult matters. The [pg 677] chief point is to admit that, in many a way, in the classification of either cosmic or human principles, in addition to mistakes in the order of evolution, and especially on metaphysical questions, those of us who pretend to teach others more ignorant than ourselves—are all liable to err. Thus mistakes have been made in Isis Unveiled, in Esoteric Buddhism, in Man, in Magic: White and Black, etc., and more than one mistake is likely to be found in the present work. This cannot be helped. For a large or even a small work on such abstruse subjects to be entirely exempt from error and blunder, it would have to be written from its first to its last page by a great Adept, if not by an Avatâra. Then only should we say, “This is verily a work without sin or blemish in it!” But so long as the artist is imperfect, how can his work be perfect? “Endless is the search for truth!” Let us love it and aspire to it for its own sake, and not for the glory or benefit a minute portion of its revelation may confer on us. For who of us can presume to have the whole truth at his fingers' ends, even upon one minor teaching of Occultism?