The “fable” in the popular Pantheon of India, founded upon, and born out of the poetical mysticism of the Rig-Veda—the sayings of which were mostly all dramatised during the religious Mysteries—grew in the course of its exoteric evolution into the following allegory. It may be found now in several of the Purânas and in other Scriptures. In the Rig-Veda and its Hymns, Vishvakarma, a Mystery-God, is the Logos, the Demiurgos, one of the greatest Gods, and spoken of in two of the hymns as the highest. He is the Omnificent (Vishvakarma), called the “Great Architect of the Universe,” the
All seeing God, ... the father, the generator, the disposer, who gives the gods their names, and is beyond the comprehension of mortals,
as is every Mystery-God. Esoterically, He is the personification of the creative manifested Power: and mystically He is the seventh principle in man, in its collectivity. For He is the son of Bhuvana, the self-created, luminous Essence, and of the virtuous, chaste and lovely Yoga-Siddhâ, the virgin Goddess, whose name speaks for itself, since it personified Yoga-power, the “chaste mother” that creates the Adepts. In the Rig-Vaidic Hymns, Vishvakarma performs the “great sacrifice,” i.e., sacrifices himself for the world; or, as the Nirukta is made to say, translated by the Orientalists:
Vishvakarma first of all offers up all the world in a sacrifice, and then ends by sacrificing himself.
In the mystical representations of his character, Vishvakarma is often called Vittoba, and is pictured as the “Victim,” the “Man-God,” or the Avatâra crucified in space.
[Of the true Mysteries, the real Initiations, nothing of course can be said in public; they can be known only to those who are able to experience them. But a few hints can be given of the great ceremonial Mysteries of Antiquity, which stood to the public as the real Mysteries, and into which candidates were initiated with much ceremony and display of Occult Arts. Behind these, in silence and darkness, were the true Mysteries, as they have always existed and continue to exist. In Egypt, as in Chaldæa and later in Greece, the Mysteries were celebrated at stated times, and the first day was a public holiday, on which, with much pomp, the candidates were escorted to the Great Pyramid and passed thereinto out of sight. The second day was devoted to ceremonies of purification, at the close of which the candidate was presented with a white robe; on the third day][508] he was tried and examined as to his proficiency in Occult learning. On the fourth day, after another ceremony symbolical of purification, he was sent alone to pass through various trials, finally becoming entranced in a subterranean crypt, in utter darkness, for two days and two nights. In Egypt, the entranced neophyte was placed in an empty sarcophagus in the Pyramid, where the initiatory rites took place. In India and Central Asia, he was bound on a lathe, and when his body had become like that of one dead (entranced), he was carried into the crypt. Then the Hierophant kept watch over him “guiding the apparitional soul (astral body) from this world of Samsâra (or delusion) to the nether kingdoms, from which, if successful, he had the right of releasing seven suffering souls” (Elementaries). Clothed with his Anandamayakosha, the body of bliss—the Srotâpanna remained there where we have no right to follow him, and upon returning—received the Word, with or without the “heart's blood” of the Hierophant.[509]
Only in truth the Hierophant was never killed—neither in India nor elsewhere, the murder being simply feigned—unless the Initiator had chosen the Initiate for his successor and had decided to pass to him the last and supreme Word, after which he had to die—only one man in a nation having the right to know that word. Many are those grand Initiates who have thus passed out of the world's sight, disappearing
As mysteriously from the sight of men as Moses from the top of Mount Pisgah (Nebo, oracular Wisdom), after he had laid his hands upon Joshua, who thus became “full of the spirit of wisdom,” i.e., initiated.
But he died, he was not killed. For killing, if really done, would belong to black, not to divine Magic. It is the transmission of light, rather than a transfer of life, of life spiritual and divine, and it is the shedding of Wisdom, not of blood. But the uninitiated inventors of theological Christianity took the allegorical language à la lettre; and instituted a dogma, the crude, misunderstood expression of which horrifies and repels the spiritual “heathen.”
All these Hierophants and Initiates were types of the Sun and of the Creative Principle (spiritual potency) as were Vishvakarma and [pg 274] Vikarttana, from the origin of the Mysteries. Ragon, the famous Mason, gives curious details and explanations with regard to the Sun rites. He shows that the biblical Hiram, the great hero of Masonry (the “widow's son”) a type taken from Osiris, is the Sun-God, the inventor of arts, and the “architect,” the name Hiram meaning the elevated, a title belonging to the Sun. Every Occultist knows how closely related to Osiris and the Pyramids are the narratives in Kings concerning Solomon, his Temple and its construction; he knows also that the whole of the Masonic rite of Initiation is based upon the Biblical allegory of the construction of that Temple, Masons conveniently forgetting, or perhaps ignoring, the fact that the latter narrative is modelled upon Egyptian and still earlier symbolisms. Ragon explains it by showing that the three companions of Hiram, the “three murderers,” typify the three last months of the year; and that Hiram stands for the Sun—from its summer solstice downwards, when it begins decreasing—the whole rite being an astronomical allegory.