The supreme Buddha, or Amitâbha, they say, at the hour of the creation of man, caused a rosy ray of light to issue from his right eye. The ray emitted a sound and became Padmapâni Bodhisattva. Then the Deity allowed to stream forth from his left eye a blue ray of light, which, becoming incarnate in the two virgins Dolma, acquired the power to enlighten the minds of living beings. Amitâbha then called the combination, which forthwith took up its abode in man, “Om Mani Padme Hum,” “I am the Jewel in the Lotus and in it I will remain.” Then Padmapâni, “the One in the Lotus” vowed never to cease working until he had made Humanity feel his presence in itself and had thus saved it from the misery of rebirth. He vowed to perform the feat before the end of the Kalpa, adding that, in case of failure, he wished that his head should split into numberless fragments. The Kalpa closed; but Humanity felt him not within its cold, evil heart. Then Padmapâni's head split and was shattered into a thousand fragments. Moved with compassion, the Deity re-formed the pieces into ten heads, three white, and seven of various colours. And since that day man has become a perfect number, or Ten.
In this allegory the potency of Sound, Colour, and Number is so ingeniously introduced as to veil the real Esoteric meaning. To the outsider it reads like one of the many meaningless fairy-tales of creation; but it is pregnant with spiritual and divine, physical and magical meaning. From Amitâbha—no colour, or the white glory—are [pg 439] born the seven differentiated colours of the prism. These each emit a corresponding sound, forming the seven of the musical scale. As Geometry, among the Mathematical Sciences, is specially related to Architecture, and also (proceeding to Universals) to Cosmogony, so the ten Jods of the Pythagorean Tetrad, or Tetraktys, being made to symbolize the Macrocosm, the Microcosm, or man, its image, had also to be divided into ten points. For this Nature herself has provided, as will be seen.
But before this statement can be proved and the perfect correspondences between the Macrocosm and the Microcosm demonstrated, a few words of explanation are necessary.
To the learner who would study the Esoteric Sciences with their double object: (a) of proving Man to be identical in spiritual and physical essence with both the Absolute Principle and with God in Nature; and (b) of demonstrating the presence in him of the same potential powers as exist in the creative forces in Nature—to such a one a perfect knowledge of the correspondences between Colours, Sounds, and Numbers is the first requisite. As already said, the sacred formula of the far East, “Om Mani Padme Hum,” is the one best calculated to make these correspondential qualities and functions clear to the learner.
In the allegory of Padmapâni, the Jewel (or Spiritual Ego) in the Lotus, or the symbol of androgynous man, the numbers 3, 4, 7, 10, as synthesizing the Unit, Man, are prominent, as I have already said. It is on the thorough knowledge and comprehension of the meaning and potency of these numbers, in their various and multiform combinations, and in their mutual correspondence with sounds or words, and colours or rates of motion (represented in physical science by vibrations), that the progress of a student in Occultism depends. Therefore we must begin with the first, initial word, Om, or Aum. Om is a “blind.” The sentence “Om Mani Padme Hum” is not a six- but a seven-syllabled phrase, as the first syllable is double in its right pronunciation, and triple in its essence, A-um. It represents the for ever concealed primeval triune differentiation, not from but in the One Absolute, and is therefore symbolized by the 4, or the Tetraktys, in the metaphysical world. It is the Unit-ray, or Âtman.
It is the Âtman, this highest Spirit in man, which, in conjunction with Buddhi and Manas, is called the upper Triad, or Trinity. This [pg 440] Triad with its four lower human principles, is, moreover, enveloped with an auric atmosphere, like the yolk of an egg (the future embryo) by the albumen and shell. This, to the perceptions of higher Beings from other planes, makes of each individuality an oval sphere of more or less radiancy.
To show the student the perfect correspondence between the birth of Kosmos, a World, a Planetary Being, or a Child of Sin and Earth, a more definite and clear description must be given. Those acquainted with Physiology will understand it better than others.
Who, having read say the Vishnu or other Purâna, is not familiar with the exoteric allegory of the birth of Brahmâ (male-female) in the Egg of the World, Hiranyagarbha, surrounded by its seven zones, or rather planes, which in the world of form and matter become seven and fourteen Lokas; the numbers seven and fourteen reäppearing as occasion requires.
Without giving out the secret analysis, the Hindus have from time immemorial compared the matrix of the Universe, and also the solar matrix, to the female uterus. It is written of the former: “Its womb is vast as the Meru,” and
The future mighty oceans lay asleep in the waters that filled its cavities, the continents, seas and mountains, the stars, planets, the gods, demons and mankind.