“Ben Asai looked and—lost his sight.
“Ben Zoma looked and—lost his reason.
“Acher made depredations in the plantation” (mixed up the whole and failed). “But Akiba, who had entered in peace came out of it in peace; for the saint, whose name he blessed, had said, ‘This old man is worthy of serving us with glory.’ ”
“The learned commentators of the Talmud, the Rabbis of the synagogue, explain that the garden of delight, in which those four personages are made to enter, is but that mysterious science, the most terrible of sciences for weak intellects, which it leads directly to insanity,” says A. Franck, in his Kabbalah. It is not the pure at heart and he who studies but with a view to perfecting himself and so more easily acquiring the promised immortality, who need have any fear; but rather he who makes of the science of sciences a sinful pretext for worldly motives, who should tremble. The latter will never understand the kabalistic evocations of the supreme initiation.—Isis Unveiled, ii. 119.
In one of Des Mousseaux's volumes on Demonology (Œuvres des Demons) if we do not mistake the statement of the Abbé Huc is found, and the author testifies to having heard the following story repeatedly from the Abbé himself. In a lamasery of Tibet, the missionary found the following:
It is a simple canvas without the slightest mechanical apparatus attached, as the visitor may prove by examining it at his leisure. It represents a moonlit landscape, but the moon is not at all motionless and dead; quite the reverse, for, according to the Abbé, one would say that our moon herself, or at least her living double, lighted the picture. Each phase, each aspect, each movement of our satellite, is repeated in her facsimile, in the movement and progress of the moon in the sacred picture. “You see this planet in the painting ride as a crescent, or full, shine brightly, pass behind the clouds, peep out or set, in a manner corresponding in the most extraordinary way with the real luminary. It is, in a word, a most perfect and resplendent reproduction of the pale queen of the night, which received the adoration of so many people in the days of old.” We know from the most reliable sources and numerous eye-witnesses, that such “machines”—not canvas paintings—do exist in certain temples of Tibet; as also the “sidereal wheels” representing the planets, and kept for the same purposes—astrological and magical. Huc's statement was translated in Isis Unveiled from Des Mousseaux's volume.
In Five Years of Theosophy (art. “Shâkya Muni's Place in History,” p. 234, note) it is stated that one day when our Lord sat in the Sattapanni Cave (Saptaparna) he compared man to a Saptaparna (seven leaved) plant.
“Mendicants,” he said, “there are seven Buddhas in every Buddha, and there are six Bhikshus and but one Buddha in each mendicant. What are the seven? The seven branches of complete knowledge. What are the six? The six organs of sense. What are the five? The five elements of illusive being. And the One which is also ten? He is a true Buddha who develops in him the ten forms of holiness and subjects them all to the One.” Which means that every principle in the Buddha was the highest that could be evolved on this earth; whereas in the case of other men who attain to Nirvâna this is not necessarily the case. Even as a mere human (Manushya) Buddha Gautama was a pattern for all men. But his Arhats were not necessarily so.
The following table lists the wave-lengths in Millimetres, and the number of vibrations in Trillions, of the various colours.
Violet extreme: 406, 759
Violet: 423, 709
Violet-Indigo: 439, 683
Indigo: 449, 668
Indigo-Blue: 459, 654
Blue: 479, 631
Blue-Green: 492, 610
Green: 512, 586
Green-Yellow: 532, 564
Yellow: 551, 544
Yellow-Orange: 571, 525
Orange: 583, 514
Orange-Red: 596, 503
Red: 620, 484
Red-extreme: 645, 465