The kabalistic Gematria is arithmetical, not geometrical. It is one of the methods for extracting the hidden meaning from letters, words, and sentences. It consists in applying to the letters of a word the sense they bear as numbers, in outward shape as well as in their individual sense. As illustrated by Ragon:
The figure I signified the living man (a body erect), man being the only living being enjoying this faculty. A head being added to it, the glyph (or letter) P was [pg 101]obtained, meaning paternity, creative potency; the R signifying the walking man (with his foot forward) going, iens, iturus.[184]
The characters were also made supplementary to speech, every letter being at once a figure representing a sound for the ear, an idea to the mind; as, for instance, the letter F, which is a cutting sound like that of air rushing quickly through space; fury, fusee, fugue, all words expressive of, and depicting what they signify.[185]
But the above pertains to another system, that of the primitive and philosophical formation of the letters and their outward glyphic form—not to Gematria. The Temura is another kabalistic method, by which any word could be made to yield its mystery out of its anagram. So in Sepher Jetzirah we read “One—the Spirit of the Alahim of Lives.” In the oldest kabalistic diagrams the Sephiroth (the seven and the three) are represented as wheels or circles, and Adam Kadmon, the primitive Man, as an upright pillar. “Wheels and seraphim and the holy creatures” (Chioth) says Rabbi Akiba. In still another system of the symbolical Kabalah called Albath—which arranges the letters of the alphabet by pairs in three rows—all the couples in the first row bear the numerical value ten; and in the system of Simeon Ben Shetah (an Alexandrian Neoplatonist under the first Ptolemy) the uppermost couple—the most sacred of all—is preceded by the Pythagorean cypher: one, and a nought—10.
All beings, from the first divine emanation, or “God manifested,” down to the lowest atomic existence, “have their particular number which distinguishes each of them and becomes the source of their attributes and qualities as of their destiny.” Chance, as taught by Cornelius Agrippa, is in reality only an unknown progression; and time but a succession of numbers. Hence, futurity being a compound of chance and time, these are made to serve Occult calculations in order to find the result of an event, or the future of one's destiny. Said Pythagoras:
There is a mysterious connection between the Gods and numbers, on which the science of arithmancy is based. The soul is a world that is self-moving; the soul contains in itself, and is, the quaternary, the tetraktys [the perfect cube].
There are lucky and unlucky, or beneficent and maleficent numbers. Thus while the ternary—the first of the odd numbers (the one being the perfect and standing by itself in Occultism)—is the divine figure or the triangle; the duad was disgraced by the Pythagoreans from the [pg 102] first. It represented Matter, the passive and evil principle—the number of Mâyâ, illusion.
While the number one symbolized harmony, order or the good principle (the one God expressed in Latin by Solus, from which the word Sol, the Sun, the symbol of the Deity), number two expressed a contrary idea. The science of good and evil began with it. All that is double, false, opposed to the only reality, was depicted by the binary. It also expressed the contrasts in Nature which are always double: night and day, light and darkness, cold and heat, dampness and dryness, health and sickness, error and truth, male and female, etc.... The Romans dedicated to Pluto the second month of the year, and the second day of that month to expiations in honour of the Manes. Hence the same rite established by the Latin Church, and faithfully copied. Pope John XIX. instituted in 1003 the Festival of the Dead, which had to be celebrated on the 2nd of November, the second month of autumn.[186]
On the other hand the triangle, a purely geometrical figure, had great honour shewn it by every nation, and for this reason:
In geometry a straight line cannot represent an absolutely perfect figure, any more than two straight lines. Three straight lines, on the other hand, produce by their junction a triangle, or the first absolutely perfect figure. Therefore, it symbolized from the first and to this day the Eternal—the first perfection. The word for deity in Latin, as in French, begins with D, in Greek the delta or triangle, Δ, whose three sides symbolize the trinity, or the three kingdoms, or, again, divine nature. In the middle is the Hebrew Yod, the initial of Jehovah [see Éliphas Lévi's Dogme et Rituel, i. 154], the animating spirit or fire, the generating principle represented by the letter G, the initial of “God” in the northern languages, whose philosophical significance is generation.[187]