I went directly home to Toledo from Boston, and later spent a month at Maumee recuperating from my ordeal. In September I entered Oberlin for my final year, and from then till the next June was busy with studies and other wholesome activities—reminded of the bygone terror only by occasional official visits from government men in connection with the campaign which my pleas and evidence had started. Around the middle of July—just a year after the Innsmouth experience—I spent a week with my late mother's family in Cleveland; checking some of my new genealogical data with the various notes, traditions, and bits of heirloom material in existence there, and seeing what kind of a connected chart I could construct.
I did not exactly relish this task, for the atmosphere of the Williamson home had always depressed me. There was a strain of morbidity there, and my mother had never encouraged my visiting her parents as a child, although she always welcomed her father when he came to Toledo. My Arkham-born grandmother had seemed strange and almost terrifying to me, and I do not think I grieved when she disappeared. I was eight years old then, and it was said that she had wandered off in grief after the suicide of my uncle Douglas, her eldest son. He had shot himself after a trip to New England—the same trip, no doubt, which had caused him to be recalled at the Arkham Historical Society.
This uncle had resembled her, and I had never liked him either. Something about the staring, unwinking expression of both of them had given me a vague, unaccountable uneasiness. My mother and uncle Walter had not looked like that. They were like their father, though poor little cousin Lawrence—Walter's son—had been an almost perfect duplicate of his grandmother before his condition took him to the permanent seclusion of a sanitarium at Canton. I had not seen him in four years, but my uncle once implied that his state, both mental and physical, was very bad. This worry had probably been a major cause of his mother's death two years before.
My grandfather and his widowered son Walter now comprised the Cleveland household, but the memory of older times hung thickly over it. I still disliked the place, and tried to get my researches done as quickly as possible. Williamson records and traditions were supplied in abundance by my grandfather; though for Orne material I had to depend on my uncle Walter, who put at my disposal the contents of all his files, including notes, letters, cuttings, heirlooms, photographs, and miniatures.
It was in going over the letters and pictures on the Orne side that I began to acquire a kind of terror of my own ancestry. As I have said, my grandmother and uncle Douglas had always disturbed me. Now, years after their passing, I gazed at their pictured faces with a measurably heightened feeling of repulsion and alienation. I could not at first understand the change, but gradually a horrible sort of comparison began to obtrude itself on my unconscious mind despite the steady refusal of my consciousness to admit even the least suspicion of it. It was clear that the typical expression of these faces now suggested something it had not suggested before—something which would bring stark panic if too openly thought of.
But the worst shock came when my uncle showed me the Orne jewelry in a downtown safe-deposit vault. Some of the items were delicate and inspiring enough, but there was one box of strange old pieces descended from my mysterious great-grandmother which my uncle was almost reluctant to produce. They were, he said, of very grotesque and almost repulsive design.
As my uncle began slowly and grudgingly to unwrap the things, he urged me not to be shocked by the strangeness and frequent hideousness of the designs. There were two armlets, a tiara, and a kind of pectoral; the latter having in high relief certain figures of almost unbearable extravagance.
He seemed to expect some demonstration when the first piece—the tiara—became visible, but I doubt if he expected quite what actually happened. I did not expect it, either, for I thought I was thoroughly forewarned regarding what the jewelry would turn out to be. What I did was to faint silently away just as I had done in that brier-choked railway cut a year before.
From that day on my life has been a nightmare of brooding and apprehension, nor do I know how much is hideous truth and how much madness. My great-grandmother had been a Marsh of unknown source whose husband lived in Arkham—and did not old Zadok say that the daughter of Obed Marsh by a monstrous mother was married to an Arkham man through a trick? What was it the ancient toper had muttered about the likeness of my eyes to Captain Obed's? In Arkham, too, the curator had told me I had the true Marsh eyes. Was Obed Marsh my own great-great-grandfather? Who—or what—then, was my great-great-grandmother? But perhaps this was all madness. Those whitish-gold ornaments might easily have been bought from some Innsmouth sailor by the father of my great-grandmother, whoever he was. And that look in the staring-eyed faces of my grandmother and self-slain uncle might be sheer fancy, bolstered up by the Innsmouth shadow which had so darkly colored my imagination. But why had my uncle killed himself after an ancestral quest in New England?
For more than two years I fought off these reflections with partial success. My father secured me a place in an insurance office, and I buried myself in routine as deeply as possible. In the winter of 1930-31, however, the dreams began. They were very sparse and insidious at first, but increased in frequency and vividness as the weeks went by. Great watery spaces opened out before me, and I seemed to wander through titanic sunken porticos and labyrinths of weedy cyclopean walls and grotesque fishes as my companions. Then the other shapes began to appear, filling me with nameless horror the moment I awoke. But during the dreams they did not horrify me at all—I was one with them; wearing their unhuman trappings, treading their aqueous ways, and praying monstrously at their evil sea-bottom temples.