When Gofa had finished a batch of pots, she and Tig carried them into the hut to dry, and generally on the next day she found that even the larger ones had dried enough in the air to enable her to lift them out of their basket foundations. Then she took each one in turn and scraped and rubbed it outside with a wooden tool, very carefully and lightly.
After this she took them to where she had a fire burning out-of-doors upon the ground. She raked away the fire to one side, and set the pots where the fire had been, standing them all upside down, and ranging them together in as small a space as possible. Then she piled up sticks and pieces of dried fir tree wood about the pots, and laid little faggots all round, and raked up the hot ashes and set fire to the pile. And she and Tig carried fresh fuel as the fire burned, and kept it going until they could see the pots all red hot. And then they let it sink gradually and die down of itself; and there were the pots baked hard and sound, and fit for use as soon as they were cold.
Once Gofa had set to work making pottery, she used to make a good batch at a time; she did not stop making and baking as soon as she had finished just what she wanted at the time. For she liked to have a store of pottery at hand; and if she did not want to use them all herself, she could always exchange one or two for something useful that she might happen to want.
When Gofa or any of the other women wanted to make a large pankin for holding water or milk or meal, she used to make a tall basket, like a bucket, of osiers and reeds, and daub it inside with clay. The clay was laid on thickly and then smoothed and trimmed with the stone and the wooden blade; and the wide neck and the rim were moulded by hand. She did not attempt to lift the pankin out of the basket mould, but set the whole thing in the fire as it was; and the fire burned off the basket work, and left the marks of the reeds showing all round on the outside like a pattern. And very likely it was the look of this pattern on the pottery which first gave the women the notion of graving a design upon the smaller vessels which they made entirely by hand. The women generally took pains to make neat patterns by using different simple tools of wood and bone, and sometimes they tied a piece of twisted cord round a vessel, and impressed its mark upon the clay. Sometimes they did not use a tool at all, nor even a twisted cord, but made little dents round the neck of a jar with the thumb nail, and made the pattern in that way.
Chapter the Twentieth
How Tig went Hunting the Deer
WHEN TIG was a boy and used to play at hunting, the chief of his friends was Berog. Berog and he were of the same age and equal in strength; and, though Tig was the better marksman with the bow and arrow, Berog had the greater skill with the sling. By this time they were both tall and strong lads. Each of them had been out hunting several times with the men, and sometimes they had made little expeditions by themselves. But once in the autumn, after the corn had been gathered in, they planned to have a real hunt of their own. They saved some food to take with them, but not much, because men always hunt best when they are hungry. Tig had a new, full-sized bow, that he had made himself, and his quiver full of flint-headed arrows, and his stone axe slung at his side. Berog had his sling and a bag full of smooth, round stones, and in his hand he carried a club. And so they set out together.
They did not want to be seen, so they followed a track into the forest that was not much used by the men of the village. The sun had not yet risen; the air was keen, and white mists hung about the hills. Their plan was to make first for the swamps in the valley, so as to get a shot at some of the birds that lived among the reed beds. They had explored the way before, and had marked trees or laid guide stones where the track was doubtful; and so they lost no time in getting down the valley.