The new churches of the latter part of the eighteenth and the early years of the nineteenth centuries were simply big oblong rooms. The outsides were often copies of parts of Grecian temples. They were crowned with towers and spires somewhat like those on Wren's churches, but not nearly so handsome.
INTERIOR OF ST. MARY-LE-BOW, LONDON
Although not considered one of Wren's best interiors, it gives a good idea of the classical detail and carving employed by the architect. The position of the pulpit, organ, and seats have been altered since Wren's time
Inside, the church was fitted up with a gallery running along two sides and across one end. In the end gallery a big organ was placed, and on either side of it, high up, near the ceiling, were smaller galleries, one for the charity-school boys, the other for the charity-school girls of the parish. The galleries and floor of the church were filled with high pews. On the floor opposite the organ were three huge boxes, rising one above the other. The lowest box was for the parish clerk, the middle one was the reading-desk, and the highest was the pulpit, which was often provided with a sounding-board, not unlike an umbrella. The altar was in a little niche behind the pulpit. Chapels were fitted up in much the same way.
Under all these churches and chapels were vaults, in which people were buried, but not in the earth. The coffins were placed on shelves, one above the other, round the vault. On the walls of the church above were often tablets to the memory of people lying in the vaults below. These, by the nineteenth century, were for the most part simply slabs of white marble, with black or grey borders. There was hardly any carving at all on them; only inscriptions or epitaphs, and texts.
The churchyards were used for burials, and by the middle of the nineteenth century most of them were crowded with tombstones. In London nearly all are now laid out in open spaces; many of the grave-stones have quite disappeared, and those which remain are rapidly perishing.
When we remember that the churchyards of the old churches had been used as burial-places in many cases since the early days of Christianity, and even before that, we can easily grasp the fact that the earth had been used over and over again for burials. About the middle of the nineteenth century the nation came to the conclusion that burials in churches and crowded town churchyards should no longer be allowed. The practice was dangerous to the living. So cemeteries were opened in districts away from the towns and homes of the people. Towns have grown so fast that many of these cemeteries are now surrounded by houses, and in the midst of big populations.
About the year 1840 interest began to be taken in the old English styles of building, and a taste for Gothic architecture arose again. Since that time places of worship of all descriptions have for the most part been built in some sort of Gothic. When you read that such and such a church or building is in the fourteenth-or fifteenth-century style, you must understand that it is not a copy of a church built in the fourteenth or fifteenth century, but that its window-heads, doorways, arches, and fittings are in the style of the fourteenth or fifteenth century. Most of these modern buildings are of brick, only faced or dressed with stone. It is pretty safe to say that there is no old church standing which was built entirely in the fourteenth century, and has remained unaltered from that day to this. Nearly all the old churches have been restored, a good many of them several times during the last sixty or seventy years. Unfortunately, through ignorance, a good many interesting features in the old buildings were swept away during these "restorations". An old building needs very careful handling when we set about repairing it.