Allan and the Holy Flower

by H. Rider Haggard

He picked up one of the burnt feathers from the little pile by his side and looked at it attentively. “Perhaps, Baba, you have been told—my ears are very sharp, and I thought I heard some such words floating through the air just now—that we poor Kaffir Inyangas can prophesy nothing true unless we are paid, and perhaps that is a fact so far as something of the moment is concerned. And yet the Snake in the Inyanga, jumping over the little rock which hides the present from it, may see the path that winds far and far away through the valleys, across the streams, up the mountains, till it is lost in the ‘heaven above.’ Thus on this feather, burnt in my magic fire, I seem to see something of your future, O my father Macumazana. Far and far your road runs,” and he drew his finger along the feather. “Here is a journey,” and he flicked away a carbonised flake, “here is another, and another, and another,” and he flicked off flake after flake. “Here is one that is very successful, it leaves you rich; and here is yet one more, a wonderful journey this in which you see strange things and meet strange people. Then”—and he blew on the feather in such a fashion that all the charred filaments (Brother John says that laminae is the right word for them) fell away from it—“then, there is nothing left save such a pole as some of my people stick upright on a grave, the Shaft of Memory they call it. O, my father, you will die in a distant land, but you will leave a great memory behind you that will live for hundreds of years, for see how strong is this quill over which the fire has had no power. With some of these others it is quite different,” he added.

“I daresay,” I broke in, “but, Mavovo, be so good as to leave me out of your magic, for I don’t at all want to know what is going to happen to me. To-day is enough for me without studying next month and next year. There is a saying in our holy book which runs: ‘Sufficient to the day is its evil.’”

“Quite so, O Macumazana. Also that is a very good saying as some of those hunters of yours are thinking now. Yet an hour ago they were forcing their shillings on me that I might tell them of the future. And you, too, want to know something. You did not come through that gate to quote to me the wisdom of your holy book. What is it, Baba? Be quick, for my Snake is getting very tired. He wishes to go back to his hole in the world beneath.”

“Well, then,” I answered in rather a shamefaced fashion, for Mavovo had an uncanny way of seeing into one’s secret motives, “I should like to know, if you can tell me, which you can’t, what has become of the white man with the long beard whom you black people call Dogeetah? He should have been here to go on this journey with us; indeed, he was to be our guide and we cannot find him. Where is he and why is he not here?”

“Have you anything about you that belonged to Dogeetah, Macumazana?”

“No,” I answered; “that is, yes,” and from my pocket I produced the stump of pencil that Brother John had given me, which, being economical, I had saved up ever since. Mavovo took it, and after considering it carefully as he had done in the case of the feathers, swept up a pile of ashes with his horny hand from the edge of the largest of the little fires, that indeed which had represented myself. These ashes he patted flat. Then he drew on them with the point of the pencil, tracing what seemed to me to be the rough image of a man, such as children scratch upon whitewashed walls. When he had finished he sat up and contemplated his handiwork with all the satisfaction of an artist. A breeze had risen from the sea and was blowing in little gusts, so that the fine ashes were disturbed, some of the lines of the picture being filled in and others altered or enlarged.

For a while Mavovo sat with his eyes shut. Then he opened them, studied the ashes and what remained of the picture, and taking a blanket that lay near by, threw it over his own head and over the ashes. Withdrawing it again presently he cast it aside and pointed to the picture which was now quite changed. Indeed, in the moonlight, it looked more like a landscape than anything else.

“All is clear, my father,” he said in a matter-of-fact voice. “The white wanderer, Dogeetah, is not dead. He lives, but he is sick. Something is the matter with one of his legs so that he cannot walk. Perhaps a bone is broken or some beast has bitten him. He lies in a hut such as Kaffirs make, only this hut has a verandah round it like your stoep, and there are drawings on the wall. The hut is a long way off, I don’t know where.”

“Is that all?” I asked, for he paused.

“No, not all. Dogeetah is recovering. He will join us in that country whither we journey, at a time of trouble. That is all, and the fee is half-a-crown.”