“And what art thou going to do with Sorais?” I asked her.
Instantly her bright brow darkened to a frown.
“Sorais,” she said, with a little stamp of the foot; “ah, but Sorais!”
Sir Henry hastened to turn the subject.
“You will soon be about and all right again now, old fellow,” he said.
I shook my head and laughed.
“Don’t deceive yourselves,” I said. “I may be about for a little, but I shall never be all right again. I am a dying man, Curtis. I may die slow, but die I must. Do you know I have been spitting blood all the morning? I tell you there is something working away into my lung; I can feel it. There, don’t look distressed; I have had my day, and am ready to go. Give me the mirror, will you? I want to look at myself.”
He made some excuse, but I saw through it and insisted, and at last he handed me one of the discs of polished silver set in a wooden frame like a hand-screen, which serve as looking-glasses in Zu-Vendis. I looked and put it down.
“Ah,” I said quietly, “I thought so; and you talk of my getting all right!” I did not like to let them see how shocked I really was at my own appearance. My grizzled stubby hair was turned snow-white, and my yellow face was shrunk like an aged woman’s and had two deep purple rings painted beneath the eyes.
Here Nyleptha began to cry, and Sir Henry again turned the subject, telling me that the artists had taken a cast of the dead body of old Umslopogaas, and that a great statue in black marble was to be erected of him in the act of splitting the sacred stone, which was to be matched by another statue in white marble of myself and the horse Daylight as he appeared when, at the termination of that wild ride, he sank beneath me in the courtyard of the palace. I have since seen these statues, which at the time of writing this, six months after the battle, are nearly finished; and very beautiful they are, especially that of Umslopogaas, which is exactly like him. As for that of myself, it is good, but they have idealized my ugly face a little, which is perhaps as well, seeing that thousands of people will probably look at it in the centuries to come, and it is not pleasant to look at ugly things.