Replacing the hand in his pocket without looking at the ring—for his eyes were watching to see whether he was observed—he set it upon his little finger, which it exactly fitted. (Ma-Mee had worn both of them upon the third finger of her left hand, the Bes ring as a guard to the signet.) He had the fancy to approach the effigy of Ma-Mee wearing a ring which she had worn and that came straight from her finger to his own.
Smith found the head in its accustomed place. Weeks had gone by since he looked upon it, and now, to his eyes, it had grown more beautiful than ever, and its smile was more mystical and living. He drew out the statuette and began to compare them point by point. Oh, no doubt was possible! Both were likenesses of the same woman, though the statuette might have been executed two or three years later than the statue. To him the face of it looked a little older and more spiritual. Perhaps illness, or some premonition of her end had then thrown its shadow on the queen. He compared and compared. He made some rough measurements and sketches in his pocket-book, and set himself to work out a canon of proportions.
So hard and earnestly did he work, so lost was his mind that he never heard the accustomed warning sound which announces that the Museum is about to close. Hidden behind an altar as he was, in his distant, shadowed corner, the guardian of the room never saw him as he cast a last perfunctory glance about the place before departing till the Saturday morning; for the morrow was Friday, the Mohammedan Sabbath, on which the Museum remains shut, and he would not be called upon to attend. So he went. Everybody went. The great doors clanged, were locked and bolted, and, save for a watchman outside, no one was left in all that vast place except Smith in his corner, engaged in sketching and in measurements.
The difficulty of seeing, owing to the increase of shadow, first called his attention to the fact that time was slipping away. He glanced at his watch and saw that it was ten minutes to the hour.
“Soon be time to go,” he thought to himself, and resumed his work.
How strangely silent the place seemed! Not a footstep to be heard or the sound of a human voice. He looked at his watch again, and saw that it was six o’clock, not five, or so the thing said. But that was impossible, for the Museum shut at five; evidently the desert sand had got into the works. The room in which he stood was that known as Room I, and he had noticed that its Arab custodian often frequented Room K or the gallery outside. He would find him and ask what was the real time.
Passing round the effigy of the wonderful Hathor cow, perhaps the finest example of an ancient sculpture of a beast in the whole world, Smith came to the doorway and looked up and down the gallery. Not a soul to be seen. He ran to Room K, to Room H, and others. Still not a soul to be seen. Then he made his way as fast as he could go to the great entrance. The doors were locked and bolted.
“Watch must be right after all. I’m shut in,” he said to himself. “However, there’s sure to be someone about somewhere. Probably the salle des ventes is still open. Shops don’t shut till they are obliged.”
Thither he went, to find its door as firmly closed as a door can be. He knocked on it, but a sepulchral echo was the only answer.
“I know,” he reflected. “The Director must still be in his room. It will take him a long while to examine all that jewellery and put it away.”