Leonard Outram knelt down beside his dying brother, and they clasped each other’s hands.
“Now let me sleep awhile. I am tired. Do not be afraid, I shall wake before the—end.”
Hardly had the words passed his lips when his eyes closed and he sank into stupor or sleep.
His brother Leonard sat down upon a rude seat, improvised out of an empty gin-case. Without the tempest shrieked and howled, the great wind shook the Kaffir hut of grass and wattle, piercing it in a hundred places till the light of the lantern wavered within its glass, and the sick man’s hair was lifted from his clammy brow. From time to time fierce squalls of rain fell like sheets of spray, and the water, penetrating the roof of grass, streamed to the earthen floor. Leonard crept on his hands and knees to the doorway of the hut, or rather to the low arched opening which served as a doorway, and, removing the board that secured it, looked out at the night. Their hut stood upon the ridge of a great mountain; below was a sea of bush, and around it rose the fantastic shapes of other mountains. Black clouds drove across the dying moon, but occasionally she peeped out and showed the scene in all its vast solemnity and appalling solitude.
Presently Leonard closed the opening of the doorway, and going back to his brother’s side he gazed upon him earnestly. Many years of toil and privation had not robbed Thomas Outram’s face of its singular beauty, or found power to mar its refinement. But death was written on it.
Leonard sighed, then, struck by a sudden thought, sought for and found a scrap of looking-glass. Holding it close to the light of the lantern, he examined the reflection of his own features. The glass mirrored a handsome bearded man, dark, keen-eyed like one who is always on the watch for danger, curly-haired and broad-shouldered; not very tall, but having massive limbs and a form which showed strength in every movement. Though he was still young, there was little of youth left about the man; clearly toil and struggle had done an evil work with him, ageing his mind and hardening it as they had hardened the strength and vigour of his body. The face was a good one, but most men would have preferred to see friendship shining in those piercing black eyes rather than the light of enmity. Leonard was a bad enemy, and his long striving with the world sometimes led him to expect foes where they did not exist.
Even now this thought was in his mind: “He is dying,” he said to himself, as he laid down the glass with the care of a man who cannot afford to hazard a belonging however trivial, “and yet his face is not so changed as mine is. My God! he is dying! My brother—the only man—the only living creature I love in the world, except one perhaps, if indeed I love her still. Everything is against us—I should say against me now, for I cannot count him. Our father was our first enemy; he brought us into the world, neglected us, squandered our patrimony, dishonoured our name, and shot himself. And since then what has it been but one continual fight against men and nature? Even the rocks in which I dig for gold are foes—victorious foes—” and he glanced at his hands, scarred and made unshapely by labour. “And the fever, that is a foe. Death is the only friend, but he won’t shake hands with me. He takes my brother whom I love as he has taken the others, but me he leaves.”
Thus mused Leonard sitting sullenly on the red box, his elbow on his knee, his rough hands held beneath his chin pushing forward the thick black beard till it threw a huge shadow, angular and unnatural, on to the wall of the hut, while without the tempest now raved, now lulled, and now raved again. An hour—two—passed and still he sat not moving, watching the face of the fever-stricken man that from time to time flushed and was troubled, then grew pale and still. It seemed to him as though by some strange harmony of nature the death-smitten blood was striving to keep pace with the beat of the storm, knowing that presently life and storm would pass together into the same domain of silence.
At length Tom Outram opened his eyes and looked at him, but Leonard knew that he did not see him as he was. The dying eyes studied him indeed and were intelligent, but he could feel that they read something on his face that was not known to himself, nor could be visible to any other man—read it as though it were a writing.
So strange was this scrutiny, so meaningless and yet so full of a meaning which he could not grasp, that Leonard shrank beneath it. He spoke to his brother, but no answer came,—only the great hollow eyes read on in that book which was printed upon his face; that book, sealed to him, but to the dying man an open writing.