(1) The Voiage and Travaile of Sir JOHN MAUNDEVILLE, Kt. Which treateth of the Way to Hierusalem; and of Marvayles of Inde, with other Ilands and Countryes. Now Publish'd entire from an Original MS. in The Cotton Library (London, 1727), cap. xxvi. pp. 325 and 326.
"This work is mainly a compilation from the writings of William of Boldensele, Friar Odoric of Pordenone, Hetoum of Armenia, Vincent de Beauvais, and other geographers. It is probable that the name John de Mandeville should be regarded as a pseudonym concealing the identity of Jean de Bourgogne, a physician at Liege, mentioned under the name of Joannes ad Barbam in the vulgate Latin version of the Travels." (Note in British Museum Catalogue). The work, which was first published in French during the latter part of the fourteenth century, achieved an immense popularity, the marvels that it relates being readily received by the credulous folk of that and many a succeeding day.
The harpies (i.e. snatchers) in Greek mythology are creatures like vultures as to their bodies, but with the faces of women, and armed with sharp claws.
"Of Monsters all, most Monstrous this; no greater Wrath God sends 'mongst Men; it comes from depth of pitchy Hell: And Virgin's Face, but Womb like Gulf unsatiate hath, Her Hands are griping Claws, her Colour pale and fell."(1)
(1) Quoted from VERGIL by JOHN GUILLIM in his A Display of Heraldry (sixth edition, 1724), p. 271.
We meet with the harpies in the story of PHINEUS, a son of AGENOR, King of Thrace. At the bidding of his jealous wife, IDAEA, daughter of DARDANUS, PHINEUS put out the sight of his children by his former wife, CLEOPATRA, daughter of BOREAS. To punish this cruelty, the gods caused him to become blind, and the harpies were sent continually to harass and affright him, and to snatch away his food or defile it by their presence. They were afterwards driven away by his brothers-in-law, ZETES and CALAIS. It has been suggested that originally the harpies were nothing more than personifications of the swift storm-winds; and few of the old naturalists, credulous as they were, regarded them as real creatures, though this cannot be said of all. Some other fabulous bird-forms are to be met with in Greek and Arabian mythologies, etc., but they are not of any particular interest. And it is time for us to conclude our present excursion, and to seek for other byways.
V. THE POWDER OF SYMPATHY: A CURIOUS MEDICAL SUPERSTITION
OUT of the superstitions of the past the science of the present has gradually evolved. In the Middle Ages, what by courtesy we may term medical science was, as we have seen, little better than a heterogeneous collection of superstitions, and although various reforms were instituted with the passing of time, superstition still continued for long to play a prominent part in medical practice.
One of the most curious of these old medical (or perhaps I should say surgical) superstitions was that relating to the Powder of Sympathy, a remedy (?) chiefly remembered in connection with the name of Sir KENELM DIGBY (1603-1665), though he was probably not the first to employ it. The Powder itself, which was used as a cure for wounds, was, in fact, nothing else than common vitriol,(1) though an improved and more elegant form (if one may so describe it) was composed of vitriol desiccated by the sun's rays, mixed with gum tragacanth. It was in the application of the Powder that the remedy was peculiar. It was not, as one might expect, applied to the wound itself, but any article that might have blood from the wound upon it was either sprinkled with the Powder or else placed in a basin of water in which the Powder had been dissolved, and maintained at a temperate heat. Meanwhile, the wound was kept clean and cool.