Louis XVIII. and Charles X. both reigned at the Tuileries. But in July, 1830, the Revolution once more took possession of the palace; and in 1848, after the flight of Louis Philippe, the mob again ruled for a time in the home of the French kings. In 1848 the Provisional Government converted the Tuileries into an asylum for civilians. But the conversion was made only on paper, and in 1852 the Tuileries became for the second time an imperial palace—the palace of Napoleon III. The fate of the historical structure was, as everyone knows, to be burnt by the Communards. It was on the 24th of May, 1871, when the Versailles {216} troops were already in the Champs Élysées, that the central dome of the palace, the wings, the whole building in short, was seen to be in flames. The new portions of the palace alone refused to burn. Then, in their rage, the incendiaries had recourse to gunpowder, and during the night a formidable explosion was heard. The troops of the Commune, commanded by the well-known General Bergeret, had retired some hours before. Bergeret, however, was not responsible for the incendiarism; and the person afterwards tried for it and condemned to hard labour for life (in commutation of the death punishment to which he was first sentenced) was a certain Benoit, formerly a private in the line, then, during the siege, a lieutenant in the National Guard, and finally colonel under the Commune.
The gardens of the Tuileries are now more than ever open to the reproach brought against them by the men of the Revolution, who objected to statues adorning its terraces and walls, and wished its works of art to be replaced by lettuces and cabbages. All the greatest sculptors of France are represented in the Tuileries gardens, which also contain many admirable reproductions of ancient statues and groups.
There is one interesting walk in the Tuileries gardens which is the favourite resort of children. Here it was, in the so-called petite Provence, that the children’s stamp exchange was established, against which the authorities found it necessary to take severe steps. The young people have since contented themselves with balls, balloons, and other innocent amusements. There is a Théâtre Guignol, moreover, a sort of Punch and Judy, in the middle of the old gardens; and from the {217} beginning of April to the middle of October a military band plays every day. It is impossible to leave the Tuileries gardens without mentioning its famous chestnut tree—the chestnut tree, as it is called, “of the 20th of March,” because in 1814 it blossomed on that very day as if to celebrate Napoleon’s return from Elba. But the old chestnut tree had a reputation of its own long before the imperial era. More than a hundred years ago the painter Vien, at that time pupil of the French School, was accused of having assassinated a rival who had competed with him for a prize. He was about to be arrested when he proved that at the very hour when the crime must have been committed he was tranquilly seated beneath the future “chestnut tree of the 20th of March,” which was distinguished just then from all the other trees in the garden by being alone in flower. This picturesque alibi saved his life.
Outside the remains of the Tuileries was erected, on the Place du Carrousel, in 1888, a monument to Gambetta. The design as a whole has been unfavourably criticised, but the figure of the orator himself, represented in the act of declamation, is bold and striking, and full of character.
CHAPTER XX.
THE CHAMPS ÉLYSÉES AND THE BOIS DE BOULOGNE.
The Champs Élysées—The Élysée Palace—Longchamp—The Bois de Boulogne—The Château de Madrid—The Château de la Muette—The Place de l’Étoile.
BEFORE entering the Champs Élysées, the greatest pleasure thoroughfare in Paris, next to, if not before, the line of boulevards, a brief examination of the frontiers, as approached from the Place de la Concorde, may be advisable. This region of the capital was for a long time one of those marshes by which ancient Paris, the Lutetia of the Romans, was enclosed like a fortress. Then it became cultivable land and passed into the hands of market gardeners, who grew their vegetables in fields by no means “elysian,” until the latter part of the reign of Louis XV.