Old and New Paris: Its History, Its People, and Its Places, v. 1

by H. Sutherland Edwards

The Place du Parvis—The Parvis of Notre Dame—The Hôtel-Dieu—Mercier’s Criticisms.

IN the matter of police administration and of civic government generally; the Hôtel de Ville is to the whole of Paris what the Mansion House and the Guildhall are to that part of London known specially as the City. The Hôtel de Ville has charge, moreover, of all the Paris hospitals and benevolent institutions. The general administration of the hospitals is entrusted to a Director, under the surveillance of a Consultative Committee.

The most ancient and most celebrated of all the Paris hospitals is the Hôtel-Dieu, occupying a space which is bounded on the north by the Quai aux Fleurs, on the south by the Place du Parvis, on the west by the Rue de la Cité, and on the east by the Rue d’Arcole.

The Place du Parvis deserves a word of mention to itself. The word “Parvis” has several derivations, the most popular of which is from the Latin paradisus. The ancient form of the French word was paraïs or paravis, contracted into parvis; and it was applied to the open space in front of a church because, in the days of the “mysteries,” it was here that the paradise of the play was located. According to another derivation, the “parvis” is the ground outside a church which “pare” or “guards” the principal door—huis in the ancient French. In this sense the word is used to denote, in the Jewish Temple, the space around the tabernacle. Parvis céleste is a phrase employed by French poets to signify heaven or the firmament; which does not at all prove—indeed seems to disprove—that parvis means, or ever did mean, the same thing as paradisus. The parvis of the old churches was, in any case, used as a place of penance for those who had scandalised the town by some offence against good morals; and it was there that on certain occasions holy relics were brought for exhibition to the people. The temples of Greece and Rome were surrounded by enclosures, as if to separate them from the public thoroughfare; and the first Christian churches had enclosures in front of the principal entrance, where tombs, crosses, statues, and sometimes fountains were to be seen. After the twelfth century the parvis ceased to be enclosed; though so late as the sixteenth century the Parvis of Notre Dame appears, by exception, to have been shut in by a wall not more than three feet high, through which there were three different gateways.

The Parvis of Notre Dame served in ancient days the most varied purposes. Here, before the establishment of the University of Paris, public schools were held. It was a place of punishment, moreover; and it was on a scaffold erected in the Parvis of Notre Dame that Jacques de Molay and the Templars heard the sentence read which was afterwards executed upon them (March 18, 1314) in the Île aux Vaches, as the little island was anciently called where now stands the statue of Henri IV. Here, too, under Francis I., Huguenots were given to the flames.

Jacques de Molay, the last grand master of the Templars, was born in Burgundy, and entered the order in 1265. He distinguished himself in Palestine, in the wars against the Mussulmans. Elected grand master in 1298, he was preparing to avenge the defeats which the Christian arms had recently sustained, when in 1305 he was recalled to France by Pope Clement V. The pretext for this summons was a projected union of the order of Templars with that of the Hospitallers. But the true object of Philip the Fair, for whom the Pope had acted only as instrument, was the destruction of the order, whose immense wealth had excited the monarch’s covetousness. On the 13th of October, 1307, all the Templars were arrested at the same hour throughout France; and a process was instituted against them in which every form of justice was violated. Thirty-six knights expired under torture, and several owned to the crimes and the shameful immorality of which they were falsely accused. Molay himself, in the agony of torture, allowed some words to escape him; but before dying nearly all the victims retracted the utterances wrung from them by pain. The Pope, throughout this tragic affair, followed the directions of the French king, to whom he owed his tiara.

To go back from history to legend, it was in the open space afterwards {277} to become the Parvis of Notre Dame that in 464 Artus, King of Great Britain, son of Uther, surnamed Pendragon pitched his camp when invading Gaul and ravaging the country. Gaul was at that time governed for the Emperor Leo by the Tribune Flollo, who retired to Paris and there fortified himself. Artus now defied Flollo to single combat. The Tribune accepted, and the duel took place on the eastern point of the Île de la Cité, with lance and hatchet. Blinded by the blood which flowed from a wound he had received in the head, Artus invoked the Virgin Mary, who, it is said, appeared to him in presence of everyone, and covered him with her cloak, which was “lined with ermine.” Dazzled at this miracle, Flollo lost his sight, and Artus had now no trouble in despatching him. In memory of the Virgin’s interposition, Artus adopted ermine for his coat-of-arms; which for a long time afterwards was retained by the kings and princes of Britain. He wished at the same time to consecrate the memory of his triumph, and accordingly erected on the very ground where the combat had taken place a chapel in honour of the Virgin, which at last became the cathedral church of Paris. Then Artus (or Arthur) returned to his British island, and there founded the Order of the Knights of that Round Table which is still preserved in Winchester Cathedral.

Until the Revolution the Parvis of Notre Dame was shut in north and south by populous districts through which ran narrow, ill-built streets, and which contained several buildings of importance. Since then a clean sweep has been made of all the tumble-down buildings in the ancient Cité, between the two banks of the Seine north and south, between the Cathedral on the east and the barracks of the Republican Guard on the west. The southern part of the Parvis has been transformed into a sort of English garden, in the centre of which stands an equestrian statue {278} of Charlemagne by the sculptor Rochet.

In old French, the second of two substantives joined together did duty as genitive; so that Hôtel-Dieu signified the hotel (or house) of God, just as in some ancient French towns Mère-Dieu, as the sign of an hotel, meant not, as is sometimes ignorantly supposed, “God the Mother,” but “The Mother of God.” The Hôtel-Dieu or Hôtel de Dieu (a house, that is to say, in which the poor and suffering were received and attended in the name of God and under His auspices) was founded about 660, in the time of Clovis II., son of Dagobert, by Saint Landri, twenty-eighth bishop of Paris. Here he was accustomed to receive, at his own expense, not only sick people, but also beggars and pilgrims. Medicus et Hospes, such was the motto of the bishop, who might justly claim the double title of physician and host. In the course of centuries the good work begun by Saint Landri was continued on a large scale by the French kings, with Philip Augustus, Saint Louis, and Henri IV. prominent among them. Among the benefactors of the Hôtel-Dieu must also be mentioned the Chancellor du Prat, and the first President, Pomponne de Bellièvre.