The uncommunicativeness of the pensioner is attributed by M. Monnier to his having nothing to communicate. “If you ask him for his reminiscences,” says this admirable writer, “you will be astonished to find that, much as he has seen, he has learned little and retained little.” If, for instance, he is spoken to about Egypt, he declares that he has found Egypt just like any other country. “What about the inhabitants?” says the inquirer. “The same as any other inhabitants,” is the reply. “But the costumes?” “What costumes?” “Their different costumes. How are they dressed?” “Like us—they do not go naked.” “And the pyramids—those monuments of another age—which rise heavenwards and lose themselves in the clouds?” “Same thing as occurs here—at Boulogne and Calais, by the sea shore.” The visitor gives this gentleman up and passes to another, who has been to China, and who declares that the habits of the Chinese are identical with those of the French. “But how about their temples, their pagodas?” suggests the visitor. “Do you mean their houses?” “Yes, the places where they live, and those where they pray.” “Just like our own, with doors and windows—everything the same as here.” It is fair to suppose that M. Monnier, who is nothing if not a humourist, was so amused at the manner in which some few of the old soldiers had gone through the world with their eyes shut that he found the temptation to generalise this individual characteristic a trifle too strong for him.
The first stone of the Hôtel des Invalides was laid on the 30th November, 1670. Four years[{192}] afterwards the place was ready for the reception both of officers and men. The plans of the whole building, with the exception of the dome, were drawn up by Libéral Bruant, who directed the works until his death. His duties were then taken up by Mansard, who made no change in his predecessor’s design, though he proposed the addition of a dome for which he submitted plans, and which was in due time constructed.
The Hôtel des Invalides stands in view of the Seine, at the extremity of a large esplanade planted with trees. In the middle of this esplanade there used to be a fountain which, under the First Empire, surmounted the lion of St. Mark, transported from Venice. Retaken in 1814 by the Austrians, the lion was replaced by an enormous fleur-de-lis, for which the Revolution of July substituted a bust of La Fayette. Bust and fountain have both disappeared.
On the Esplanade side of the Invalides are ranged a number of cannons, forming what is called the “triumphal battery,” which sends forth a peal of thunder on the occasion of some victory or state ceremony. The pieces are served by the pensioned artillerymen. The “triumphal battery” is particularly interesting from being largely composed of all kinds of foreign guns—Austrian, Prussian, Russian, Dutch, Venetian, Algerian, and Chinese, many of them taken in action.
Behind the “triumphal battery,” screened off by a sort of stone bastion, are the little gardens cultivated by the pensioners. Farther back is the principal façade of the hotel, three storeys high, and more than 200 metres wide, surmounted by a row of attics, and pierced with 133 windows. Projecting from the façade is a forepart enclosing a large arcade, of which the tympan represents Louis XIV. on horseback, accompanied by Justice and Prudence, two divinities to whom he did not always lend an ear. This group, the work of Couston, was maltreated by the Revolution, but restored by Cartellier. On the two sides of the entrance are the statues of Mars and Minerva, likewise by Couston. At the angles formed by the forepart and the façade are pedestals supporting four figures, in bronze, of chained nations, humbling themselves at the feet of the statue raised to Louis XIV. by Marshal de la Feuillade on the Place des Victoires and overthrown in 1792. These figures are executed by Desjardins.
An adequate description of the interior of the Invalides would fill a small volume. Remarkable by its architecture, it is interesting by the military relics and trophies preserved in it. A subterranean crypt, beneath the celebrated “dome,” contains the tomb of Napoleon, whose remains were conveyed thither from St. Helena.
LATUDE RECOGNISES D’ALIGRE AT CHARENTON. ([See p. 216.])