Old and New Paris: Its History, Its People, and Its Places, v. 2

by H. Sutherland Edwards

The régime imposed at La Roquette is uniform, and applies without distinction to all classes of offenders. Everyone within the walls rises at 5.0 a.m., does ten hours’ work relieved by intervals for food and recreation, and goes to bed at half-past seven, passing the night in a strongly bolted cell, of which the sole furniture is an iron bedstead. An exception, however, as regards sleeping, is made in the case of prisoners liable to epileptic fits, or who have attempted to commit suicide. These sleep in special dormitories under the careful inspection of warders. One room, moreover, is set apart for fever patients. Another is reserved for those prisoners who have softened the rigour of their confinement by particularly good behaviour or—what some will think less admirable—by informing against their accomplices. It frequently happens that the accomplices so betrayed find their way to the same gaol, and if the informers were not isolated deeds of vengeance might sometimes be committed. The administration of La Roquette consists of a governor, a chaplain, a physician, two clerks (senior and junior), a brigadier, an under-brigadier, fourteen warders, a dispenser, a laundress, and a sutler. Nearly two dozen prisoners, moreover, are employed about the establishment as auxiliaries.

At certain periods gangs of convicts are transferred from La Roquette to provincial state prisons or houses of correction. Before their departure, however, they are most rigorously searched lest they should have upon them any sort of instrument which might assist them to escape from their future residence. One tool in particular, the invention of inveterate criminals, is always an object of apprehension with the authorities on such occasions. This consists of a kind of diminutive fret-saw, which by a miracle of patience can be made out of scraps of metal, and with which thick iron bars can sometimes be cut through. It was a saw of this[{134}] family that Ainsworth’s prison-hero employed to sever the bar of his Newgate cell.

Since 1851 the Paris executioner has been accustomed to perform his grim functions in front of La Roquette. A number of massive stones which, forming a square, are let into the pavement outside, serve as basis for the temporary erection of the guillotine whenever a head is to fall. The surface of these stones is level with that of the pavement, and many a pedestrian walks over them without dreaming of their sinister utility. The guillotine is usually put up during the night; but despite the early hour at which, thanks to this precaution, executions take place, the spectacle of decapitation always draws a crowd of curious persons, consisting, it is sad to say, largely of women and youths, who will brave all the rigours of a winter’s night in order to witness from the front rank the death of some wretch, notorious or obscure. It was on the Place de la Roquette that Verger (assassin of the Archbishop of Paris), Orsini (the would-be destroyer of Napoleon III.), La Pommerais (the poisoning doctor), and many other criminal celebrities, were executed. “Perhaps,” says a fanciful French writer, “during the fatal night which preceded their last hour they heard the nailing-down of the guillotine planks; for La Roquette is the gaol where those under death-sentence are lodged in a special cell.” This cell is cold and gloomy: a bed and a table constitute its furniture. It is here that the condemned man gets his last snatch of sleep, if indeed he can sleep at all; it is hence that, after a last “toilette,” he steps forth to make his exit by that prison doorway which to him is the threshold of eternity.

The Conciergerie is the gaol of the department of the Seine. It gained a sinister celebrity during some of the most sanguinary periods of French history. This sombre prison abounds in recollections of those strifes and miseries by which royal epochs were too often characterised, and of that vengeance and blind fury which distinguished the Revolution. Every political movement, every religious passion, has contributed to the horrors which mark the annals of this institution.

The Conciergerie is an appendage to the Palais de Justice; and when this palace, which was originally a fortress, became the residence of the French kings, it served as prison. It would appear to have been built about the same time as the palace, though it has undergone sundry alterations and enlargements during successive ages.

Reconstructed by Saint Louis, the Conciergerie, as its name indicates, included the residence of the prison-governor. The “concierge” of the palace was no unimportant personage. He was in a certain way the governor of the royal mansion, and all royal prisoners were under his charge. He could administer petty justice in the palace and its surroundings, and he appointed a bailiff to carry out the law in his name. His privileges were extensive enough. It was he whom merchants had to pay for the right of exposing their wares for sale at the Palais Royal. In 1348 the concierge took the official title of bailiff. More than one person of high distinction has held this office: Philippe de Savoisi, friend of Charles VI., for instance, and Juvenal des Ursins, the historiographer of that monarch’s reign. Louis XI.’s famous physician, Jacques Coictier, was the first who united the functions of bailiff with those of concierge.

The concierge-bailiff of the Palais had on many points a discretionary power over the prisoners of the Conciergerie. He himself taxed the food he supplied to them, and fixed the rate of hire for the furniture they used; and more than one prisoner, released by order of justice, found himself retained at the Conciergerie until he could pay his bill for board and lodging. The post of concierge-bailiff lasted until the Revolution. The cases which came beneath the jurisdiction of this functionary were tried in a large hall of the palace. These were cases of misdoing which had occurred within the palace walls.

One of the most ghastly scenes ever enacted within the walls of the Conciergerie was that in which, during the quarrels between the Armagnacs and the Bourguignons, those ruffian supporters of the latter party, known as the “cabochiens,” invaded the gaol and killed the crowd of prisoners within it, irrespective of age or sex. The court of the palace was inundated with blood and strewn with corpses. The Count d’Armagnac, Constable of France, six bishops, and numerous members of the Paris Parliament expired under the blades of the assassins.

The dungeons of the Conciergerie, built at the level of the Seine, were dark and unhealthy: the light of day could never penetrate to them. During the Middle Ages several pestilences, caused by the filthy condition of the prisoners combined with insufficiency of food, broke out[{135}] at the Conciergerie and awakened the attention of the authorities. On the 31st June, 1543, beds were for the first time placed in the apartment known as the infirmary; and it was about this period that the gaolers were instructed not to ill-treat the wretches beneath their charge. They were to treat them “gently and humanely, to provide them with water and straw, to procure them the services of priests, etc.” In spite of these reforms, the Conciergerie long remained the most unhealthy prison in Paris.

In 1776, during the fire at the Palais de Justice, a great part of the Conciergerie fell a prey to the flames; nor was the mischief repaired until some years afterwards. The fire had already reached one of the towers occupied by the prisoners, when the officials were for the first time warned of their danger by their cries for help.