But let us take a nearer look at the old Hall. The building, after the custom then in vogue, is fashioned like a capital E, the shorter member being represented by a central gable of very unusual appearance, containing a curious clock. By the courtesy of Lieut.-Colonel Cotes, the present proprietor, we are enabled to examine the interesting features of the interior, which contains some notable ancestral portraits, and a singular sort of picture-map showing the Hall and grounds as they existed in 1682. In one wainscoted chamber our attention is directed to a secret closet, or hidie-hole, ingeniously disguised by a sliding panel very difficult to detect; indeed, every corner of the mansion has its interest for the antiquary.
After having been the seat of the Ottley family for considerably more than three centuries, Pitchford Hall passed in the year 1807 into the possession of the late Lord Liverpool, who had the honour of entertaining Her Majesty here when, as Princess Victoria, she visited in this locality with the Duchess of Kent, in the year of the great Reform Bill.
The House in the Tree Pitchford
Before taking leave of Pitchford, we pass out into the grounds to visit the so-called House in the Tree. As shewn in the picture here, this consists of a small chamber, about 9 or 10 feet square, and covered with a peaked roof—not much in itself, yet curious from the fact that it is built, high and dry, aloft in the fork of a huge old storm-rent lime tree, and is approached by a crooked flight of steps. Tradition avers that a 'house' has existed in this tree any time these two centuries past, having been formerly used as a dwelling; and the broken stump of more than one huge limb shews how severe have been the gales this venerable lime tree has weathered.
Upon a slight eminence hard by the mansion rises Pitchford church, a plain, simple structure, evidently of great antiquity. Built into its southern wall we notice a rude stone slab, apparently older than the church itself, with a raised cross enclosed by a circle cut in low relief upon its surface. An otherwise ordinary-looking interior is relieved by the handsome, recumbent effigy, of which a sketch will be found on p. [41]. This remarkable monument is entirely composed of oak, black and smooth as ebony from lapse of time. The figure, some 7 feet in length, is that of a Crusader, habited in chain-mail, the hands clasping a sword, and the spurred feet resting upon a couchant dog, or talbot. Upon the base of the structure are seven trefoil arches, enclosing shields charged with armorial bearings, all excellently wrought, and in a good state of preservation. From its general character there can be no doubt this monument is of very early date; indeed it is supposed to represent Sir Ralph de Pitchford, who died in 1252.
Retracing our steps to the bridge, let us turn aside there for a moment to look at the ancient Pitch Well, a feature probably unique of its kind, whence the adjacent Hall derives its name.
The Well proves to be a largish shallow affair of an oval shape, and about 2 feet in depth, while the surface of the well (which is almost dried up this drouthy season) has little 'pockets' of semi-liquid pitch, oozing up from below and partially caked on the top. This bituminous spring appears, indeed, to have altered but little since Marmaduke Rawdon visited the spot, during a tour in the seventeenth century. 'Thir is in this Well,' he observes, 'foure littel Hooles about a halfe yard diep, out of whiche comes lyttle lumpes of Pitche, but that which is att ye tope of ye Well is softish, and swimes uppon the water like Tarr, butt being skym'd together itt incorporateth, and is knead together like untoo soft wax, and becometh harde.'
Sketches completed, we now make for the village, and pace on through the quiet, weedgrown street, where the martins are nesting under the lee of the old stone-tiled roofs, and the still, sunny air is redolent of lilac and early honeysuckle. Yonder gable-end with its rough yellow plasterwork, Venetian shutters, and mantle of purple wistaria, greets the eye with a pleasant scheme of colour, calling up visions of far-away Italy.