METHODS AND COST OF CONSTRUCTING ORNAMENTAL WORK.
The safest rule for ornamental work is to leave its construction to those who make a specialty of such work. This is perfectly practicable in most concrete structures having ornament. Bridge railings can be and usually are made up of separately molded posts, balusters, bases and rail. Ornamental columns in building work, keystones, medallions, brackets, dentils, rosettes, and cornice courses can be similarly molded and placed in the structure as the monolithic work reaches the proper points. The general constructor, therefore, can readily delegate these special parts of his concrete bridge or building to specialists at frequently less cost to himself and nearly always with greater certainty of good results than if he installed molds and organized a trained gang for doing the work.
Good concrete ornament is not alone a matter of good design. It is also a matter of skilled construction. Nearly anyone can mold an ornament, but few can mold an ornament which is durable. To produce clean, sharp lines and arises which will endure, the molder must have special knowledge and familiarity with the action of cement and of concrete mixtures, both in molding and on exposure to the elements. This is knowledge that the general concrete worker rarely possesses but which the ornament molder does possess if he knows his business. Special work is always best left to the specialist.
While the more intricate ornamental work is best done by sub-contract, so far at least as the actual molding of the ornaments is concerned, there is a large amount of simple paneling and molding which the general practitioner not only can do but must do. Knowledge of the best methods of doing such work is essential and it is also essential that the constructor should know in a general way of the special methods of molding intricate ornaments.
SEPARATELY MOLDED ORNAMENTS.—The cement for ornamental work must be strong and absolutely sound. Where an especially light color is wished a light colored cement is desirable. So called white cements are now being manufactured. Lafarge cement, a light colored, non-staining cement made in France, gives excellent results. Of American cements, Vulcanite cement has a light color, and next to it in this respect comes Whitehall cement. A light colored ornament can, however, be secured with any cement by using white sand or marble or other white stone screenings. Some authorities advocate this method of securing light colored blocks as always cheaper and usually superior to the use of special cements. The choice between the two methods will be governed by the results sought; where as nearly as possible a pure white is desired it stands to reason that a white or nearly white cement will give the better results.
In the matter of sand and aggregate for ornamental work, the kinds used will ordinarily be the kinds that are available. They must conform in quality to the standard requirements of such materials for concrete work. Where special colors or tints are wanted they can be secured by using for sand and aggregate screenings from stones of the required color. This is in all respects the best method of securing colored blocks, as the color will not fade and the concrete is not weakened. A great variety of pigments are made for coloring concrete; these colors all fade in time, and with few exceptions they all weaken the concrete. The mixtures used in ornamental work will depend upon the detail of the ornament and upon whether color is or is not required. Generally a rich mixture of cement and sand or fine stone screenings will be used for the surface and will be backed with the ordinary concrete mixture. A surface mixture of fine material is necessary where clear, sharp lines and edges or corners are demanded.
The molds used for ornament are wooden molds, iron molds, sand molds and plaster of Paris and special molds. Each kind has its field of usefulness, and its advantages over the others. They will be considered briefly in the order named.
Wooden Molds.—Wooden molds are perhaps the best for general work where plain shapes and not too delicate ornamentation are wanted. They give the best results only with a quite dry and rather coarse grained surface mixture. If a wet mixture is used such water as flushes to the surface cannot escape and small pits and holes are formed, which necessitates grout or other finishing. The following are examples of wooden mold work:
In constructing a five-span reinforced concrete arch bridge at Grand Rapids, Mich., in 1904, the railings and ornamental parts of the bridge, such as keystones, brackets, consols, dentiles and panels, were cast in molds and set in place much as cut stone would be. Special molds were employed for each of these different shapes. These molds were plastered with an earth damp mortar composed of 1 part cement and 2½ parts fine sand, which was followed up with a backing of wet concrete composed of 1 part cement, 2 parts sand and 3 parts broken stone passing a ¾-in. ring. The facing mortar was made 1½ ins. thick. The castings cannot be told from dressed stone at a few feet distance.
The part elevation and sections in the drawings of Fig. 288 show the arrangement of the various castings to form the completed railing, coping, etc. To specify, A is the arch ring, B the brackets, C the coping, and D, E, F, respectively, the base, balusters and rail of the bridge railing. The blocks G and H show the keystone and railing post. The forms or molds for each of these parts are shown by the other drawings of Fig. 288. A description of each of these forms follows: