PEBBLE-FORT DEFENSES AGAINST THE FOE
So he is very careful to keep the front door closed. This he does by stopping it up with leaves, leaf stems, and sticks. He also protects the door with little heaps of smooth round pebbles; but these pebbles are of a larger size than those he uses for paving the floor of his chamber. Besides helping to keep out drafts these pebbles serve another purpose. As our ancestors, the cave-builders, barred the door with boulders to keep out bears and other unwelcome callers, so the earthworms are protected by the pebbles, to a certain extent, from one of their enemies—the thousand-legged worm. Because of these little forts, the earthworms can remain with more safety near the doorway and enjoy the warmth of the morning sun. (So we might have reproduced Corot's "Morning" as a kind of landscape the earthworm enjoys!)
II. The Mind of the Earthworm
From all of which you can see the earthworm, for what small schooling he gets, is a very bright boy! If we were as bright, according to our opportunities, we would probably have answered long ago such puzzles as the question whether there is really anybody at home in Mars, how to keep stored eggs from tasting of the shell, and other great scientific problems of our day.
WHERE MR. EARTHWORM KEEPS HIS BRAIN
Just as we have little brains in the tips of our fingers, the earthworms have brains in the ends of their "noses." They have neither eyes nor ears, but, like that wonderful girl, Helen Keller, they make up for the lack of these senses, to a remarkable degree, by the development of the sense of touch. They acquire quite a little knowledge of Botany, for example. They not only know that leaves are good to eat, but they know which is the "petiole" and which is the "base." They always drag leaves into their burrows by the smallest ends, because this makes it easier to get them through the door. And it is not by mere instinct that they do this. Supply worms with leaves of different form from those which grow in the region where they live, and they will experiment with them until they find just the best way in which to pull them into the burrows. After that they will always take hold of them so, without further experiment. That is the majority of them will do this; for earthworms are like other little people—all of them are not equally ambitious or studious.
And the earthworm also knows something about Geometry. Cut paper into little triangles of various shapes and pretend to the worms that they are leaves by scattering them near the mouths of the burrows. Then remove the leaves with which the burrows are stopped. The worms will pull in the slips to close the door and they will—most of them—take hold by the apex of the triangle because that is the narrowest point.
THE EARTHWORM'S TASTE IN MUSIC
So you see the earthworm is a very cultivated country gentleman with his knowledge of Botany and Geometry, and his taste for landscape. But this is not all. He also has opinions about music. There are certain notes that apparently get on his nerves. Put worms in good soil in a flower-pot, and some evening when they are lying outside their burrows set the pot on the piano and strike the note C in the bass clef. Instantly they will pull themselves into their burrows. They will do the same thing at the sound of G above the line in the treble clef. Although they cannot hear, they are sensitive to vibrations, and these are carried from the sounding-board of the piano into the pot. They are less sensitive when the pot itself is tapped. The music seems to go right through them.