Nine-tenths of Shayne’s cases had money at the bottom of them; he had come to regard such a will as Helen’s father had left as nothing more than an instrument of murder. Long ago he had learned not to look beyond his nose for a motive when a large sum of money was involved. No wonder he had grown cynical regarding the combination of murder and money. They were inseparable companions.
He didn’t quite see how it worked out this time, but he had a strong hunch that the motive for Helen Stallings’s murder would lie in the human relationship revolving around her rather than in the political struggle between Jim Marsh and Burt Stallings.
The political angle, he reasoned, was more of an effect than a cause, an accidental by-product of murder rather than the primary purpose.
Mrs. Stallings and thus, indirectly, Stallings himself would benefit by Helen’s death before her twenty-first birthday, Shayne mused. Still the ironical fact remained that she had already legally forfeited her inheritance by secretly marrying Whit Marlow in defiance of her father’s will. Anyone cognizant of the marriage would have known that the girl’s death was not necessary to cause her fortune to revert to her mother. That was one of the questions which desperately needed an answer. Did Stallings know about the marriage prior to her death?
Another big question was Arch Bugler’s connection with the situation. His open intimacy with Helen Stallings stunk. Bugler was a known gangster. Did the girl know? They could not have met by mere chance. To Shayne it was inconceivable that a well-bred girl would deliberately choose the mobster for a companion.
The illusive sheen of a dying moon on Biscayne Bay was like a drug. The air pouring in the open windows was cool and moist. A nostalgic mood crept over him and caught him unawares, sweeping him back to his own youth — to the time when he played a cornet in the college orchestra. For a welcome moment his mind moved in a maze of memories, forgetful of the case at hand, but he could not long escape the mental picture which was haunting him — the dazed eyes and pallid, contorted features of Helen Stallings as he first saw her.
What was she like normally? She was young and possessed, no doubt, of all the illusions of youth. A saxophone player in uniform could easily represent a knight in armor with the added attraction of sensual, melodic strains from that wailing instrument. A saxophone could express a player’s sentiments without words. Shayne had known college boys who used that method. Had Helen regretted her marriage to a slight, anemic youth and taken refuge in the arms of a mature, strong-armed man years her senior? He recalled that Rourke had said that consorting with mobsters was a fad with youngsters.
A cloud sailed over the moon and a mist from the sea swam before Shayne’s headlights, snapping him back to reality and a consciousness of his destination. He picked up his thoughts where he had left off.
Suppose Stallings and Bugler had worked out a plan together to ensnare the girl? The terms of her father’s will made Helen’s marriage before her majority worth a great deal of money to Stallings. Did he arrange with Bugler to rush her off her feet into a hasty marriage for that purpose?
Still, why would he choose a man like Bugler for that purpose? There were thousands of men more eligible and more prepossessing in Miami.