“Do you mean she isn’t in the theater?”
“Hell, no, she isn’t here. Why would I be asking you? She must have gone out right after the play started. I left her in her dressing-room when I went on. She swore she’d be all right. Then she slipped out without telling anyone.”
“No one?”
“No one knew she was gone until just in time for Christine to get in costume. I thought she’d gone back to find you.” Frank Carson took a backward step. Horror and fear were accentuated by heavy mascara and greasepaint, and his fine features were distorted. He said in a low, furious voice, “You didn’t stay? You don’t know what has become of Nora? You let her go out alone — with a mad killer roaming this damned town? What sort of a detective are you?”
“Sometimes I ask myself that same question,” Shayne said grimly, “and don’t receive a very satisfactory reply.”
Chapter five
PHYLLIS SHAYNE was not one to stand idly by and hear her husband aspersed. She stepped between Shayne and Frank with dark eyes blazing. “You’re a fine one to accuse Michael of letting your wife wander off. Why didn’t you stop her?”
“I didn’t know she was going.” He arched his perfect brows in surprise and modulated his voice. “I had to rush like the devil to get ready for my cue.”
“Well, neither did Michael know she was going,” Phyllis countered angrily.
Shayne chuckled and put Phyllis gently aside. “This little hell-cat is my wife,” he explained. “She only gets belligerent when I’m attacked. If your wife went back up the hill, she’s all right. There were officers up there to take care of her. But if she went wandering off on some tangent of her own, we’d better try to find her. Are you sure she didn’t tell anybody where she was going?”