In Harry's middle distance another more decorous swing-door vibrated to and fro, with a sharp smell of hops, a rattle of glasses, a voice reckless but good-humoured—proposing a like libation. Beyond this in endless succession were openings and re-openings of a locked cabinet that had hung somewhere on a wall, and further yet, myriads of goblets, cut with shining prisms, reflecting rainbow colours on spotless napery. A drink?

"Why not?" he said, and striking open the door, led the way into the noisy interior, reeking with stale odours, with strong tobacco-smoke, with carouse and profanity. He strode across the floor, shouldering his way unceremoniously through the press, and sat down at a small deal table that was unoccupied. His companion seated himself opposite. He was looking at Harry with critical admiration, noting his lithe athletic build and the certain, confident swing of his movements. His eye lighted.

"Gad!" he said, with a little laugh. "To tell the truth I wouldn't have cared to come in here alone, though I've been in a good many shady boozeries. Allow me to introduce myself. My name's John Stark—that's the name I play under, that is. I'm an actor. I'm trying out a new play, the 'Jail-bird.' Perhaps you've seen the bill-boards."

"Of course," said Harry. The title sprang instantly into his mind, blazoned on a gaudy bill-board against a maple-shaded street:

"Do not fail to see this Talented Star
In his Gripping Drama, The Jail-Bird."

It multiplied, stamping itself on a thousand walls, a chromatic procession tumbling into the distance. The other nodded in a self-satisfied way. "It's a great play. Got the real human dope in it. It'll go big, too. That's why I come to these places—to study 'business.' See that teamster with the pock-marked face and the tattoo on his arm? What a make-up that would be!"

The burly, half-drunken driver, in red-flannel shirt with a snake-whip in his armpit, his back to the bar, poured from a gurgling black bottle. "Hear what it says?" he hiccoughed—"'It's good—s'good—s'good—s'good—s'good!'"

John Stark withdrew his eyes from the fascinating study, as a waiter, in an apron that had in some remote epoch aspired to white, with a strip of soiled towelling thrown over one arm, set two thick glasses on the table, with a surly "well?"

"I'll take a silver fizz," said the actor.

"The same," said Sevier—"and be quick about it!"