"I am a woman who can support her own opinions. Joe Strangeways, I'm in two minds whether to give you a sound thrashing or not."
Strangeways became limp. His mind was not quick of movement, and this reversal of a natural law dazed his perceptions; the gaunt figure seemed to tower above him in a way that was uncanny—even terrifying.
"I will let you go this time, for your wife's sake," went on the old lady, with grim pleasantry. "I will give you another chance; but, mark my words—if you touch the next bottle of port I bring, you will have to account to me for it."
Away she strode through the heather with that, and left the man agape with wonder.
"Begow," he muttered, "she's a limb of the devil, yon, an' proper." By the time he gained Peewit House he had realized fully that he had been beaten by a woman, and a consuming hatred took him by the throat. "I'll be even wi' her yet—by God, I will!" he cried, as he stamped into the kitchen. But he left all succeeding bottles of port severely alone.
Kate Strangeways got a little better when the summer came; but it was utter loss of heart from which she was suffering, and there are few cures for that complaint. Joe had been gentler in his treatment of her since the interview with Mrs. Lomax, for the old lady was in and out of the house a great deal, and a superstitious awe of her was gaining on Strangeways; the more he thought of her appearance on that memorable evening, the more was he disposed to accredit her with Satanic powers—and Joe, for all his bluster, was sorely afraid of the devil.
They were cutting the aftermath in the upland meadows, and the heather was losing its purple, when Mrs. Lomax's son came home to Marshcotes. Griff Lomax had made his way in the world by this time, as the hill-men are bound to do, once they can persuade themselves to seek the valleys. He had painted a score of pictures that had brought him popularity, and two which had earned him something more: kindly elders, whose opinions had not hardened into the grooves of their own little techniques, said great things of his future, and regarded even present performances with an instinctive laying-by of critical acumen; devoted youngsters, who kicked at the graver and loved the lighter paintings, urged him to bid for the Academy and creep into the easy-chairs reserved for Society pets. And these same easy-chairs had shown an alluring softness for awhile. After the rough-and-tumble fellowship of moor gales, there was a plausible imitation of comfort to Griff in the tinkle of dainty tea-cups, the scent of delicate draperies, the mincing mock-profundity of clever young men and women who pelted their deepest passions with the mud of paradoxical phrasing.
It was ten years now since he had set off for London, with a portfolio of crude moor sketches in his bag, and in his heart a measureless yearning to conquer something. What the something was, he neither knew nor cared to realize; perhaps he would win fame, perhaps love, or the gold that spelt "power"—but, whatever direction his more settled desires might take, he meant to conquer. The glare of the city-bound life, the eager running to and fro in a laden atmosphere, the desperate, thin-lipped eagerness to shut down a trap-door on all that made for dignity, or purpose, or enthusiasm—these things had dazzled him for awhile; he had learned the strange tongue with a quickness native to him, and he told himself from time to time that the wider life had opened before him.
But deep under all this there was a still, small voice that would insist on a hearing now and then; it was a voice more powerful than conscience—the voice of an instinct—and it cursed him for a fool when he babbled of the wider life. For five hundred years the Lomaxes, generation after generation, had grown to manhood with the taste of the peat in their mouths, and the quickening heath-winds in their vein; his London folly was the folly of those who build their houses on the lava of a sleeping volcano, and think themselves secure. It was this underlying sense of honesty that roused Lomax, from time to time, to endeavours which were worthy of him; that made him expose rough edges, sudden elemental passions, to the startled gaze of the friends who thought they knew him.
There was a little hothouse woman, named Sybil Ogilvie, who had chained him with silk, and who enjoyed what was to her merely a prudent flirtation with the tremulous zest of one who is teaching a half-tamed bear to dance. To Lomax the affair was not a flirtation—and, if it were not love, it hurt him just as much as if it had been. Mrs. Ogilvie had a talent for drawing out all that was paltry in a man, and a genius for making him believe that she had touched his strongest passions.